And all our Middleburg Film Festival Coverage

Oscar History

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Like The Film Experience on Facebook

Powered by Squarespace
What'cha Looking For?
Comment Fun

Comment(s) Du Jour
English Patient Reunion

"This is my all time favorite. I have seen it at least fifty times -I used to watch it after breakup." -John T

"Still so enigmatic & mesmerizing after all these years..." -Claran

Keep TFE Strong



Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience


For those who can't commit to a dime a day, consider a one time donation for an article or a series you are glad you didn't have to live without.


Entries in NYC (84)


NYFCC Winners

 The New York Film Critics Circle takes their sweet time each year debating their "bests" and shouldn't we all? Nevertheless it's agony for awards addicts like us, the excruciating wait times that commence between 9 AM EST and continue for hours. With lunch break. If you want to have a laugh at my expense I tried to predict the winners as part of the Gurus of Gold chart this week (update: This year they wrapped up by 1:00 PM though so all is well. The only thing i got right in my predictions was Carol for Film/Director)

A bit of Oscar adjacent history: In the past 20 years of their long long history (they're octogenarians now!) they've selected 4 films that went on to win Best Picture at the Oscars, 11 more that were nominated and 5 that were critical darlings and eventual Oscar players but were shut out of the big race (Leaving Las Vegas, Topsy-Turvy, Mulholland Drive, Far From Heaven, United 93). Which is a long way of saying they have refined if not quite populist taste but they're never too far afield of Oscar's wheelhouse. Do they influence the Oscars? It's tough to say. The Film Experience's position is, generally speaking, that no single critics group influence voters beyond pointing them at films... but the NYFCC and LAFCA are the ones the industry cares most about and are most likely to let in... at least to pique their interest in particular films and performances.

So here we go...

Best Film Carol
Best Director Todd Haynes, Carol

It's worth noting, as Sasha Stone did, that very few directors have ever won Best Director twice at the NYFF. The list includes Martin Scorsese and Kathryn Bigelow and now Haynes. Carol was the big winner of today's announcement taking home 4 prizes.

Best Actress Saoirse Ronan, Brooklyn
Best Actor Michael Keaton, Spotlight
Best Supporting Actress Kristen Stewart, Clouds of Sils Maria
Best Supporting Actor Mark Rylance, Bridge of Spies

But not in acting. That said these are wonderful choices for the prizes, going out of their way to remember Kristen Stewart's amazingly naturalistic engaging work as Binoche's personal assistant in Sils Maria. That performance has already won her a Cesar Award in France but since she's not campaigning things will probably stop here. Saoirse Ronan and Mark Rylance will surely go the distance to a nomination in Best Actress and Supporting Actor and both could well compete for the win... though we'll have to see the whole field before we really get into that.

The strangest thing is to ignore the supporting campaign (a legitimate choice to make everyone supporting in such an ensemble film) for Keaton and give him the Best Actor prize. But he gives the best performance in a film filled with good work so hurrah!

Best Screenplay Carol, adapted by Phyllis Nagy from the Patricia Highsmith novel "The Price of Salt"
Best Cinematography Carol, Edward Lachman

A thousand times yes. The whole team on Carol was doing exquisite work. That's why we asked them all why they were such geniuses. NYFCC are Todd Haynes fans (as all truly outstanding people are) and they gave Far From Heaven 5 awards in 2002.

Best First Film Son of Saul d. László Nemes
Best Animated Film Inside Out (Pixar) d. Pete Docter & Ronnie del Carmen
Best Documentary In Jackson Heights d. Frederick Wiseman
Best Foreign Language Film Timbuktu (Mauritania) d. Abderrahmane Sissako
Special Award William Becker and Janus Films
Special Award Ennio Morricone, composer

Son of Saul looks fairly unstoppable for the Foreign Film Oscar this season so the race to watch is probably the nominations themselves. And whether Son of Saul can expand into other categories... which it wants to. As previously stated in the Documentary Finalist post it's odd that the Academy's documentary branch continues to pass on Frederick Wiseman's documentaries considering that they are routinely greeted with "masterpiece" level reviews; he's never been Oscar nominated.

That's it. On a scale of 1-10 how happy did today's announcement make you?




Required Viewing: Julianne Moore Acts for Tips in Times Square

I was hoping to hear a little Boogie Nights! But this will more than do. Billy Eichner is a national treasure. Or at least a regional treasure. Does he go over well in the southwest?

P.S. Mark Harris made a funny about this video on twitter.

ALL Oscar campaigns are basically this brilliant @billyeichner segment w/ Julianne Moore acting for tips in Times Sq.

It's funny because it's truthy.


