Reader Spotlight: Jeremy in New York

Jeremy EgglestonWe're getting to know The Film Experience readership, one-by-one. This will take a while and we love you for that. Thanks for being part of our ever-growing community. Today we're talking to Jeremy who I once met in a bar.

Do you remember your first movie?

Hmmm. My mom is a Wizard of Oz obsessive, so I'm sure it must have been this (on the small screen). Back before there was even VHS (ahhhhh!), I remember she would let me and my two younger brothers stay up late and stage a slumber party in the living room as we attempted to make it to the end. I fully credit my cinephile status to my mom. She made movies feel alive and transcendent.

What's your movie going diet like in a typical year?

Unfortunately, I am your typical cold-weather binge consumer. I blame the studios for this, and no point in going off on a typical rant with this one. One of the blessings of living in NYC is the smaller film festivals that go on throughout the year. For instance, earlier this year I saw Sarah Polley's Stories We Tell at the New Directors Festival through Lincoln Center (one sentence review: EVERYONE SHOULD SEE THIS MOVIE! Longer review:  I found it to be sublime and brilliant and funny and touching and above all, NEW).

I typically will get begrudgingly convinced to see one or two summer blockbusters, but other than that, fall is my season. It's not atypical for me to see two-to-three films a week between the months of September-December.

You are one of the few readers I've met (quite accidentally) and you did a little bow which was the most flattering thing ever though I was drenched in vodka (long story) so perhaps I hallucinated this. Do you remember this?

HA HA HA! Of course I remember this. I was out dancing with my friend Judith, and I spotted you out of the corner of my eye standing with your friends. I remember approaching you and saying what an honor it was to actually meet the face behind the blog. TFE was my first encounter with an internet site where you could feel the passion for film streaming through the computer screen. It was and remains a true honor. And it was fun to see your reaction of pure shock (and tinge of 'who-the-hell-is-this?' fear) 

Three favorite actresses?

1. Nicole Kidman
2. Julianne Moore
3. Tilda Swinton

"I'm gonna do what I want!"

Nicole has recently de-throned Julianne, just based on their work during the past few years. I feel Julianne still needs a can't-take-your-eyes-off-type of role, ala Game Change on the big screen. She was robbed for Far From Heaven. Meryl is of course up there too, but sometimes, there's just gotta be room for another. (And if that's the case, I'd also pick Michelle Williams, Michelle Pfeiffer, Bette Davis, and now, Jessica Chastain)  

What's the last movie you saw before answering these questions?

On the small screen, my boyfriend and I are attempting to make it through AFI's Top 100 of all Time. But I must admit, we both fell asleep halfway through Vertigo the other night. I blame it on the rain.

Have you ever fallen asleep during a classic?
Do you agree with Jeremy's take on the state of Julianne Moore's career?

Previous Reader Spotlights

A Musical Diversion

Composer Adam GuettelKnowing that the next 48 hours for most of us (well, the next 96 for me) would be filled with nothing but Oscar Mania, last night I went totally off-cinema to a night of cabaret with brilliant and unprolific composer Adam Guettel (Floyd Collins, The Light in the Piazza). [Tonight is the finale, the 8:30 is sold out but there's one more available at 11:00 pm]  Although I wasn't thinking it through properly exactly. The night didn't turn out to be all that off-cinema since the material and the train of thought kept rushing there.

Guettel is, famously, the grandson of the legendary and prolific composer Richard Rodgers, the first person to ever EGOT. Rodgers practically defined the American musical with his first partner Lorenz Hart and his second Oscar Hammerstein II: Babes in Arms, Pal Joey, The Sound of Music, The King and I, Carousel, Oklahoma... the list goes on and on and on. Guettel is an engaging witty stage presence (and unlike many composers has a beautiful singing voice to boot) but his grandfather's long shadow was ever present and referenced in self-deprecating hilarious ways.  And yet after I was done laughing I felt totally sad. The world's resistance to the musical form, and Guettel's own personal creative struggles have combined in an truly unfortunate way and we're all missing out!

Floyd Collins (1996) and The Light in the Piazza (2003) Guettel's two most famous shows are nearly breath-stoppingly beautiful musical works. I personally think both would make utterly rich film musicals if done correctly (The Light in the Piazza was already a movie, albeit a non-musical one) and since they're also serious period pieces they could be Oscar hits, too. Not that that matters... but it's just something for movie producers who might be reading to think about *cough*. If Floyd Collins, a true story of a miner trapped in a cave, was approached with the conviction and delicacy of something like Once it could be a movie masterpiece. And I've long felt that if Piazza went back to screen, there'd be a potential Best Actress winning role for the 40something/50something actress who got the plum lead role. 

In the years before/between/after? Guettel has written unfinished works and three musicals that are based on movies...

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Woody Comes Home: Blue Jasmine Tea Leaves

Hey folks. Michael C. here. There are few constants in my pop culture life. Woody Allen is one of them. The last time a year passed without a Woody Allen movie was 1981 when I was one year old. Like The Simpsons or SNL, I don't pay nearly as much attention as I used to, but I take a great comfort in knowing they're always there and always will be. I'd be lost if they ever went away.

