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Entries in Martin Scorsese (48)


"Silence" is Shorter, Still Possibly Golden

a new image from the film - our first look at Adam Driver

In very good news for butts of all shapes and sizes, news came this morning that Martin Scorsese's Silence is no longer going to be his longest feature film ever. That dubious honor will continue to be held by the excruciatingly long winded duo of Casino and Wolf of Wall Street. It seems that Marty and his trusted editor Thelma Schoonmaker have whittled away some 22 minutes from the earlier reported running time of 3 hours and 1 minute (or thereabouts)...

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What's your most vivid memory of "The Departed" and the 2006 Oscar Race? 

by Nathaniel R

Ten years ago today Martin Scorsese's smash hit The Departed opened in theaters. I remember that day well especially that beat just past this still above when the entire sold out movie theater exploded simultaneously with shock, excitement, screaming, whooping, collective chills. A master playing the audience perfectly so it's no wonder that Martin Scorsese finally won the Oscar for it. Strangely I have few other vivid memories of the movie other than the feeling that that deep line in Leonardo DiCaprio's perma-angst expression had never and would never be put to better use again. Also something about Vera Farmiga flirting in an elevator, and the movie's perfect final shot.

The Film Experience was definitely having an "off consensus" year -- we were all about Marie Antoinette, The Fountain, & Volver so the Oscars were kind of a let-down -- but at least it was one of those interesting years where the Best Picture contenders didn't hog all the nominations. In fact only 1 of the 10 leading acting contenders came from a Best Picture nominee. Strange, right?

What do you remember most about The Departed? And how comfortable were you with the 2006 Oscar's lineup. As a reminder the Best Pictures were:

  • Babel (7 noms / 1 controversial win - for the barely there Original Score) 
  • The Departed (5 noms / 4 wins including Picture)
  • Letters From Iwo Jima (4 noms / 1 win)
  • Little Miss Sunshine (4 noms / 2 wins)
  • The Queen (6 noms / 1 win)

Tweetweek: Top 5 Scorsese, Olympic Spirit, Light Between Oceans

This weeks collection of short amusements features Olympians, a little Scorsese mania (it was going around for reasons we have yet to discover), an impossible dream of a Ghostbusters sequel, and my first impression of The Light Between Ocean which is out soon. It's all after the jump but we'll start with Scorsese... 

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I Cannot Tell a Link

Guardian Glenn on 10 best Australian documentaries ever including Canes Toads (in 3D) a film I saw at Sundance years ago that freaked me right out
The Tracking Board Martin Scorsese might make a George Washington biopic. Hmmm, how does Leonardo DiCaprio look in a white powder wig? Los Angelenos readers take note. Alan Menken and Angela Lansbury will be taking part in a 25th anniversary screening of Beauty & The Beast on May 9th. You can buy tickets at the link. 
MNPP Jason attends a special Aliens screening and Q&A with Sigourney Weaver (who is still looking incredible) 
Awards Daily thinks Passengers (the sci-fi film starring Chris Pratt & Jennifer Lawrence) could be one of our Best Picture nominees

The Playlist new images from The Neon Demon. Can't wait to see this 
New Yorker Richard Brody provocatively argues that film critics and publications need to move beyond "theatrical release" or "festival" when considering what makes a movie worth writing about
Variety more Cannes news. While we've already discussed the main jury, they've announced the sidebars. All three will be presided over by women (!): Actress Marthe Keller for Un Certain Regard; Director Naomi Kawase for Short Films; Director Catherine Corsini for Camera D'Or
Coming Soon has a new Kubo and the Two Strings trailer if you're interested (my general personal rule of thumb now is to stop after the first teaser or trailer so nothing is spoiled). Laika makes such great movies I don't even need a trailer. I'm always in.
/Film The Jungle Book has a how-they-did-it visual fx reel going around
i09 the X-Men finally get to wear costumes that are a smidgeon like their comic book origins at some point in X-Men Apocalypse (hopefully not just at the end)
Interview talks to programmer Thomas Beard about the current Film Society program 'Queer Cinema Before Stonewall '
FSLC ...and there's a few more days of that program left if you're in NYC