NYFF is a Wrap. All The Reviews

Whew. Though a bad cold and TIFF fatigue sidelined yours truly, Jason and Manuel were both insatiable cinephiles during the 53rd Annual New York Film Festival and reviewing machines. Huge thanks to them. We hope you enjoyed our coverage of this annual curated festival which collects key films from Cannes, TIFF, and Berlinale and throws in a few premieres as Fall Film Season begins in force in your local movie theaters.

Phyllis Nagy who wrote "Carol" and Cate Blanchett who played "Carol"

28 Films
The Assassin Hou Hsiao-Hsien does the Tang Dynasty (Nathaniel) 
Arabian Nights Vol 2: The Desolate Ones confused thoughts from TIFF (Nathaniel)
Bridge of Spies Spielberg's methodic Cold War thriller with Tom Hanks (Manuel)
Brooklyn melodramatic infatuation by way of Sundance (Nathaniel)
Carol Todd Haynes returns with an exquisite romance (Nathaniel)
Cemetery of Splendour somnambulist soldiers & their caretakers (Jason)
De Palma a filmed chat with the singular Brian de Palma (Jason)

Everything is Copy a documentary on the late great Nora Ephron (Manuel)
The Forbidden Room Guy Maddin is Guy Maddin is Guy Maddin is Guy Maddin (Jason)
In Jackson Heights Wiseman Does (upper) Manhattan (Manuel)
In the Shadow of Women wounded French masculinity (Manuel)
Ingrid Bergman - In Her Own Words just that (Manuel)
Journey to the Shore a ghost story and melodrama (Manuel) 
Junun PT Anderson makes a doc for Jason's Radiohead Fandom (Jason)
Les Cowboys from the writer of Rust & Bone, a riff on The Searchers? (Jason)
The Lobster the absurdist all star comedy (Jason)
Maggie's Plan romantic comedy every which accented Julianne Moore (Manuel)
Mia Madre Nanni Morretti gets personal (Manuel)
Microbe & Gasoline a Gondry oddity (Jason)

Emayatzy & Cheadle at the "Miles Ahead" premiereMiles Ahead Don Cheadle wearing all hats. and trumpet (Nathaniel)
My Golden Days romantic Desplechin (Manuel) 
No Home Movie the final film from the late great Chantal Akerman (Manuel)
The Short Film Programs multiple gems (Manuel)
Son of Saul Hungary's powerhouse (Manuel) 
Steve Jobs Aaron Sorkin's Electric 3-Act (Jason) 
The Treasure "This is very Romanian" (Manuel) 
The Walk Robert Zemeckis 3D fantasy (Nathaniel)
Where to Invade Next Michael Moore's optimism (Manuel) 

Next in Festival Land
There's just one more this year for TFE and its the least intense one thankfully. Nathaniel and team head to Los Angeles in November for the AFI festival and all the Oscar campaigning that comes with it. Thanks for going on these film-binge journeys with us wherever you are in the world.



NYFF: Voilà... "The Walk"

Nathaniel reporting from NYFF 53 though this movie is now in IMAX theaters and next week wide for all y'all. This piece was original published in a shorter version in my column @ Towleroad

The Walk  begins in mid air with a jaunty circus-like score from composer Alan Silvestri accompanying the clouds. Our birds-eye view is quickly revealed as just above Manhattan, perched on no less a tourist icon than the Statue of Liberty. That we’re looking at something purely presentational is abundantly clear as crinkly-eyed Joseph Gordon-Levitt makes his first appearance, smiling and speaking directly to the camera. And he speaks with a cartoon French accent to boot. (To be fair to JGL, many real French people sound like cartoon people when they speak English. This is meant as a compliment because who doesn’t love cartoons and/or French accents?). What’s more, at least to these only super-marginally trained ears (I watch a lot of French movies and I took French in high school –that’s the extent of it!) JGL’s actual French sounds impeccable in his subtitled scenes with French co-stars.

Joseph Gordon-Levitt's adorableness can be so distracting? Is that why filmmakers keep trying to make him look not so much like Joseph Gordon-Levitt? We already know he can sing / dance / act and in this film he juggles and wirewalks and speaks fluent French. Is there anything he can’t do? 

Joseph Gordon-Levitt’s adorableness can be so distracting! Let’s get back on topic...

Click to read more ...


