Westerns and the Best Cinematography Oscar

by Cláudio Alves

With News of the World nominated for the Best Cinematography Oscar, I started thinking about the relationship between the western and this particular craft and awards category. My relationship with the intrinsically American genre hasn't always been one of admiration, and for years I counted it among my least liked genres. However, some historical research and the watching of many fascinating classics made me reappreciate the possibilities of the western. I gained a new respect for its importance. The wondrous feats of cinematography had a lot to do with it… 

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Almost There: Paul Newman & Robert Redford in "Butch Cassidy and the Sundance Kid"

by Cláudio Alves

From 1944 to 2008, we had a five-wide Best Picture race in the Oscars, as well as four acting categories. During those years, it became rare for a movie to score a Picture nomination without also nabbing some sort of acting nod. It was especially unusual for the majority of a given line-up to be devoid of acting nods, happening only three times during those 65 years. One of those times was the 1969 Academy Awards, when Z, Hello, Dolly! and Butch Cassidy and the Sundance Kid didn't get any love from the acting branch. Considering the general bias against "foreign language" performances and the horrible reviews of a certain musical, it's easy to understand why the actors of Z and Hello, Dolly! went unrecognized. But what about the revisionist western in the bunch?…

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50th Anniversary: The 42nd Academy Awards

by Cláudio Alves

Here we are again. After revisiting the Oscars of 1994 for their 25th anniversary, it's time to go further back to the 1969 Oscars, whose ceremony was celebrated 50 years ago today. Unlike the Forrest Gump year, when the Academy Awards were pretty much business as usual, the 1969/70 awards season was part of a transitional period. The tension between the decomposing corpse of the studio system and the brats of New Hollywood was on full show for these Academy Awards. Each victory represents a prickly negotiation between the new and old guards. On one hand, we have the only X-rated movie to ever win Best Picture. On the other, John Wayne is our Best Actor for True Grit.

Speaking of the Duke, there's no better way to understand the singular contradictions of these Oscars than to look at the cowboys of 1969…

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SLO Film Fest: Katharine Ross and Hollywood Dynasties

by Nathaniel R

The opening night event about to begin

Film Festivals are a joy so we rarely pass up the opportunity to discover a new one. We're here in sunny but brisk San Luis Obispo (it's March in California) for the 25th annual edition of their film festival. San Luis Obispo was once named "the Happiest Place in America," by Oprah Winfrey, and at least four locals (kid you not!) tell us this within hours of our arrival! Does it live up to the title? It's hard to say but we did meet a gorgeous super nice 30something couple (hi Connie & Michael) who invited us to sit at their table at the opening night party and they seemed pretty happy to be there. Everyone else did, too. The fairly universal thing about film festival gathering is that everyone seems happy to be right there. Films were meant to be seen in groups, something we hope we don't lose with  'watch it on your phone / at home' ease of streaming.  It's the primal sitting 'round the fire' to listen to stories instinct. 

Speaking of old forms of storytelling, the opening night festivities went way back, pairing spoken word with music...

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Blueprints: William Goldman In Memoriam

This week, Jorge's screenplay column celebrates the work of one of the most versatile and distinguished screenwriters in cinema, who passed away on November 16^th.

Most artists can only hope to leave at most one iconic piece of legacy behind after they pass way. One great novel, one fantastic painting, one life-changing movie. There are few who can produce more than one. I think we can count with one hang those whose body of work can be considered unequivocally influential and unironically iconic.

William Goldman was one of those artists. Winner of two Academy Awards for Best Screenplay (one original, and one adapted), he left behind an oeuvre that spans across decades, genres, and mediums that most writers can only dream of. Let’s take a look at his most well-remembered screenplays, most of which will be embedded in the collective cinematic culture for generations to come... 

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