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A HANDY GUIDE TO ALL THE OSCAR COVERAGE

"Oh no, what will I do without my daily reminder that Julianne Moore won an Oscar?!" -Steve G

 

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Entries in Batman (68)

Tuesday
Feb102015

Curio: Keaton and Moore's Vintage Features

Alexa here with some pre-Oscar nostalgia. As many of you know, I have quite the magazine stash in my basement: stacks of old issues that allow me to trace my various pop culture obsessions through the years. In 1989, 16-year-old me was crushing hard on Michael Keaton and was very excited about his upcoming turn as Batman. And then, in 2002, I was excitedly anticipating the adaptation of one of my favorite books, The Shipping News, starring Julianne Moore.  Hence these issues of Rolling Stone and Movieline were found in the piles.

I thought a little interview nostalgia was in order for these two arguable (yes, Redmayne) Best Actor and Best Actress frontrunners. After the jump, some excerpts...

Click to read more ...

Friday
Oct102014

Linkman

Empire The London Film Festival has commenced with Benedict Cumberbatch opening the festivities
Kenneth in the (212) Harrison Ford in 1978 
Logolog This one is for the linguistics and trivia nerds: Last week's box office top ten featured the first ever "pangram" -- I didn't know what that was but the article explains it
Film School Rejects will "Vs" movies be the next franchise trend? God help us all 


Guardian claims that The Imitation Game might be the queerest film for the mainstream in ages. I don't want to do that math because, if so, how depressing because it's not all that queer
/Film a Labyrinth sequel in development?
Pajiba Jennifer Garner talks about Ben Affleck's penis on the Ellen show. Hold me. Why, Jennifer, why?
Esquire Gone Girl as the story of Ben Affleck's career. Undeniable connections!
Vulture theorizes on how all the seasons of American Horror Story could be connected. I guess they mean, besides the famous actors?
/Film First images of Margot Robbie and Will Smith in Focus. Hey, do you remember when there was a movie with that title with William H Macy and Laura Dern? Anyone?
Guardian So, you guys, it turns out that that Effie Gray movie starring Emma Thompson and Dakota Fanning does actually exist and its now playing in the UK 
HitFix Sean Durkin of Martha Marcy May Marlene fame will direct a film version of Little House on the Prairie. Bizarre. 

Casting News
The Playlist Léa Seydoux is your next femme fatale Bond girl. YAS! Great choice, 007 team
Variety Gabriel Luna joins Ellen Page in Freeheld
The Playlist Jennifer Jason Leigh takes the largest (only?) female role in Quentin Tarantino's Hateful Eight

Retweet
I take it you've heard about American Crime Story, a new Ryan Murphy series that will take on true uh... American crime stories.

 

 

True crime instead of the freaky supernatural fiction crime that American Horror Story traffics in, right? I had to have my say on Twitter, you know? Hee

Weekend Watch

 

James Franco's "Making a Scene" a comic mash-up series, fuses Beetlejuice and Batman together. What would Michael Keaton say? Probably "who cares" given his recent comments about the Batman franchise post him.

While we're on the topic of Batman, The LEGO Movie is going to have a solo Batman sequel in 2017. Exactly when do we approach maximum saturation of all things Batman? You'd think it would have been awhile ago. I worry for the the 2020s

Finally
For Towleroad, I wrote up a piece on films of LGBT interest in the big Foreign Film lineup with their trailers and such. Check it out. I'm dying to see Switzerland's The Circle. And I didn't realize until researching this piece that Concrete Night is made by a writer/director pair who are famous lesbians in Finland. How about that?

Stay tuned for more coverage on this category and of course all the others too, right here. Interviews and events are already starting off blog and soon we'll start sharing them. Let's consider Monday/Tuesday the official grand opening of this new awards season here at TFE.

Monday
Aug252014

The Best Film of 1989 That Wasn't

Glenn here to discuss a lil something from 1989, but first a divergence to the modern day.

Last night’s MTV Video Music Awards were like stepping into a pop culture gulag. It’s easy to get misty-eyed thinking about VMA ceremonies of years past, when the network actually showed music videos and the form felt truly like art. Despite being aware of last night’s winner, “Wrecking Ball” by Miley Cyrus the icky Terry Richardson, I don’t claim to have near enough knowledge of modern music videos to truly complain. It does seem harder to imagine Neil Young, Peter Gabriel, or Pearl Jam winning these days though, doesn’t it? Are there brilliant works that just aren’t being recognized?

