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Entries in Interstellar (20)

Tuesday
Jun302015

Guardians Up, Captain Down at the Saturn Awards

The Saturn Awards, which began in the 1970s, get increasingly more confusing each decade. When they first began they were very sci-fi/fantasy niche and now they regularly seem to honor films that don't have anything at all to do with once geeky now mainstream genres like that. Consider that they have nine best picture type categories and they're expansive enough in their definitions that at least half of Oscar's Best Picture nominees were nominated for something and Whiplash and The Theory of Everything even get to be Best Film winners -- neither of which seem at all "genre" though I suppose The Theory of Everything is kinda cosmic in that it has a genre icon in Stephen Hawkings as its subject.

The big winners at the annual event were Interstellar and Guardians of the Galaxy. The big loser was Captain America: Winter Soldier which had the most nominations of all (11) and managed to lose them each one. Complete list of winners after the jump...

Click to read more ...

Monday
Mar302015

Interstellar Takes Top Empire Honors

Manuel here bringing you more awards from this past weekend; Nathaniel wasn't the only one still handing out awards for the 2014 film year. The Jameson Empire Awards were handed out this past weekend (as were Nickelodeon's Kid's Choice Awards which were gaga for The Hunger Games: Mockingjay Part 1). Unsurprisingly, it was Christopher Nolan's divisive Interstellar which nabbed its two top prizes. 

Nolan was also on hand to receive the Empire Inspiration Award, which I guess was as good an excuse as any to see Jessica Chastain looking fabulous (she presented the award to her Interstellar director).

Check out the full winners list below.

Click to read more ...

Tuesday
Feb172015

An Interview with Hans Zimmer

Anne Marie here with an observation: Hans Zimmer's studio is incredible. The ten-time Academy Award nominated composer has furnished his studio in a manner that fits the man who wrote the dramatic scores to Inception, Gladiator, and the Dark Knight trilogy. The walls are deep red, and lined with dark wood bookshelves bursting with books, albums, candles, and knick knacks. Light filters through stained glass-covered hanging lamps. Overstuffed couches and chairs sit on a raised platform. Clashing with this rustic scene are the walls of musical instruments, blinking sound equipment, and Zimmer's high tech work station. It's a lot to take in.

When I'm led into the room for an interview, I'm still recovering from car trouble. I'd been listening to Zimmer's Oscar-nominated score for Interstellar in the car, which had somehow led to my car stalling on the highway. Miraculously, I'm not late. When I meet Hans Zimmer, he is deservedly proud of his workspace, and immediately launches into conversation. Zimmer speaks animatedly of his decorating philosophy, decades-long partnership with Chris Nolan, the trouble with organs, and why he loves the Academy.

Anne Marie: This is an amazing room. This is quite possibly the coolest room I have ever been in.

Hans Zimmer: No, but hang on. There’s a reason. There’s a pragmatic reason: If you had to spend 98% of your life in one room, you might as well have some fun with it. Do you agree?

 Anne Marie: I absolutely agree!

 Hans Zimmer: And you know what, sometimes we just move the furniture out of this way and let the musicians come in, and we just start playing, and wow! Music!

Anne Marie: Oh my goodness! Talk about a great creative space.

Hans Zimmer: And that was, that was partly why I did it. I was sitting with this wonderful editor, Richie Marks, y’know [he] worked on Apocalypse Now, and all the Jim Brooks movies, Penny Marshall [films], The Godfather too. I’m sitting on the couch in his cutting room, I’m sort of leaning back, and I’m looking at the--what do you call those, y’know the ceiling with the sort of… they look like cottage cheese.

Anne Marie: Ceiling tiles I think?

Hans Zimmer: Right? It’s horrible! And the walls, which have this y’know horrible hospital color, and I’m thinking, “This great man is trying to create art!” and y’know the bad linoleum floor. Y’know? And this is, this is, this is, every day he has to go to this horrible room! So, Richie doesn’t actually know this, but it was really partially because I thought, “Poor Richie, in this horrible environment! I’m going to do my own!”

Anne Marie: Well from such an environment, I can see where something dramatic like Interstellar came from. I have to admit, my car stalled on the way here while I was listening to the Interstellar soundtrack!

Hans Zimmer: [Laughs] It’ll do that to cars!

[Interstellar and Oscar Love after the jump...]

Click to read more ...

Friday
Feb132015

Best Visual Effects: "Will it be Apes or Aliens, Murph?"

It's not my imagination. I swear it's not. This year's Oscar competition is unusually tough to predict in quite a few categories . That's a refreshing change of pace. You might think this one is easy "Best Visual Effects" since it usually is (well, apart from the Golden Compass year. That was a shocker).

