Lukewarm off the presses! In a theater article at the New York Times a week ago about the new play Rasheeda Speaking starring Tonya Pinkins, her co-star, the two-time Oscar winner Dianne Wiest made a statement that quickly raised eyebrows that she didn't have enough work to pay her rent. It came when the actresses discussed the difficulties of finding good roles, which is surely depressing when you're basically a genius. (Tonya Pinkins, for what it's worth, gave one of the all time best theatrical performances I've ever seen in the musical Caroline or Change a decade ago. Idina Menzel winning her Tony was basically as ridiculous as say Benigni taking the one that shoulda gone to Norton or McKellen.)
Entries in NYC (67)
That's right show queens, "Bombshell" is finally getting a stage production. [src] It's a one night only benefit event in NYC so who knows if it will be way above our pay grade but you have to start somewhere.
The Film Experience's troubled marriage to "Smash" the ill fated NBC series about the making of a Marilyn Monroe musical named "Bombshell" lives on! It's impossible to get a full divorce actually from that show and especially the show within the show because social media has guaranteed that all TV series with a devout following remain somehow in the pop culture conversation like they're still on the air. I can't tell you how many times someone mentions Smash in my twitterfeed (#notcomplaining) and my eyes always flash a bit, like an ocular exclamation point.
There's no word yet on casting but if Megan Hilty isn't playing Marilyn at this one night only event there's really no point in that day in the world's timeline even existing. This is our only mandatory requirement*. Otherwise proceed, producers. Our hearty gratitude and possible our dollars, depending on ticket prices, await you.
*Requirements are different than wants but we got a string of those too if you need 'em.
Feeling the holiday spirit yet?
Jose here. It’s Christmas Eve in the Crawford household, and Joan (Joey Arias), and her children Christina (Chris March of Project Runway) and Christopher (Adam Davidson) are getting ready to receive a very special guest: Miss Hedda Hopper (Sherry Vine) who will broadcast a holiday special live from their home. As the perfectionist actress stresses to her children how important it is that they make a good impression - no wire hangers to be seen anywhere! - it becomes obvious that the holidays here are a truly special occasion, as many famous guests show up throughout the night (most of them mistakenly ringing the Crawford bell on their way to a party at Gary Cooper’s house).
Last seen in New York, twelve years ago, Christmas With the Crawfords is a hilarious parody that will certainly appeal to actressexuals who don’t mind their favorite divas being ridiculed. As with any good parody, the work seen on this show makes it clear that its creators are not in it for the cheap jokes, or the easy targets, but their higher purpose is to highlight what is it that made these people so fantastic, that to exaggerate their unique traits feels like the highest form of tribute.
Among the featured guests and performers are Connie Champagne as Judy Garland (her rendition of “Have Yourself a Merry Little Christmas” is equally funny and devastatingly sad) and Flotilla Debarge as Hattie McDaniel (don’t ask…), and truly to reveal all the guests that show up would be to rob the show of some of its magic. At its center this is a showcase for the astonishing Arias, who with thighs-to-die-for and shoulder pads for days, epitomizes the harsh/sweet duality that made Joan Crawford so enigmatic.
Arias moves across the stage with grace and poise, and his chemistry with March is unbelievable. One could see these two go at it forever, both being highly talented comedians who know the importance of choosing the right moments to deliver their punchlines. The production design by Andrea Purcigliotti features an anachronistic, but effective reproduction of the “big eyes” portrait Joan received from Walter Keane, and with nods to films Crawford made much later than the 1944-setting of the show, Crawford-ites will be in for a real treat. A Christmas miracle of sorts…
Christmas With the Crawfords plays at the Abrons Arts Center through December 27.
My apologies to Boston, Los Angeles and the online contingency of New York City for their shared billing but what can you do? When they all announce on the same weekend they share column space. The DC Film Critics also announced nominations today but in the interest of sanity, TFE only covers actual awards from critics groups, not their nomination rounds (which give performers and films no real juice publicity wise anyway); we have 30+ critics organizations in the US alone so any requested coverage other than wins for the non-institutions feels ego-driven.
