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Entries in Kathy Bates (22)

Monday
Mar272017

Feud: Bette and Joan "More or Less"

Previously
1 "Pilot"
2 "The Other Woman" 
3 "Mommie Dearest

by Eric Blume

Episode 4, “More, Or Less” marks the halfway point for Feud: Bette and Joan, and this episode focuses on power and limitations, not only for its title characters, but for everyone surrounding them.  

This episode sees both lead actresses confronted by a lack of offers after the completion of shooting Whatever Happed to Baby Jane?.  Susan Sarandon’s reaction to meeting her new young agent is priceless, and Jessica Lange has a “fuck you fellas” scene that feels right out of Mommie Dearest.  

Click to read more ...

Tuesday
Mar142017

Feud: Bette and Joan. "The Other Woman"

Previously on episode 1

On the second episode, Bette and Joan fight for the affections of Robert Aldrich, Hedda Hopper has a feud of her own, and Kiernan Shipka goes full Sally Draper. Here's Jorge Molina...

Your autograph please Ms Crawford

For both of his latest anthologies, Ryan Murphy has tried to focus every episode on a different aspect of the overall theme of the series in question. With People vs. OJ, we got racism and sexism-centric episodes. On Feud it seems we'll be exploring different sides of the destructive Hollywood machinery. This week that's how women in the industry are pitted against each other for monetary and publicity gain.

The second episode also gives us an excuse to call Stanley Tucci "Big Daddy." Not that we needed one...

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Friday
Oct212016

Oscar Horrors: Kathy Bates in Misery 

Boo! It's time for "Oscar Horrors". Each night at 7 we'll look back on a horror-connected Oscar nomination until Halloween.

by Jason Adams

There are a lot of images that probably flash across one's mind when one thinks of Kathy Bates' Oscar-winning performance in Rob Reiner's film Misery. Images as great and big and terrifying as those mountain peaks that line Annie Wilkes' farmland like prison-bars. Maybe you hear words like "cockadoodie car" call out, or maybe you see Annie swinging that sledgehammer with tears of love tipping her eyelashes and a swell in her heart - I certainly wouldn't blame you; that's a shock that leaves a mark, on Paul Sheldon and the audience both.

But when I think of Misery I immediately think of one scene, every time, and it's the quietest (and for that maybe the most terrifying) moment in the film...

Click to read more ...

Friday
Oct142016

Thoughts and Questions about "American Horror Story: My Roanoke Nightmare"

by Eric Blume

Despite five years of shifting locals and time frames and characters, American Horror Story remained essentially the same beast. Season 6 is shaking the formula up but I couldn't be more bewildered.  Here are three general questions. Perhaps we could work out the answers together?


01. What the hell is happening? 
We are meant to be watching a “true crime TV show” but what show like that looks like this?  When re-enactments are made in a show of this nature, they’re never dramatized at length like the extended scenes in My Roanoke Nightmare. Even if we grant them structural leeway...

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Thursday
Jul212016

Melinkia 

Variety Emmys are revoking Peter MacNicol's "Guest Actor" nomination for Veep since he appeared in 50% of the episodes (it's supposed to be under 50% a rule we support after years of abuse by studios and actors) but who gets his spot? Stay tuned.
Pajiba reacts with glorious schadenfreude to the news that Divergent is being demoted to TV for its final film
What Mama Said the best review of The Legend of Tarzan out there
THR the resurgence of Dungeons & Dragons in showbiz as geek culture reigns


Interview revives an old cover story from 1991 on Kathy Bates
Decider Who is the worst character on Gilmore Girls?
No Film School on AMC's giant purchase of Odeon (they're going to be way too powerful for one company in terms of how you see movies) -- and China's growing rapidly growing theatrical business.
Towleroad IFC picks up James Franco's latest gay endeavor, King Cobra, the true story of a murder in the gay porn industry 
Pajiba Diane Kruger and Joshua Jackson have split up after 10 years. Sad face. So Pajiba looks back on their coupledom.
The Film Stage chooses the 50 best sci-fi films this century thus far. 50 is a lot for 16 years. The top ten feels substantial but I can't forgive them for having The Lobster so low it's practically sitting alongside those terrible Matrix sequels and Ex-Machina and Mad Max Fury Road not in the top ten feels... well, these lists are made to get people riled up (and clicking) so I'll stop there.
The Guardian interviews the undervalued Rebecca Hall 

Today's Watch
If you haven't yet seen this bit from The Late Show with Stephen Colbert, you must. Longtime readers will know that TFE worships Broadway musical star Laura Benanti. Her voice is spectacular but her comic skills are just as strong. Here she is doing Melania Trump just one day after people noticed their resemblance. [Hat tip: Vulture]

And James Corden gets both FLOTUS and Missy Elliott in the car (Holla!) for some Carpool Karaoke and talk about "Let Girls Learn". Joyful. Inspiring. Just what we need right now. 

Friday
May272016

Girls Gone Wild -- Favorite Bad Girl Oscar Winners

Kieran, here. We've been celebrating Girls Gone Wild this month at The Film Experience. If you haven't already done so, make sure to check out Team Experience's wonderful relay-style Thelma & Louise 25th anniversary retrospective. 

As the month comes to a close, it felt fitting to take a look back at some of the Best Oscar-winning "bad girl" star turns. Here are 11 of the juiciest...

Honorable Mention:

Cristal Connors in Showgirls (Gina Gershon)

Should have been nominated. Very possibly should have won. Haters be damned.

Top Ten Oscar Winning Bad Girl Roles

10. Addie Loggins in Paper Moon (Tatum O'Neal - Best Supporting Actress 1973)

A charismatic yet unsentimental child performance that perfectly nails the tone of its film. The only complaint is that she wasn't promoted to lead Actress where (judging by that roster) she very well could have contended.

9. Barbara Grahame in I Want to Live! (Susan Hayward - Best Actress 1958)

Delightfully over-the-top and melodramatic. Barbara refuses to wear a nightgown while in prison for murder. She wants to "sleep raw!" 

Click to read more ...