Beauty vs Beast: Queen Anne's Choice

Happy Oscar Nominations Eve, everybody! Jason from MNPP here with this week's "Beauty vs Beast" which this week shall tackle one of the probable juggernauts nomination-wise tomorrow, or so we hope -- Yorgos Lanthimos' giddily profane The Favourite boasts a triumverate for the ages, with Queen Anne (Olivia Colman) sitting astride two wars, the more interesting one between her comely, craven subjects Lady Sarah (Rachel Weisz) and cousin Abagail (Emma Stone). Everybody's predicting richkly deserved nominations for all three (while simultaneously bickering about their Lead vs Supporting placement) but we're more interested where you'd come down from Queen Anne's place...

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PREVIOUSLY Last week you guys wisely took Joan's advice and didn't fuck with her, fellas - Faye Dunaway's stark-raving turn in Mommie Dearest trampled through the roses to a win of just under 80%. Said Roger:

"I love MOMMIE DEAREST. In terms of Oscar eligibility, Faye Dunaway absolutely should have won the Oscar. Her performance is incredible and almost experimental. I think this is a rare example where the overused remark of losing one’s self in a role is warranted. The line between Faye Dunaway and Joan Crawford is blurred beyond distinction. Both actresses are so enthralling that seeing one as the other, Dunaway as Crawford, is so electrifying it borders on hyperreality."

Dorian Awards Favor 'The Favourite'

by Murtada Elfadl

The Favourite lived up to its title with GALECA’s Dorian Award voters, who named the audacious historical romp Film of the Year and bestowed its star, Olivia Colman, with the Film Performance of the Year—Actress tiara for her funny and heartbreaking turn as Queen Anne. Two results that we suspect will be popular with The Film Experience community. The movie talso scored Screenplay of the Year honors for Deborah Davis and Tony McNamara.

However for the three other acting awards for film, The Society of LGBTQ Entertainment Critics followed the critical consensus. Ethan Hawke in First Reformed, Regina King in If Beale Street Could Talk and Richard E Grant in Can You Ever Forgive Me?, added another award to their heavy mantles. Roma and Alfonso Cuaron continued their dominance of the critics awards by winning Foreign Language Film of the Year and Best Director.

GALECA’s unique categories made space for films that have not been recognized widely...

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Globe Fashion Pt 1: Superhumans and a Sorcerer's Apprentice

NATHANIEL:  Welcome to the return of Red Carpet Lineup where we'll be chatting up our favourite fashions during awards seasons. To talk the Globe red carpet, I'm joined by Ginny O'Keefe an actress and movie buff and Murtada, who you know as our podcast co-host.

Olivia, Julia, Melissa, and Rosamund

Notice I said "favourite" fashions with a "u" because OLIVIA COLMAN. I so dug the delicate chain-mail like top. Ginny, let's kick it off with you. Is this something you'd wear?

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Fresh Globe-to-Oscar Stats

by Abe Fried-Tanzer

A collection of quick interesting stats for you given that the 76th annual Golden Globe ceremony is now part of history.

• This is only the second time in documented Globes history that the winner of Best Motion Picture –Drama (Bohemian Rhapsody) didn't have a corresponding Best Director (Bryan Singer) nomination. In 1992, Scent of a Woman took the top award at the Globes, but Martin Brest wasn't nominated in Director (though he did go on to an Oscar nomination!). Clint Eastwood collected the Best Director prize at the Globes instead for Unforgiven before that film went on to win both Director and Picture at the Oscars. If history literally repeated itself here, Bryan Singer would be nominated for an Oscar (!!!) and Roma would be our eventual Oscar winner for Best Picture and Director.

More after the jump...

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LAFCA Winners (and other critics organizations)

The Los Angeles Film Critics Organization is presumably the most crucial in terms of Academy Awards influence since they're the hometown critics of Hollywood and the industry actually hears what they think on a regular basis. This year, like virtually every organization, they threw their weight behind Alfonso Cuarón's Mexican memoir drama Roma. They got idiosyncratic (but smart) in only one category this year, Supporting actor, where they honored Steven Yeun who is remarkable in Burning. Otherwise they underlined actors who are already in the thick of the Oscar discussion. Sadly, two women who really needed their endorsement (Toni Collette and Elizabeth Debicki) were left in "runner up" position, a nice nod in their direction, but not helpful to their causes. 

The full list of winners and lists from LAFCA and three other critics orgs who voted today are after the jump. It was a very good day for Olivia Colman, Steven Yeun and Burning, and Roma...

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