It’s been some time since videos were genuine pop culture moments and the internet certainly doesn’t help. Beyoncé appears to be the only one who’s been able to recreate the buzz of sitting around to watch the premiere of a new Michael Jackson or Madonna video. Most importantly, however, formative years are no longer spent watching music videos hoping to find our new favorite song and reveling in visual genius, rather we leave that to YouTube, iTunes and Spotify while we binge-watch sitcoms on Netflix instead.

Which brings me to 1989. If it weren’t for 1989 we wouldn’t have David Fincher. The future Oscar-nominated director had successes before ’89, but his two collaborations with Madonna that year – “Oh Father” and “Express Yourself” – as well as “Vogue” a year later feel like true moments of breakthrough genius. Whenever I tell fans of David Fincher that they should thank Madonna they balk, but isn’t it kind of true?

“Express Yourself” lost the video of the year award to Neil Young’s “This Note’s For You”, but much like a lot of Madonna’s music career, time has proven that she wasn’t just a momentary flash in the pan spurred on by a public wanting what’s new and shiny. Fincher’s video took liberal inspiration from Fritz Lang’s 1927 silent sci-fi classic Metropolis and gave it a slick and sexualized make-over (before blue filters were over-used). For mine, it remains the best thing David Fincher has ever directed – although, ever the contrarian, I don’t quite know if his maturing directorial instincts are for the better. Rather I find myself getting less excited for each new Fincher film and the very insular heterosexual male worlds they appear to inhabit. Will Gone Girl will change that?

Madonna has always been obsessed with cinema, old and new. She and Fincher would prove that again most famously one year later with “Vogue” with its recreations of the Golden Age of Hollywood as well as Isaac Julien's Looking for Langston. Every cent of Express Yourself's then record-breaking $5mil budget is on screen and it’s heightened, boldly stylized aesthetic is the exact kind that Baz Luhrmann was recreating with Moulin Rouge! over a decade later. From the rain-soaked underclass below to the sensual art-deco with modern twist of Madge’s world up top, “Express Yourself” surpasses even some of the work nominated for art direction and cinematography Oscars that year. Who remembers the sets of Driving Miss Daisy, you know? In a neat twist, Tim Burton’s Batman won the former category, itself also inspired by Metropolis. And remember when they went via satellite to present awards in England? Yikes!

The overt homoeroticism. The power of the pussy. The rally cry of the woman. It’s certainly a video that informed my early years a lot, and would go on to inspire my predilection for excessively stylish cinema as well as bold interpretations of eras. The “Express Yourself” video holds up better than most films of 1989, but perhaps works best of all as a beacon not only for Fincher’s career, but as an encapsulation of where cinema could and eventually would go in the following decades from Quentin Tarantino to endless remakes and reboots. By repurposing Metropolis, everything old was new again. Something we still see the effects of today.

Saturday
Jul262014

Live from Comic Con: Batman, Wonder Woman, Galadriel

Anne Marie here, sleep deprived and dazed after a night camping out to cover the big studio announcements for you. Folks, my group camped in line for fifteen hours to get into Hall H, and we still barely got into the back of the hall. Over 6,000 geeks camped out to see what Warner Bros, Legendary Pictures, and Marvel have to offer, so the studios are going to have to work hard to meet or exceed expectations. Here's what happened.

Cate Blanchett, Channing Tatum and more after the jump...

Click to read more ...

Friday
Jul252014

Day 1 at SDCC: Batman, Cosplay, & Frozen oh my!

Anne Marie is reporting from Comic Con in between her weekly A Year With Kate postings. And all with sprained shoulder. What a trouper. - Nathaniel


Anne Marie, Her Sling, and A DragonGreetings from San Diego! Comic Con officially started yesterday morning, and despite absolutely massive crowds, I managed to squeeze myself (and my sling) through the convention center floor and into a few panels to pass the good news on to you. Pro tip for first time congoers with sprained shoulders: A sling does not work as a well as a handicap sign. I got jostled and outright pushed until (no joke) a man dressed as Superman yelled out, "Step aside, citizens! This woman is injured!" He really is a boyscout after all.

Here are a five things I learned at Comic Con today...

1. Marvel dominates the movies, but DC has its eye on TV 
DC has five different TV shows on network television this season: Arrow (3rd season on the CW), The Flash (CW), Constantine (NBC), a midseason replacement called iZombie (CW) that was pitched by DC's VP of Marketing as 'The Walking Dead meets Veronica Mars,' and Gotham, the much-buzzed-about police procedural/Batman prequel for Fox. Once again, DC is splitting its properties between different networks (as opposed to its competitor, which is keeping it all under one studio/network), which means that the only shows with a chance of creating a crossover universe are The Flash, Arrow, and iZombie on the CW. The Flash and Green Arrow fight zombies. That would be weird.

2. DC is riding Batman's cape-tails as long as possible...

Click to read more ...