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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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"I like thinking about the red dress"

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Entries in Batman (63)

Thursday
Jul242014

Get On Link

Towleroad The Imitation Game (we just discussed the trailer) isn't the only Alan Turing focused artwork in the ether. The Pet Shop Boys just debuted their opera Breaking the Code (yes, opera) about the man.
Theater Mania there's a stage adaptation of Shakespeare in Love in the West End. Here's a review
Vulture interviews True Blood's Nelsan Ellis on the lame actor who wouldn't make out with him on True Blood and his role in Get On Up


Kenneth in the (212) Ryan Gosling joins the waxworks at Madame Tussauds
MNPP freaks out for a John Waters retrospective this September. As well we all should.
Variety big weekend expected for Lucy. I guess this means Scarlett Johansson's Black Widow solo film will get a greenlight
Boy Culture Wonder Woman in Madonna drag. LOL
Awards Daily Heart of the Sea, the Ron Howard/ Chris Hemsworth post-Rush collaboration is test screening
/Film new poster for Mad Max: Fury Road 
Superhero Hype Batman's new costume displayed at Comic Con... but I'm sorry it looks so creepy without someone in it
AV Club Project Runway begins its 13th season tonight

And please to enjoy the Venice Film Festival Lineup. They're sharing some titles with TIFF like Good Kill, The Humbling, 99 Homes, and Red Amnesia. But ther opening night film Birdman is all theirs. Feel the envy. I'd do a whole post as with TIFF but I'm not going to Venice *sniffle* whereas I might be a TIFF and also as you read this I am fulfilling my obligations as a citizen via Jury Dutyzzz. No, for real. Feel for me as I sit in the rooms waiting for my name to be called or not.

Friday
Jul182014

Tim's Toons: Why the animated Batman is the best Batman

Tim here. During this week’s edition of Hit Me with Your Best Shot, it came as, I assume, no real surprise that my pick came from the animated Batman feature, Mask of the Phantasm. But it’s not just a fixed obsession with animation that led to that choice: it’s my earnest belief that there has never been a better adaptation of Batman in any audio-visual medium than the dark, broody cartoon series that filled in the gap between the theatrical releases of 1992’s Batman Returns and 1995’s Batman Forever. So before we fully leave off our tribute to Batman’s 75th anniversary, I’d like to invite you to join me in a brief appreciation of Batman: The Animated Series.

That animation would be a good fit for a superhero comic adaptation shouldn’t be surprising on any level, of course: drawings to drawings, rather than drawings to real-world actors, limited by the rules of physics (just think about how much easier it is to make masks look expressive when you’re not bound by things that masks can actually do). And a weekly TV series is more akin to the structure of a monthly comic book, with shorter stories based around more clear-cut scenarios than superhero tend to boast. But there obviously has to be more to it than just that, or I could just as easily make this same argument in favor of The All-New Super Friends Hour, and apologies to the Wonder Twins fans, but no. Just no.

NO

Click to read more ...

Tuesday
Jul152014

Best Shot: Any Batman Film (1966-2012)

Hit Me With Your Best Shot returns from its June hiatus for a 75th celebration of the masked vigilante with a thing for winged rodents (here's the future schedule - next week is Under the Skin). We asked anyone who wanted to play to pick a theatrically released Batman film (there are 9 of them) and choose its best shot. Here's what the participants saw when they looked at these pictures.

Click on the photos to read the corresponding articles. It's the Same Bat-Time on Same Different Bat Channels. 

BEST SHOTS IN BATMAN FILM FRANCHISE
29 images selected from 9 films by 17 participants

Click to read more ...

Monday
Jul142014

Best Shot: Batman Returns & The Dark Knight

...Or, as I call them: Catwoman (1992) --what? the names not taken since there is no other movie none nuh-uh called this -- and The Joker (2008).

Yes, it's true I intended to watch all 8 Bat Movies before the big event tomorrow night (pick a Bat-Film, any Bat-Film) and select a best shot from each. The idea that I was going to be able to watch eight films, most of them over 2 hours long and write about each of them individually in the space of a week is so ridiculously delusional that maybe I need to be locked up in Arkham Asylum? 

But I knew which shots I would choose from both Batman Returns and The Dark Knight without a rewatch (and that's not common for me). Even while watching the movies the very first time in 1992 and 2008 respectively my amygdalae be all "We likey. This moves us. Never forget!" 

