Better Luck Next Time, Nathan Crowley

by Cláudio Alves

If Sarah Greenwood wins the Oscar for Barbie, Nathan Crowley will officially become the most nominated production designer without a single win. You may be familiar with his name from many Christopher Nolan pictures since he's worked on most of them. But most is not all, and this past year, the British production designer was absent from the Oppenheimer credits. Ruth De Jong did that job and is now up for an Oscar thanks to it. Crowley, however, was less fortunate. Instead of the blockbuster biopic, he was busy re-imagining the wondrous world of Roald Dahl for Wonka – new on PVOD if you want a taste of Chalamet…

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The beauty of Linus Sandgren's cinema

by Cláudio Alves

There's been much ado about Saltburn, Emerald Fennell's sophomore feature and follow-up to Promising Young Woman. However, most coverage tends to focus on the narrative's sudsy details, the picture's eagerness to shock and provoke. There's also a lot to lust over, of course, from Barry Keoghan's middle-class interloper to Jacob Elordi's aristocratic wet dream. And then there’s Rosamund Pike, exuding ice queen glamour on the side. Yet, judging by trailers and stills, one aspect of Saltburn's spell seems underreported – it looks gorgeous, crisp and colorful, all shiny and new, images so ripe you want to sink your teeth into them.

Though one shouldn't dismiss Fennell's contribution to this aesthetic – some would argue the poppy aesthetic of her debut was its best element – much credit must go to Linus Sandgren, cinematographer mirabilis…

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Almost There: Claire Foy in "First Man"

by Cláudio Alves

For a film to get two nominations in the Best Supporting Actress category isn't especially rare. Several titles vie for that double spot this year, though Women Talking appears to be most likely to succeed. Jessie Buckley was nominated for The Lost Daughter last season and feels poised to nab a second consecutive honor, while Claire Foy has the other juiciest role. Moreover, this isn't the first time the British actress made famous by The Crown has been a significant player in the Oscar race. Early in the 2018 awards season, she appeared to be a near-lock for her work in Damien Chazelle's First Man, wherein the actress played a variation on AMPAS' favorite stock character – the stalwart wife to "a great man" of history. 

As Women Talking is gracing theaters with a new buzzy Foy performance and Chazelle's First Man follow-up Babylon is almost upon us, let's look at her work in the Neil Armstrong biopic…

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The Astronaut Dramas of the 2010s

by Juan Carlos Ojano

Two-time Oscar winner Goerge Clooney directs and stars in Netflix’s final awards contender to drop to streaming during this calendar year, the science fiction drama The Midnight Sky. Based on a novel by Lily Brooks-Dalton, the film follows a lone scientist (Clooney) in the Arctic who must contact a group of astronauts to stop them from returning to earth. This is Clooney’s first film as an actor since 2016’s Money Monster and his first as a director since 2017’s Suburbicon. The film will join a curiously large cinematic trend of 2010s Hollywood: the astronaut drama...

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Watch at Home: Boy Erased, The Wife, RBG, and First Man

What's newly available for home viewing on DVD or Blu-Ray? Herewith a quick survey of new releases from the past two weeks.

DVD/Blu-Ray
• Boy Erased - It didn't end up with any Oscar nods but it's worth seeing, especially if you or someone you love ever had to put up with the evils of conversion therapy or religious repression of natural sexuality.
• First Man - It shares with Mary Poppins Returns the distinction of being the most-nom'ed movie this season that's not up for Best Picture. But that still feels stingy for a movie this well crafted, technically speaking. How on earth and outerspace did it miss in Best Original Score? The mind boggles. 
• The Wife - Glenn Close's 7th Oscar bid is, contrary to internet belief, a movie that exists and that people saw. The very fact that some corners of the internet bitch about it is blatant ageism...

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