Hello, Gorgeous: Best Actress of 2018

A new series by Juan Carlos Ojano

Happy New Year, fellow actressexuals! To start 2024, we return to this series with a banger of a year. 

One thing noticeable in this lineup is that the majority of these actresses are in films with clear auteurial vision. Two of them (Aparicio, Colman) worked with established directors that, by this point, have signature sensibilities and visual choices that are now being associated with them. Two of them (Lady Gaga, McCarthy) are in films directed by (relatively) new filmmakers that are beginning to hone their technical and directorial inclinations by this point. One of them (Close) worked with a director that is well-known and recognized in his home country.

Another thing to note: Lady Gaga marked her feature film debut as a lead actor while Aparicio was nominated for her first acting role ever.

Are you ready? The year is 2018...

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Hello, Gorgeous: Best Actress of 2021

A new series by Juan Carlos Ojano

From one nail-biter year to another, this year presents an interesting set of nominees with an interesting lead-up to Oscar night. Kristen Stewart racked up the majority of critics’ awards. Nicole Kidman won the not-televised Golden Globe. Olivia Colman was riding the waves of The Lost Daughter’s late-breaking hype. Speaking of late breakers, Penélope Cruz was another big critics’ push and enjoyed a last-minute surge for a win leading to Oscar night. Ultimately, Jessica Chastain - after winning SAG - squeaked out and won the award.

Another thing to note is the dominance of biopics in this category - three of the five nominees played real-life figures. However, that is where their similarities end. Their films could not be any further in terms of style and tone. Same goes with the other two remaining nominees - one originated from an acclaimed novel and one an original character from a formidable master of world cinema. But for now, we are going to explore how the five characters of the Best Actress nominees were introduced in their respective films. 

Are you ready? The year: 2021...

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Streaming: "Heartstopper" Delivers An Equally Strong Season Two

by Christopher James

Who’s ready to get emotional? Season one of Heartstopper won raves for bringing to life the acclaimed graphic novels, which present a coming-of-age queer love story between the nerdy and shy Charlie Spring (Joe Locke) and the sensitive jock Nick Nelson (Kit Connor). Alice Oseman’s tale does a wonderful job of capturing the butterflies and emotions of falling in love for the first time, while centering it within the anxieties of coming out and defining one’s sexuality. Though it's meant to appeal to a teen audience, Heartstopper excels at placing adults back in their teenage years, where every text and fleeting glance can feel like an earth-shattering event.

Season two has not lost any of the magic. In so many ways, it examines what happens after “happily ever after” in teen worlds. Charlie got the guy that he wanted, but anxieties and hangups don’t vanish after one triumph. The show’s lovely, delicate touch never gets in the way of tackling hard topics in a realistic manner. Thus, season two is just as deep, emotional and swoon-worthy as its predecessor...

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Oscar Volley: Who will take the fifth slot in Best Actress?

Team Experience will be discussing each Oscar category as we head into the precursors. Here's Nick Taylor and Eurocheese...  

NICK: We’ve arrived at the most crowded acting category of year, which doesn’t necessarily mean this category will be difficult to predict. If you look at the fifteen women in Nathaniel’s Best Actress predictions -- I think Lesley Manville should be higher for Mrs. Harris Goes to Paris -- you can see that the fifth slot is going to be a bloodbath. It makes it even harder to narrow things down when so many of the turns are fantastic. The sheer amount of chaos offered from the this category in the past couple years makes it hard for me to feel comfortable with setting anything in stone even as we reach the end of the year. 

I wanna honor the messiness of the category, from year to year, and spice up how we order this volley. Euro, of all the leading actresses from 2022 with minimal-to-no Oscar buzz, who would you rank among the very best?

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TIFF Diary #5: Disappointing Oscar bait and a surprise favourite

by Baby Clyde

Hugh Jackman and Florian Zeller on the set of "The Son"

Today I had no mid-film snooze problems. The screenings started at midday with Florian Zeller’s adaptation of his own play The Son. I saw the original London production back in 2019: Great performances. Terrible play. Though Zeller has ironed out some of the innate staginess of the source material The Son can’t overcome the fact that this is not a play about the teenage depression epidemic but rather about absurdly inept parenting. The choices made are so ludicrous and the reasoning so shallow I laughed out loud on numerous occasions. They also kept the queasily distasteful, possible twist as a coda which is no less objectionable on film than it was on the stage. Sir Anthony pops up briefly in what is presumably a reprise of his character from The Father. He makes more impact in three minutes than the rest of the cast do in the other two hours of contrived torment. Consider it the first proper clunker of this Oscar season.

Empire of Light was next and has seemingly been genetically engineered in a film lab to garner Oscar noms...

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