Almost There: Claire Foy in "First Man"

by Cláudio Alves

For a film to get two nominations in the Best Supporting Actress category isn't especially rare. Several titles vie for that double spot this year, though Women Talking appears to be most likely to succeed. Jessie Buckley was nominated for The Lost Daughter last season and feels poised to nab a second consecutive honor, while Claire Foy has the other juiciest role. Moreover, this isn't the first time the British actress made famous by The Crown has been a significant player in the Oscar race. Early in the 2018 awards season, she appeared to be a near-lock for her work in Damien Chazelle's First Man, wherein the actress played a variation on AMPAS' favorite stock character – the stalwart wife to "a great man" of history. 

As Women Talking is gracing theaters with a new buzzy Foy performance and Chazelle's First Man follow-up Babylon is almost upon us, let's look at her work in the Neil Armstrong biopic…

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Almost There: Margot Robbie in "Mary, Queen of Scots"

by Cláudio Alves

Since her 2013 breakthrough in The Wolf of Wall Street, Margot Robbie's Hollywood career has risen so consistently and quickly that its verging on meteoric. Early stabs at blockbuster stardom paid off with her über-popular Harley Quinn, soon giving way to more prestigious pursuits. I, Tonya earned the Australian actress her first Oscar nomination, and a second soon followed for Bombshell. This year, beyond dominating social media while location shooting for Greta Gerwig's upcoming Barbie, Robbie returns with two big movies. First up is David O. Russell's Amsterdam which opens Friday under a wave of controversy and critical scorn. Then, on Christmas Day, Damien Chazelle's Babylon finds her playing a Clara Bow-type in one of the year's buzziest titles.

As we wait to see if Robbie ends the season as a three-time Oscar nominee, let's turn our minds back to when the thespian tried her hand at playing one of the most dramatized figures in film history – Elizabeth I in Mary, Queen of Scots…

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"Heartstopper" and a world without Olivia Colman

by Cláudio Alves

Adapted from Alice Oseman's webcomic and graphic novel, Heartstopper is Netflix's latest hit. The story of two teen boys falling in love, this queer teen romance is an overdose of sweetness packed into eight swift episodes. There's not much conflict beyond the usual fare for this type of narrative, though a good dose of angst keeps the sentimental dessert from tipping into schmaltz. All in all, I can't call myself a fan even though I recognize how such a production would have rocked my world as a gay teen growing up. It's cute, endearing, and terminally chaste, the kind of diversion that feels bound to delight its target audience.

That's not why I felt compelled to binge it, however. So, following that train of thought, let's talk about Olivia Colman and the Oscar-y conjectures Heartstopper accidentally puts forward…

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Through Her Lens: 2018 (The 91st Oscars)

A series by Juan Carlos Ojano 
Previously: Episode 1 - 2020-21 / Episode 2 - 2019 

Eyes were on the Best Director category at the 91st Academy Awards after Greta Gerwig became only the fifth woman to be nominated in the said category the previous year. Contemporaneous articles expressed disappointment with this fact, but this Oscar year was also plagued with other issues: no ceremony host, plans to give out awards during commercial break, and divisive films like Green Book, Bohemian Rhapsody, and Vice being major factors, too.

In a way, these other controversies clouded what could have been a more extensive discussion regarding representation in the Best Director category. Out of the 347 films included in the Reminder List of Eligible Films in 2018 (91st Academy Awards), 62 of them (or 17.9%) were directed/co-directed by women.

OSCAR-NOMINATED FEMALE-DIRECTED FILMS (in alphabetical order): Animal Behaviour*, Bao*, Can You Ever Forgive Me?, Capernaum, Free Solo, Late Afternoon*, Marguerite*, Mary Queen of Scots,  Period. End of Sentence.*, and RBG. (*not in the eligibility list for Best Picture)

OUR ALTERNATIVE SET OF FIVE...

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Almost There: Timothée Chalamet in “Beautiful Boy”

by Cláudio Alves

Timothée Chalamet is the star of the moment, with two big projects now in theaters:Wes Anderson’s The French Dispatch and Denis Villeneuve’s Dune. After his breakthrough as Call Me By Your Name’s Elio, the young actor’s rise was meteoric, resulting in a well-deserved Best Actor Oscar nomination and countless opportunities. Since 2017, though, Chalamet hasn’t been able to recapture the Academy’s attention despite having some buzzy projects. Until now, the closest he ever came to a second nomination was in Felix van Groeningen’s Beautiful Boy. The film was based on the real-life story of drug addiction and familial bonds detailed in David and Nic Sheff’s memoirs. Hollywood’s current favorite twink is heartbreaking in the titular role…

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