It was another good day for Birdman and Boyhood or "Boyman" as Sasha likes to call it. Particularly Boyhood which no films seem to be able to squirm around for top billing. Grand Budapest Hotel probably came close in L.A., Birdman looked like a distant second in Boston, but NYFCO seemed very committed. Is it now the Oscar frontrunner for Best Picture? It probably always was so yes.
BOSTON SOCIETY OF FILM CRITICS (BSFC)
The BSFC was formed in 1981 and were once known for scrappy idiosyncratic choices. They were among the first awards group to rubber stamp Steven Soderbergh and David O. Russell (before their prime Oscar years). In the past ten years they've become far more conservative usually awarding their top prize to the Oscar frontrunner or its presumed challenger. Like NYC, Boston now has a second younger "online" group which already announced this year.
Film: Boyhood (runner up: Birdman)
Director: Richard Linklater, Boyhood (runner up: Clint Eastwood, American Sniper)
Actor: Michael Keaton, Birdman (runner up: Timothy Spall, Mr Turner)
Actress: Marion Cotillard, Two Days One Night AND The Immigrant (runner up: Hilary Swank, The Homesman)
Supporting Actor: J.K. Simmons, Whiplash (runner up: Edward Norton, Birdman)
Supporting Actress: Emma Stone, Birdman (runner up: Laura Dern, Wild)
Screenplay [TIE]: Birdman & Boyhood (runner up: Mr Turner)
Cinematography: Emmanuel Lubezki, Birdman (runner up: Dick Pope, Mr Turner)
Editing: Sandra Adair, Boyhood (runner up: Joel Cox & Gary Roach, American Sniper)
Foreign Film: Two Days One Night (runner up: Ida)
Animated Film: The Tale of Princess Kaguya (runner up: The Lego Movie)
New Filmmaker: Dan Gilroy, Nightcrawler (runner up: Gillian Robespierre, Obvious Child)
Documentary: Citizen Four (runner up: Jodorowsky's Dune)
Use of Music: Inherent Vice (runner up: Whiplash)
LOS ANGELES FILM CRITICS ASSOCIATION (LAFCA)
Founded in 1975, the LAFCA is one of the twin (coastal) towers of film critics associations alongside NYFCC which announced their prizes on December 1st. Last year the LAFCA had a very hard tie figuring out their prizes and the day ended with ties in three headline categories: Best Picture, Best Actress and Best Supporting Actor. These days they are perhaps best known for daring choices in Best Actress and Best Picture.
Film Boyhood (runner up: The Grand Budapest Hotel)
Director Richard Linklater, Boyhood (runner up: Wes Anderson, Grand Budapest Hotel)
Actress Patricia Arquette, Boyhood (runner up: Julianne Moore, Still Alice)
Actor Tom Hardy, Locke (runner up: Michael Keaton, Birdman)
Supporting Actress: Agata Kulesza, Ida (runner up: Rene Russo, Nightcrawler)
Supporting Actor: J.K. Simmons, Whiplash (runner up: Edward Norton, Birdman)
New Generation: Ava DuVernay, Selma
Screenplay: Grand Budapest Hotel (runner up: Birdman)
Animated Film: The Tale of Princess Kaguya (runner up: The LEGO Movie)
Foreign Film: Ida (runner up: Winter Sleep)
Documentary: Citizen Four (runner up: Life Itself)
Cinematography: Emmanuel Lubeszki, Birdman (runner up: Dick Pope, Mr Turner)
Editing: Sandra Adair, Boyhood (runner up: Barney Piling, Grand Budapest Hotel)
Score: TIE Jonny Green, Inherent Vice and Mica Levi, Under the Skin
Production Design: Adam Stockhausen, Grand Budapest Hotel (runner up: Ondrej Nekvasil Snowpiercer)
Experimental Film: Walter Reuben, The David Whiting Story
Career Achievement: Gena Rowlands
The LAFCA seem to have bought into their own myth about their iconoclastic Best Actress behavior. They weirdly switched categories for Patricia Arquette from supporting to lead despite backing J.K. Simmons as supporting from his far leadier work as half of a two-hander relationship drama between two men in a film with basically only two major characters.
Agata Kulesza is a worthy fascinating choice but she's really very obviously more of a lead than Patricia Arquette. But what can you do? I suppose you could make a better case for her in supporting than you could for Arquette as a lead but it's all rather baffling.
