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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Emmy Aftermath - how to fix the Emmys?

"Personally, I'm opposed to capping wins or even nominations, even if seeing Modern Family win year after year drives me up the walls. I think it look punishing to the winners, instead of addressing the real issue, which are the voters and the voting system, and how even as things change and get more diverse and they try to catch up, they still don't vote that outside that box at all. It still takes that little aura of prestige for different shows to break in, and there is such a gap between what's great and what's awards-material." - Tee

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Entries in NYC (56)

Monday
Aug042014

"Share a Diet Coke with..."

Whenever I buy a Diet Coke I feel friendless because invariably I don't have friends in town with the random name I get. The other day I got a "Maddy" and a "Rick". But look what one of TFE's favorite loyal readers, Evan, saw in the deli!

How great is that?

Talk about accidental brilliance. Sadly these West Side lovers were discovered on the East Side. "East Side Story" just doesn't have the same ring to it. 

The most exciting "Share" I've ever gotten is this one. He's fictional but you can't have everything. 

Saturday
Jul262014

NewFest: "Futuro Beach" and "Gerontophilia"

This double feature review was originally printed in Nathaniel's column at Towleroad

Help, he’s drowning! In good movies so don’t rush to the rescue. Both the opening and closing night films of this week’s satisfying NewFest (July 24th-29th), NYC's annual LGBT film festival in partnership with OutFest, begin with a drowning. Both drownings become romantic catalysts for the lifeguard, but the films couldn’t be more different in tone or purpose so it’s surely a coincidence. NewFest got the order right, opening with the dramatic punch and ending with a sweet drive into the sunset.

In the Brazilian/German film FUTURO BEACH, which opened the annual LGBT film festival Thursday night, two tourists are hit by violent waves. Lifeguards rush in to save them but only one survives. Donato (Wagner Moura) shaken up by losing his first swimmer, seeks out the survivor's friend, a sporty motorbike enthusiast named Konrad (Clemens Schick) to explain the process for dealing with the body. Soon they're angrily rutting, caught up in the disorienting and wrenching drama. Their hookup appears destined to burn bright and die quick due to its emotionally disconnected start and its rapid and frank visual presentation -- English language cinema still lags far behind European cinema in its depictions of sex; the full frontal here is presented as if it’s no big deal.

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Thursday
Jul172014

Open Thread & Movie Naps

What's on your cinematic mind? Discuss as I finish a few more Oscar charts.

Anyone know which Manhattan movie theater this is? I thought Film Forum at first but the building next to it looks wrong.

I woke up thinking about Ingmar Bergman movies because in Summer Wishes Winter Dreams (1973) Joanne Woodward and her mother Sylvia Sidney take in Wild Strawberries. Joanne immediately falls asleep which you should never do at great movies. Bad Joanne, bad! But how funny is it that one of the Oscar nominated films of 1973 has a  Bergman scene in it in the same year that the Academy went wild for Cries and Whispers? And then I thought about how evil it was for me to program two awesome but gruellingly enigmatic movies in a row for Best Shot (Under the Skin then Cries & Whispers) but they are going to make such amazing 'hit me with your best shot' episodes. Movies that leave a lot of room for the audience to wander around in deserve audiences that will do the wandering if you what I mean. 

Sunday
Jun292014

Happy Pride! Complete the Sentence...

Today is the big day here in NYC! 

Play safe and have fun.  And if you're staying in, watch a great movie. And complete this sentence:

My favorite LGBT movie is _______ because  _________ but the one I've seen the most is _________ .

Thursday
Apr242014

Tribeca: "5 to 7," Or Why Frustrated Writers Should Back Away From Final Draft

Tribeca coverage continues with Diana on 5 to 7 with Anton Yelchin & Glenn Close

Based on the imaginings of an out-of-touch, middle-aged writer-director, 5 to 7 is about a 24 year-old “writer” (Anton Yelchin) who becomes involved with the 33 year-old wife of a French diplomat (Berenice Marlohe). Brian lives in Manhattan, presumedly on his parents’ dime (Glenn Close and Frank Langella, both painfully misused), and attempts to write, his creative juices facilitated by posting a multitude of rejection letters on his wall and playing lonely man wiffleball in his apartment. Arielle also lives in Manhattan  and is oh so very “French” -- husband, two kids, posh neighborhood, and ability to balance high heels with a well-fitting dress.

Spotting Arielle in front of the St. Regis, Brian pursues her through quips that sound more like early drafts of “wit” rather than the finished product (think Woody Allen without the neurotic charm). She tosses words back at him that are meant to signify mutual attraction. When they do end up in a hotel room together (after she hands him the key), there is zip chemistry between the pair, cringingly highlighted all-the-more when Arielle tells Brian that he is a natural lover and asks whether his other lovers had told him that. That’s the crux of the problem with this film - we are told things consistently through voiceover and character iteration (Brian loves Arielle, Arielle loves Brian, Brian’s mother can see that they love each other), but we’re rarely shown anything substantial enough to back up these assertions. [More...] 

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