The past eight years of Woody. How many did you see? Enjoy?

So I'm on board no matter how many Jade Scorpions he compulsively cranks out from now until eternity. I'm already picking through the just released details of his 2013 film, Blue Jasmine, if only in the hopes that my annual pilgrimage will be a brilliant Crimes and Misdemeanors or at very least an entertaining Vicky Christina. At this point there is no more than a title, a cast list, and a brief synopsis, but I already spot some reasons to be optimistic that this might be Good Woody Allen or at least what passes for Good Woody ever since the 00's showed just how painful Bad Woody could get.

5 Reasons to Be Optimistic About Woody Allen's Blue Jasmine

1. The synopsis released by Sony Pictures Classics reads...

the story of the final stages of an acute crisis and a life of a fashionable New York housewife.”

MORE...

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LAFCA Names "Amour" The Best of the Year. (Plus Boston & NYFCO)

Warning this post will contain no photos of Zero Dark Thirty in protest. It's a film I thoroughly enjoyed but critical sweeps do great injustice to the art of cinema each year. No film or performance has ever been so great as to be the only achievement worth rewarding in its calendar year. The modern age of hive-mindedness also does great injustice to awards season which needs drama as fuel. This is not to say that one shouldn't vote one's mind if a certain sweeper is also your personal favorite but if everyone's personal favorites are always the same we automatically a) need fewer groups trumpeting the collective opinion or b) we need more critics who have idiosyncratic taste to keep the art of the discussion of cinema at its liveliest.

LOS ANGELES
We've already heard from NYC's top critics who gave three awards each to Zero Dark Thirty and Lincoln and today the Los Angeles Film Critics Association, the LA wing of critical-consensus makers get their say. Given that this particular group is something like the Home Team for the bulk of AMPAS members, their votes matter. Stay tuned as voting commences!

FILM Amour (ru: The Master)
DIRECTOR Paul Thomas Anderson for The Master (ru: Kathryn Bigelow for Zero Dark Thirty)
ACTRESS (tie) Jennifer Lawrence Silver Linings Playbook and Emmanuelle Riva Amour 
ACTOR  Joaquin Phoenix The Master (ru: Denis Lavant, Holy Motors)
SUPPORTING ACTRESS  Amy Adams, The Master (ru: Anne Hathaway, Les Misérables & The Dark Knight Rises)
SUPPORTING ACTOR  Dwight Henry Beasts of the Southern Wild (ru: Christoph Waltz, Django Unchained)
ANIMATED FILM  Frankenweenie (ru: It's Such a Beautiful Day)
DOCUMENTARY The Gatekeepers (ru: Searching for Sugar Man)
FOREIGN FILM  tba tba
NEW GENERATION  tba tba
SCREENPLAY Argo (ru: Silver Linings Playbook)
CINEMATOGRAPHY  Roger Deakins Skyfall (ru: Mihai Malaiare, Jr. The Master)
PRODUCTION DESIGN  David Crank & Jack Fisk The Master (ru: Adam Stockhausen, Moonrise Kingdom)
EDITING Zero Dark Thirty
INDEPENDENT/EXPERIMENTAL Leviathan 
MUSIC SCORE  Dan Romer & Benh Zeitlin Beasts of the Southern Wild (ru: Jonny Greenwood, The Master)

Last Year's LAFCA Winners if you'd like to compare them...

Boston & NYFCO after the jump

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NYFCC Loves Sally & Matthew & Zero Dark Thirty

The New York Film Critics Circle, the oldest critics organizations founded in 1935 has 35 members. Joshua Rothkopf of Time Out New York is the current chair and today they announced their winners, with a strong showing for Zero Dark Thirty and Lincoln. Will the other groups to come talk back or merely parrot their choices? And on and on until Oscar.

♫ ladies of Tampa... New York City ♪

FILM Zero Dark Thirty
DIRECTOR Kathryn Bigelow for Zero Dark Thirty
ACTRESS Rachel Weisz, The Deep Blue Sea
ACTOR Daniel Day Lewis, Lincoln
SUPPORTING ACTRESS Sally Field, Lincoln
SUPPORTING ACTOR Matthew McConaughey for Bernie & Magic Mike
ANIMATED FILM Frankenweenie
DOCUMENTARY The Central Park Five
FOREIGN FILM Amour
FIRST FILM David France for How to Survive a Plague 
SCREENPLAY Tony Kushner for Lincoln
CINEMATOGRAPHY Greig Fraser for Zero Dark Thirty 

Do you approve of their choices? (Other than Zero Dark Thirty which you probably haven't seen yet.)

I understand the appeal of giving people awards for multiple films in a stealler year but I'm not sure what Matthew McConaughey did in Bernie in particular to merit diluting his Magic Mike performances with a share. This seems highly uneccesary. The most surprising choice (thus far) is Sally Field, an obvious Oscar hopeful but I didn't expect the critics orgs to rally for her... unless it's one of those years where they're just sticking close to the Oscar buzz titles.