NEW YORK FILM CRITICS ONLINE
Said to have been formed in 2000 the internet only has records dating back to 2003 for their prizes. They are not to be confused with the ancient and highly important NYFCC which already announced on December 1st and were Boyhood & Immigrant focused this year.
Director: Richard Linklater, Boyhood
Actress: Marion Cotillard, Two Days One Night
Actor: Eddie Redmayne, The Theory of Everything
Supporting Actor: J.K. Simmons, Whiplash
Supporting Actress: Patricia Arquette, Boyhood
Ensemble Cast: Birdman
Use of Music: Get On Up
Debut Director: Dan Gilroy, Nightcrawler
Breakthrough: Jack O'Connel for Unbroken AND Starred Up
Documentary: Life Itself
Animated Feature: The LEGO Movie
Marion Cotillard is perhaps the other big story of the day having won NYFCC, BSFC, and NYFCO already. Her Oscar chances still seem debatable though for a number of reasons including two separate films and the lack of any real campaigning beyond a screener for Two Days One Night.
J.K. Simmons, Richard Linklater, and Citizen Four continues to be steamrollers in Supporting Actor, Director, and Documentary respectively. Meanwhile Birdman marches along as a strong contender for basically everything if not, yet, a dependable film to bank any actual golden statues on. More unfortunately (especially given my change of heart about the film) critics have optioned not to really back Grand Budapest Hotel beyond the category that Oscar would have awarded it any way, Best Screenplay, which is the only category in which Wes Anderson films ever find any traction, sadly, despite often being sheer wonders in terms of Production Design, Costuming and weirdly expressive stylized performances.
Will it be Birdman, Boyhood, Love is Strange, Grand Budapest Hotel, or Under the Skin tonight? Read on for the winners and commentary.
8:01 Uma Thurman the awards host is even more mannered than Uma Thurman the actress. Who knew? (I love Uma so I can say that. If you're no Umaphile you'd best shut it!
8:14 IFP is bragging about IFP. Which is okay. This is the raison d'etre of Awards Bodies essentially.
8:18 First Uma, now Heather Graham? It's getting very 90s up in herrre.
8:20 I've been pronouncing "Riz" wrong in "Riz Ahmed" as it turns out. Breakthrough Actor goes to Tessa Thompson in Dear White People. P.S. She's also really good in Selma. I love that they announce the juries. This prize was given by Shane Carruth, Michael B Jordan, Ron Simons and two actresses we love up in herre Famke Janssen & Brie Larson
8:25 Ana Lily Amirpour wins Breakthrough Director for A Girl Walks Home Alone at Night. The other much-raved debut horror film from a woman this year (The Babadook wasn't nominated). Her acceptance speech is awesome.
Tilda Swinton here and I'm like... GODDESS! Maybe if I can meet her and take a photo with her...
8:30 Meryl Streep is here to talk up Foxcatcher and give it a special prize for ensemble. She seems to really love it. Calls Channing Tatum a...
The NYFCC (New York Film Critics Circle), one half of the two crucial critics prizes for each film year (the other half being the LAFCA who announce soon) gathered this morning for prize time. Their annual game of combative rounds winnowing their choice down to one (usually) in their categories resulted in big wins for Boyhood and really important gets for two key actors.
It could well be a steamroller with critics groups. Unless Selma and Birdman get scrappy
DIRECTOR Richard Linklater, Boyhood
We can safely call him locked up for his first Oscar nomination in this category after two nominations for writing
SCREENPLAY The Grand Budapest Hotel
This is the only category that Wes Anderson has ever had real luck in with awards bodies. Can Budapest find a way to slip into the Best Picture Oscar field and change that?
ACTRESS Marion Cotillard, The Immigrant & Two Days, One Night
An enormously important get for Cotillard who has found it a real struggle to connect with awards bodies since her Oscar win for what ironically is an arguably lesser performance than the ones she's been trotting out regularly lately
SUPPORTING ACTRESS Patricia Arquette, Boyhood
So pleased that this grounded affecting performance has garnered such praise this year. It's a real treat coming from an actress that hasn't been overused overpraised much in her career.