Something Link-ed This Way Comes

The Movies
• How does The Intern stack up to previous Nancy Meyers releases at the box office? It's a bit too early to tell but I totally didn't know and was a bit surprised to realize that they were nearly all bigger hits overseas than in the US [Box Office Mojo]
• Sasha Stone comes up with a new sneaky way to define leading roles as supporting. She's calling them "anchors" as in "anchors to the lead," not "the other lead." Hee. Of course she doesn't mean Anchor as Category Fraud but a rose by any other name... [Awards Daily]
• Singing the praises of the Film Society of Lincoln Center and their upcoming slate for cinema-voracious New Yorkers. And really, sing these praises at full volume. [MNPP]
• Not everyone loves the new Macbeth [Shadowplay
• "The people behind [Sicario] understand that what makes a great thriller is not the abundance of shootings, murders or jump scares and plot twists - it's the fear that something horrible can happen at any moment." [Cinematic Corner

Off Screen
• Oh god. File under totally depressing: If even Meryl Streep doesn't understand what feminism is, the earth is doomed. One of the most successful things conservative thinkers ever did is fooling progressives (and women of any political stripe) into thinking it was a bad word [Refinery 29]
• I mean... Keira Knightley is awesome but shouting marriage proposals at her while she's trying to make her Broadway debut last night. Not cool, drunk stalker! [Playbill]
• "Homophobia unites people of different Christian faiths" - Dan Savage, hero, on the Pope/Kim Davis mishegoss [MSNBC]
• I missed this report last week but The Tony Awards might be leaving their regular home - considering different theaters [NYT]
• "The last time I saw Madonna was on September 6th, 1989, during the live telecast of the MTV Video Music Awards. I was in my parents basement with my mother..."  Love these personal essays about stars when people can pull them off. Must Read. [The Hairpin]

Scream Queens
• Is Nick Jonas too into queerbaiting his fans? [Towleroad]
• Are any of you watching? It's such a mess, strains for laughs and (worst of all) revels in its misogyny (Murphy and his writers really need to stop putting words like "gash" into the girls mouths to demean other girls) to the point where you know it's not parody but just actual feeling disguised as parody. I'm only in it for Jamie Lee Curtis (fun but she's been better) and recent Emmy nominee Niecy Nash (making the very very very most of a small role - what a gift she is!). This quote from Towleroad's recap of the third episode made me LOL:

“Chainsaw” ...crammed in so many obvious red herrings, I think it qualifies as an aquarium.

Image of the Day
Michael Fassbender as MacBeth. I will never for the life of me understand what is taking so long with this movie (remember how long ago we saw the first images -- I swear it was 2013 -- or even why they're going to distribute it like a poor stepchild movie. (sigh).

click to embiggen

"Critics Choice" Ch-ch-changes
It's worth noting that the BFCA, of which I am a member -- yes, I'm still bragging about sitting with Jessica Chastain last year --  is making a major change. They're fusing their fairly new TV arm (which currently holds their ceremony in May each year) with their cinema body for one conjoined show starting in January that's 3 hours long. I don't understand what that will mean for current TV shows (two awards for their favorites in just a seven-month span?) but this will obviously make the Critics Choice Awards far more like their sworn enemy* the Golden Globes. Obviously to make this successful the BFCA will have to axe some of their odder categories from their ever-expanding roster but that was okay because things were getting seriously weird there in their attempts to cover everything but NOT officially categorize anything (resulting in weird 'it's an action movie but it's not... it's a comedy but it's not... it's a drama but... no, scratch that we don't say "drama" about anything --that's the default!') 

I have to admit that it seems odd to have two separate organizations do one event together. Just let us vote on both, and not have to be part of two organizations! Just change the name to Broadcast Critics Choice Awards, dropping the pesky film or tv separations. 

* I'm kidding though for all the heat the Golden Globe take from US journalists, it's perpetually hilarious that US journalists always want to be more like them. 


Three Quick Notes / Roles

Cara Seymour has taken over TFE for a day - Editor

Three film stills and the first thing that came to mind...

Adaptation (2002) as "Amelia Kavan"
I still cannot believe I was sitting there with the glorious Nick Cage being directed by Spike Jonze who is literally an Angel.

Hotel Rwanda (2004) as "Pat Archer"
I was blessed to work on this movie. I don't think I have words to describe it.  

American Psycho (2000) as "Christie"
This was filmed in the meat packing district when it still smelled of meat.
(more on this movie


Laura Benanti Predicting "Supergirl" in 2013

We're celebrating 1979 this month so let's talk about one of its most underused / overtalented showbiz babies: LAURA BENANTI.

She's a Tony Winner (Gypsy) with great pipes, Broadway's Queen of Twitter (giving her 71 thousand followers more joy with hilarity than you can fathom if you don't follow her), and this decade she's been making inroads to television stardom with recurring characters on several shows including "Nurse Jackie" and "Nashville" but she's still without a big leading role which she more than obviously deserves!

She'll next be seen as Supergirl's birthmother in the pilot of "Supergirl" (2015) - currently having pirating problems -- so add psychic to her many gifts. See, In 2013 she stripped down into Supergirl costume at a Skivvies* concert! See the video after the jump...

Click to read more ...