Gay Best Friend: Malcolm in "Darling" (1965)

A series by Christopher James looking at the 'Gay Best Friend' trope

Not pictured: The waiter that Diana (Julie Christie) and Malcolm (Roland Curran) were checking out.How can one be truly breaking convention if the act of breaking away is itself a convention? This is the plight of Diana Scott, the role that earned Julie Christie an Oscar win for Best Actress. Diana uses her feminine wiles to rise to the top of the English fashion scene, creating scandal everywhere she goes. She breaks all the conventions of how a “good girl” of the 50s would behave. While this makes her exciting, what is behind her social climbing antics? Is her rebellion ushering in a new progressive wave, or is she just rebelling to rebel? If the case is the latter, why is that something people should respect, rather than jeer?

The tagline of Darling (1965) reads: “A powerful and bold motion picture...made by adults...with adults...for adults!” It’s amazing to see what was bold by 1965 standards. An English production, Darling fittingly feels like part French-New-Wave, part mainstream Hollywood. The topics of sex, abortion, homosexuality and the blanket “sin” of adult life hang over every scene, even if very little is explicit. This illustrates that the “gay best friend” trope, among others, was once considered shocking or bold. By the 1990s, as we've witnessed in this series, boldness gave way to the expected, as the trope became overused...

Click to read more ...

50th Anniversary: The 42nd Academy Awards

by Cláudio Alves

Here we are again. After revisiting the Oscars of 1994 for their 25th anniversary, it's time to go further back to the 1969 Oscars, whose ceremony was celebrated 50 years ago today. Unlike the Forrest Gump year, when the Academy Awards were pretty much business as usual, the 1969/70 awards season was part of a transitional period. The tension between the decomposing corpse of the studio system and the brats of New Hollywood was on full show for these Academy Awards. Each victory represents a prickly negotiation between the new and old guards. On one hand, we have the only X-rated movie to ever win Best Picture. On the other, John Wayne is our Best Actor for True Grit.

Speaking of the Duke, there's no better way to understand the singular contradictions of these Oscars than to look at the cowboys of 1969…

Click to read more ...

50th Anniversary: "Midnight Cowboy"

by Mark Brinkerhoff

Gay pride month is nearly upon us, so what better time to revisit Midnight Cowboy, the first LGBT-related Best Picture Oscar winner, which arrived in theaters 50 years ago this week. It remains, incidentally, the only X-rated film (for “homosexual frame of reference" and its "possible influence upon youngsters”) ever to win the Academy’s top award. 

Centering on Joe Buck, a wannabe hustler from Texas who finds himself entirely out of his depth in the big city (New York, that is), Midnight Cowboy succeeds poignantly, in the words of its director, as an “exploration of loneliness.” It also doubles as — and doubles down on — disastrous toxic masculinity: how men often are conditioned to (mis)treat others, not to mention themselves, as disposable, degradable objects of disaffection. 

In this ambling story, callousness reigns supreme, with humanity increasingly lost in the constant shuffle, on the streets of Manhattan...

Click to read more ...