ACTOR Timothy Spall, Mr. Turner
Another enormous "must have" for the preliminary rounds. Spall is up against a super tight Best Actor field and every mention counts towards keeping his name out there. They really should have released this movie earlier. I struggle to understand Sony Pictures Classics preference for late December which often kills "small" films with too little too late push
SUPPORTING ACTOR J.K. Simmons, Whiplash
Looks likely march to the Oscar with no problem. Which is sad for Mark Ruffalo (Foxcatcher) and Edward Norton (Birdman) who are both still waiting and both so worthy this year
CINEMATOGRAPHY Darius Khondji, The Immigrant
ANIMATED FILM The LEGO Movie
Unsurprising and I expect all the flyover state critics prizes to go the same way. The real question as precursor season heats up is which littler film gets some mentions.
FOREIGN LANGUAGE FILM Ida
If Ida dominates this field in the precursors might we see it pop up in one or two additional Oscar categories? Wouldn't that be neat?
A possible steamroller for the non-fiction prizes
FIRST FEATURE Jennifer Kent, The Babadook
Don't miss our interview with this hot new talent. I told her we were wondering about her future and she said "I'm wondering about my future, too!"
The Gotham Awards juried nominations have recently surplanted the ancient NBR as the first real awards nomination/wins of the film year. That it happens in October is more than a little crazy, but what'cha gonna do? The New York centric film prizes, think of it as the Spirit Awards's East Coast Cousin albeit with far fewer prizes will be held on December 1st. Since they only have six categories and four separate juries (composed of critics and programmers), multiple nods aren't as easy to come by as they are at other shows but a handful of films managed it: Boyhood, Birdman, Dear White People, Nightcrawler, and Under the Skin.
- GRAND BUDAPEST HOTEL
- LOVE IS STRANGE
- UNDER THE SKIN
Very happy to see the intensely moving Love is Strange, in constant danger of being undervalued, show up. Especially since it didn't show up anywhere else. 199 films were eligible for these honors.
BEST ACTRESS (they don't have lead or supporting designations)
- PATRICIA ARQUETTE, Boyhood
- SCARLETT JOHANSSON, Under the Skin
- GUGU MBATHA-RAW, Beyond the Lights
- JULIANNE MOORE, Still Alice
- MIA WASIKOWSKA, Tracks
Given that Still Alice is only getting a qualifying Oscar run and there's no proof that it will even play in NYC by the end of the year (LA is the only required theatrical run) I think it's weird to nominate Julianne Moore at the Gothams, however excellent she is in the picture. I wonder what criteria they use for eligibility?
BEST ACTOR (they don't have lead or supporting designations)
- BILL HADER, The Skeleton Twins
- ETHAN HAWKE, Boyhood
- OSCAR ISAAC, A Most Violent Year
- MICHAEL KEATON, Birdman
- MILES TELLER, Whiplash
Interesting to see Oscar Isaac show up but not Jessica Chastain when the same nominating committee chose for both categories.
BREAKTHROUGH ACTOR OR ACTRESS
- RIZ AHMED, Nightcrawler
- MACON BLAIR, Blue Ruin
- ELLAR COLTRANE, Boyhood
- JOEY KING, Wish I Was Here
- JENNY SLATE, Obvious Child
- TESSA THOMPSON, Dear White People
Slightly odd choices by the breakthrough committee. I love Boyhood and Nightcrawler but it seems weird to single out Coltrane or Ahmed from either, not only because they aren't the MVPs but because their performances just aren't at the same accomplished level as their co-stars.
- ANA LILY AMIRPOUR, A Girl Walks Home Alone at Night
- JAMES WARD BYRKIT, Coherence
- DAN GILROY, Nightcrawler
- ELIZA HITTMAN, It Felt Like Love
- JUSTIN SIMIEN, Dear White People
- LIFE ITSELF
- POINT AND SHOOT
I haven't yet seen Life Itself (I know I know) but I increasingly suspect, based on everything I've read about it, that hero worship is really getting in the way. It's not that I don't appreciate Ebert's work or that I don't understand the need to honor him for a special life in this very specialized field. But as with Oscars view of documentary, sometimes subject matter trumps execution in terms of awardage. Critics complain when that happens. Except when it happens to a movie about a film critic ;) I reserve the right to change my mind and consider it very worthy if I see it but I just wanted to point out that this is always a real danger in awardage for all groups, not just Oscar, the effect of subject matter trumping execution.