Entries in Jessica Lange (12)
Jessica Lange is now the face of Marc Jacobs Beauty line at 64, photographed by David Sims below. (Take that previously daring Lancôme with Isabella Rossellini as their international spokesface until she was in her dotage at 44).
What a second act Jess's career! After a very long rough stretch (approximately 1996-2008 which saw the likes of Hush and Bonneville and a couple of barely released movies) she's really on top of it all again... except the movies. What can we trace the revival back to? Many of you would shout "Grey Gardens!" from 2009, but I think the secret might be her honorary place in David O. Russell's I ♥ Huckabees with its Jessica Lange photo fetish.
Is it a crime? Is it a crime to look at Lange?!
Question: If she made Titus (1999) or Big Fish (2003) now, and gave the exact same performance she gave then, post career resurgence, do you think she'd get a Supporting Actress nod? With Oscar, timing is often everything.
Though I complain about the proliferation of awards groups some of them serve more of a purpose than others, even if they're also lining up to honor the same things as every other group. Like AIDS related Best Picture nominee Dallas Buyers Club twhich some gay critics don't like at all and on principal but which factors into both of the gay-specific awards recently announced.
Now, the Gay and Lesbian Alliance Against Defamation has made really suspect endorsements over the years (Let us not speak of I Know Pronounce You Chuck & Larry) but they've also highlighted and fought against a very real problem so you have to respect their greasy wheel existence if not always their execution of message.
As per usual, GLAAD will hold a bicoastal bifurcated awards ceremony, first in Los Angeles in April and then in New York in May, long after Oscar season is over. GLAAD's film (and other medium) nominees as well as the nominees and winners of GALECA (the Gay and Lesbian Entertainment Critics Association) are after the jump with commentary and in some cases links. It's always bugged me that when magazines, blogs, and web articles are nominated for prizes the nominations list rarely have an easy way to check out the nominees so I figure I'm doing a public service by including them. You're welcome.
There are few things in cinema more satisfying than watching those with true gifts prosper and develop. Overnight sensations are exciting but watching careers that build slowly, continually showing new facets and amassing fans piecemeal is a richer experience. Such is the case with the actress Sarah Paulson. With her key role as Mistress Epps in the likely Best Picture contender 12 Years a Slave and her starring role on the anthology series American Horror Story (returning to TV tomorrow night), it's time to get our appreciation on.
I first noticed her in that undersung fanciful homage to 1960s romcoms Down With Love (2003) though her carer stretches back into short-lived television gigs in the mid 90s. When we sat down to talk recently, I confessed to Paulson that I had been completely intimidated by her when I met her at a party for Martha Marcy May Marlene (2011). I had no explanation for this - at the time she hadn't played anything as scary as her plantation wife. "You had an inkling," she mused suggesting I had seen Mistress Epps coming.
But who could have? Who knew she had that in her?
NATHANIEL: 12 Years a Slave is a big moment in your career but it's not your first "breakthrough" really. I'm wondering about how you experience these things internally. When did things change for you, personally, as an artist?
I've mentioned this topic in the comments but enough people are interested that I should sound off in a more official capacity. Recently, given that most people know that Jessica Lange plans to depart after Season 4, Ryan Murphy has started dropping casting wishlists for future seasons of American Horror Story. He name-checked both Reese Witherspoon (errr...okay?) and Michelle Pfeiffer (duh!). Pfeiffer is, of course, the most logical choice with which to fill the imposing vacuum that will be Lange's absence as the anthology's resident grande dame guignol. Like Lange, she's a huge respected talent from the 80s (formative years for Murphy) who can really tear it up onscreen but who today's younger TV-watching legions might still feel a certain "discovery" mania about since she hasn't been properly utilized in years.
There's only three problems.