You might think that since Rise of the Planet of the Apes (2011) didn't win the prize so they kinda owe this series. Indeed, everyone seems to be in awe of the advances in motion capture technology that come with the series, particularly the way it's served as a new medium for the art of acting. But not so fast. The Apes series which dates back to 1968 and is composed of 8 films, has typically been an underperfomer with Oscars. To date the series has won only 4 nominations and 1 honorary Oscar (for makeup before the category existed) in its entire history. This despite starting as a mammoth zeitgeist hit and winning very strong reviews twice over during its rebirth this decade.

This one requires some extra thoughts and video so let's investigate after the jump...

Click to read more ...

Wednesday
Dec312014

Interlinker

BBC News That's "Sir" John Hurt to you and "Dame" Kristin Scott Thomas. Woooo
They Live By Night Bilge Ebiri offers up a thoughtful defense of Interstellar and its portrait of restless Coop and the double edged sword of survival instincts
Reductress Brilliant send-up of Aaron Sorkin's recent sexist comments. These quotes are satiric but he has said that actresses aren't as good as actors so therefore he is MUCH stupider than his screenplays imply.
Pajiba Benedict Cumberbatch finally speaks about his "dance-off" with Michael Fassbender

Stage Buddy TFE's ocassional contributor Jose offers up his best theater of 2014
i09 lowest ticket sales year in quite some time for Hollywood
MNPP wishes you all a Happy New Year with a gallery of DILFs and their little ones from Channing Tatum to Cam Gigandet
Movies.com fun list of top hits from abroad that didn't make it to the States.  A few of this year's foreign film submissions are sprinkled in
Kenneth in the 212 wants an Emmy for Lisa Kudrow for Season 2 of The Comeback
Nerdist talks to Sam Raimi and he's quite candid about his recent artistic failures Spider-Man 3 and Oz: The Great and Powerful. Now if we can only get a movie as good as 
LitWit a book podcast celebrates the 50th anniversary of "The Chronicles of Prydain", a great young reader fantasy that Disney mucked up in the 80s with The Black Cauldron


Oscariffic
Interview Magazine a talk with ever gorgeous still undervalued Matthew Goode (The Imitation Game)
New York Times has a fine piece called "When the Red Carpet Is Rolled Up" about what happens to the previously unknown Oscar nominees after their moment of glory
Awards Daily Sasha named Rosamund Pike "Performance of the Year" but strangely in her top 11 best actress choices she says of #11 Essie Davis in The Babadook "arguably the best performance of the year". Why #11 then?
Critics Top 10 has been compiling list. It's fascinating to see how many lists each film tops no matter what run they occupy in the top 50. For instance The Grand Budapest Hotel has fewer #1 placements than several others but ends up at #2 overall.The highest ranking film with no #1 placements is Starred Up at #49
In Contention Kris Tapley does his annual best shots of the film year celebrating cinematographers: some of the selections include Godzilla, Interstellar, Mr Turner and Nightcrawler

Exit Video
The visual effects of Captain America: The Winter Soldier...

 

They'll have a tough road to a nomination given that AMPAS has been stingy with Marvel Studios films in this category unless Iron Man is around. But if they get nominated I'll celebrate even though this reel isn't particularly informative. So much destruction. But I love this movie. 

Friday
Dec052014

Oscar's FX Finalists: From Bucky to Bilbo

MURPH !!!!!!!

The Visual effects Oscar finalists have been announced after that branches bake-off ritual wherein they screen visual effects reels from various films. Ten films remains standing but only five can become Oscar nominees so it's superheroes vs. mutated monsters vs aliens vs. hobbits vs giant fucking robits vs. maimed fairies for that coveted honor.

Captain America: The Winter Soldier
Dawn of the Planet of the Apes
Godzilla
Guardians of the Galaxy
The Hobbit: The Battle of the Five Armies
Interstellar
Maleficent
Night at the Museum: Secret of the Tomb
Transformers: Age of Extinction
X-Men: Days of Future Past

Other than Maleficent the female led fx hits all missed the cut from Lucy to Mockingjay Part 1 through longshots like Divergent. Critically panned mainstream movies like Into the Storm and Amazing Spider-Man 2 also didn't make it. Perhaps more surprisingly Oscar-hopefuls like Noah, Birdman and Into the Woods were also discarded. (Maybe the visual effects branch also didn't understand what was happening to the Witch in her final scene?) But the missing film we'll shed a tear for is TFE's endorsed visual effects contender Under the Skin. But then this branch never listens to us. Our suspicion is they don't view their own specialty as an art -- because they continually avoid emotionally expressive stylized vfx work - but view it as a technical craft with the two and only goals being first large-scale spectacle and second, computer generated versimilitude. 

May the best effects become Oscar nominees on January 15th and by best we mean the Apes, the good Captain, Interstellar and Godzilla. Certainly three of those are likely to make it but my beloved Winter Soldier is a longshot with those infuratingly ubiquitous hobbits and transformers being renewed for so many seasons over the years. 

What do you think the five nominees will be and who do you think deserves the win? It's a tough call with so many great looking films around.