Happy 50, Leonardo DiCaprio!

by Cláudio Alves

ONCE UPON A TIME… IN HOLLYWOOD earned DiCaprio his seventh and, to this day, final Oscar nomination. Do you think he’ll be back in the race anytime soon?

Former teenage heartthrob turned Academy Award-winning actor Leonardo DiCaprio just hit the half-century mark. Happy birthday to the superstar who has been entertaining audiences since his youth and has, in recent years, expanded his work to producing movies and fighting the good fight in the name of our crumbling environment. Over time, many of his performances and most iconic movies have been explored at The Film Experience by various team members. It seems logical to revisit some of those posts, like we did to celebrate Jessica Lange's 75th birthday and Maggie Smith's passing. It's time to go down the blogging rabbit hole and share some love for the man immortalized on screen through roles like Shakespeare's Romeo, Jack Dawson, a handful of Scorsese leads, and more – the list goes on and on…

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Westerns and the Best Cinematography Oscar

by Cláudio Alves

With News of the World nominated for the Best Cinematography Oscar, I started thinking about the relationship between the western and this particular craft and awards category. My relationship with the intrinsically American genre hasn't always been one of admiration, and for years I counted it among my least liked genres. However, some historical research and the watching of many fascinating classics made me reappreciate the possibilities of the western. I gained a new respect for its importance. The wondrous feats of cinematography had a lot to do with it… 

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Shutter Island is 10 ... Remember Leo's "Dead Wives Club"?

by Nathaniel R

Ten years ago Martin Scorsese's Shutter Island (2010) opened in movie theaters. Or did it? It did but what if I were an unreliable narrator?!? Once you start worrying about fact versus self-fiction, well, it can drive a person crazy. Curiously given its hit status (though perhaps not so curiously given its release date) this is the only Scorsese film from the 2010s to not receive a single Oscar nomination. 

Are you a fan? What's your most intense memory of it? I'll tell you mine after the jump...

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What if DiCaprio had lost for "The Revenant"?

by Cláudio Alves

Oscar narratives can shape an entire awards season. More radically, they can transform the way we perceive certain films, actors and other artists. Leonardo DiCaprio is an example of the phenomenon. Until he won the Academy Award for Best Actor, the star brought with him a baggage of perceived injustice and honors long deserved but never given. He was due an Oscar, many argued, and the hysteria around his lack of one made every one of his new releases into an event – Would this be the movie to finally earn DiCaprio the Academy Award?

The Revenant (2015) was the production to eventually capitalize on all this hubbub, mounting a mighty campaign to win DiCaprio his prize. It worked and so it was that the poster boy for "Oscar dueness" lost his shine. That meant his following films wouldn't be able to take advantage of his lack of recognition and the reactions to his performances would no longer be inflated by the urgency to award him. But the next big film on DiCaprio's resume after The Revenant has proven to be an even more remarkable showcase for his talents than the production that earned him his overdue honors…

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Every Dog Has Its Day: Iñárritu, 16 Years and 2 Directing Oscars Later

Eric here to discuss cinema’s currently-most-celebrated director, Alejandro Gonzalez Inarritu. As Nathaniel has noted previously, all six of Inarritu’s feature films have gotten Oscar attention in one way or another, and of course much has been written about his being the first filmmaker since 1950 to win the Best Director Oscar two years in a row. He's also just been named to the Time 100 "Icons" List.  So there’s no better time than to look back to Inarritu’s first feature, 2000’s Amores Perros, to see where he started and where he’s landed.  

Watching Amores Perros (2000) for the first time since its initial release, I was struck by how even at the start of his career, Inarritu picked extraordinarily difficult environments to shoot in.  The logistics for Amores Perros can’t have practically been much easier than the ones we are all sick of hearing about with The Revenant.  His debut feature has him shooting all over Mexico City (inarguably one of the world’s most chaotic cities), with a colossally large group of actors, and constructing a large-scale and crucially precise car wreck sequence that pays off to all three of the film’s narratives in different ways.  Plus throw in a lot of very difficult (and legally tricky) scenes with huge groups of dogs fighting, bleeding, and getting shot.  Inarritu’s self-masochism was alive and well from the very start. [More...]

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