Provocative Thought O' The Day
Uproxx "Are more famous people really dying in 2016 or does it just seem that way?" which delves quite a lot into the 1980s as relevant cultural force

Off Cinema
Drama Desk Awards The nominations are in. Hamilton was eligible last year (since Off Broadway productions factor into these awards) which is why it's not up for anything. The revival of She Loves Me (with two of musical comedy's greatest stars: Laura Benanti & Jane Krakowski) leads all productions with 9 nominations. American Psycho wracked up the most nods for a new musical (well, it's tied with Steve Martin & Edie Brickelle's Bright Star) EXCEPT the big one: Best Musical. Weird, right. That's gotta sting even if the high nomination count isn't any sort of axe to the head for the show. Famous TV & Film actors nominated this year for their stage work include: Jessica Lange, Michael Shannon, Michael C Hall, and Frank Langella. Oscar winner Lupita Nyong'o, who has been much-buzzed for her performance in Eclipsed, was not nominated this morning. Hmmm.

Today's Watch
Chase Whale interviews Key & Peele about their kitten heist movie Keanu. Fun bit.


Screening Room Attempts to Recreate Theater Experience In Your Living Room By Subtracting Everything That Makes It A Theater Experience

Daniel Crooke, here. In one corner: art house cinemas, regional and independent theater chains, and the flickering hope that sitting in a dark room while watching strangers’ problems projected onto a screen will warm you from the inside out. In the other: Steven Spielberg, Martin Scorsese, Peter Jackson, Justin Timberlake in The Social Network and the redheaded squirt from The Andy Griffith Show. Somewhere beyond the ropes, off in the stands, or wherever spectators chill in a sports metaphor: you, the audience, wondering how the hell you can just lean back and watch a damn movie. The fight: whether Sean Parker’s in-home moviegoing composite, Screening Room – which offers the chance to stream day-in-date releases of top shelf studio releases in the comfort of your own home – accessibly accessorizes or fundamentally destroys movies as we know, watch, and profit from them. Is it a forward thinking, easy-making application or Napster’s file sharing, older sister with a Friedkin poster on the wall? A brave new venture or a brave new world?

Doomsday scenarios and potential benefits after the jump...

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Beauty vs Beast: Irish Gangs Be Slashin'

Jason from MNPP here with this week's "Beauty vs Beast" -- I don't know if its my walk to work in Lower Manhattan every day or what but you'd be surprised (really, because literally nobody says this) at how often Martin Scorsese's 2002 film Gangs of New York comes to my mind. I mean clearly the nieghborhoods look a little bit different but whenever I look off towards the river I think to myself, "Self, a boat could totally shoot a cannon at you right now." So thanks for that, Gangs of New York. One more New York stress I don't need!

Anyway this morning we're thinking green thanks to the approaching St. Patrick's Day holiday, and I figured it was time to turn that anxiety into action -- it's the angry Irish laddy versus the Original New York Nativist Nightmare (pre-dating Donald Trump by a couple centuries)...

PREVIOUSLY It was a real battle of man against machine with last week's Ex Machina edition, but in the end our lady of the whirring silver midsection Ava slinked away with just about 53% if your vote. Said catbaskets:

"Team anti-rape avenger every time. (As opposed to team rapist creator). We shall not get lost in Isaac's dreamy pecs."


GoodFellas at 25: why it's cinematic perfection

David here celebrating 25 years of what might be Scorsese's masterpiece...

When I signed up to write about Goodfellas, the main motivation was simply that I hadn't seen it in years - the ideal opportunity to force a rediscovery before an overwhelming onslaught of new movies. When it came to actually writing this article, though, things didn't seem so simple any more. What could I possibly say that hasn't already been said? Pieces about things you 'never knew', about where the cast are now, about the making of the movie are already widespread across the fare internet shores, because the film remains one of the all-time favourites of the straight white male demographic that dominates both film criticism and film fandom. I mean, did you miss this New York Post article a few months back? Everyone else just doesn’t get it.

The fact remains, though, that Goodfellas is a classic, and incontrovertibly so.

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