Catwoman (Michelle Pfeiffer shot by Stefan Czapsky)The Joker (Heath Ledger shot by Wally Pfister)

The reasons to love these two shots and pair them are legion. They're twins in every way I can think of and "Holy Split-Zygote!" does the Batman franchise ever love twins.

We're the same, split right down the center.

Two silent images in madhouse conversation.

Both images are solo shots, weird little character-beat reveries within much fussier action punctuated sequences. In fact, in lesser director's and editor's hands it's easy to imagine them left on the cutting room floor altogether as they're more visual grace notes than story beats. Both images are animalistic, the cat doubled playfully and the dog hanging out the car window to feel the breeze, the only thing missing being his tongue. Both images have no dialogue, they're just hypnotic snapshots of two actors at the peak of their gifts lost in their own inspired headspace fully inhabiting fantastical people. Perhaps most impresively, both images happen to reflect their movies and auteurs, too. Tim Burton's Batman films are a mix of pitch-black night, elaborate production design, playful flourishes and cartoonish verve... all accounted for in this image. They don't take place in the real world - notice everything swallowed by darkness behind Catwoman. There is no real world; Gotham is a soundstage. Chris Nolan's Batman films, in contrast, are a mix of late night restlessness, gritty realism, and told with a straight face and dark majesty... all acounted for in this image. The Joker may be otherworldly but he's intruding in ours; Gotham is Chicago, filmed on location.

Finally, and this is no small matter, what Michelle Pfeiffer and Heath Ledger were doing in both of these movies in roles that haven't always inspired actors or even been taken seriously by them is art, pure and simple. These star turns are film-elevating stylized tragicomedy, so highly peculiar that they could have only come from inspired character actors, so mesmerizing that they could have only come from movie stars. This Catwoman and this Joker are filled with such vivid specificity that though these roles which will surely be played by dozens more actors in the next 100 years, they will always belong to Heath and Michelle. 

 

And now... the main event see all the images chosen in the Best Shot party.

Wednesday
Jul092014

Best Shot: Batman (1966)

Happy 75th Anniversary to the world's favorite f***ed-up orphan billionaire!

Hit Me With Your Best Shot returns on the evening of July 15th with a special free-for-all episode in which you choose whichever Batman feature film you want to look at and post your choice for its Best Shot. We link up. It's our way of celebrating Batman's 75th birthday. I opted to start at the beginning. No, not Tim Burton's high gothic smash but the special feature edition of the 1960's TV series, which was filmed after season 1 wrapped (the props were reused for follow-up seasons)

BATMAN (1966)


Batman (1966) has a ton of sight gags. I'm not claiming that any of them are particularly well-executed but my favorite bar none is Batman's lunatic run holding a lit bomb that he can't find a place to dispose of. It's what would happen if you crossed Batman with a Mr Bean skit. But that joke isn't freeze frameable since it's all in the montage / length. Since this is the only Batman feature that's an intentional comedy (someone will cover Joel Schumacher's movies I'm sure) I had to choose something humorous for my best shot. Nothing is funnier in 60s era Batman than the OCD labelling of everything. It's not enough to have everything shaped like the Bat symbol and called 'Bat-this' and 'Bat-that' but the Bat-name must also be displayed in big letters ON the item in case the hero forgets who he is or what props are (but remembers how to read). Even the four villains (Catwoman, Joker, Riddler and The Penguin) get in on the act with their own labelled shelves in their submarine HQ.  

In the movie's opening maritime rescue setpiece Batman dangles from the Bat-Copter on the Bat-Ladder (yes, there's a label on the last rung) when suddenly he emerges from the water with a shark dangling from his leg nine years before Jaws made that a universal nightmare. Batman tries to go all Lara Croft on its ass, but lacking her mad shark-punching skills many years later, Batman needs Robin to save him (but he's not in a hurry about it since he's Adam West and he likes to make each sentence into 3 sentences.)

Best Shot

Hand.    Me Down.    The Shark Repellent Bat Spray.

Robin climbs down the Bat-Ladder (no one is piloting the Bat-Copter. Just saying). Instead of just handing his Sugar Daddy the Bat Spray Shark Repellent --  it's not like the shark is going to leap legs for Burt Ward's chicken legs when it's already got an Adam West thigh --  the Boy Wonder pauses to be all acrobatic about it and hangs upside down to pass over the spray.

It's super dumb and I love it. 

[Gluttons for punishment can check out a few more shots I loved after the jump]

Click to read more ...