Boats against the current, borne back ceaselessly into weak adaptations of great books

Hi all, Tim here. Like a lot of you, I’ve been waiting on Baz Luhrmann’s brand-new, all-3D, all-CGI version of The Great Gatsby with a kind of curious dread, on the assumption that the no-doubt overwhelming style and glitz would leave F. Scott Fitzgerald’s excavation of the limits of American ingenuity and self-invention a little bit lost amidst all the eye candy. And this seems to have been exactly the case, sadly.

But let us not come down too hard on Baz. There’s also the possibility that Gatsby simply isn’t a novel that’s meant to be filmed, and as evidence I’d like to call upon the last feature film adaptation, and certainly the best known prior to now. Of course, I mean the 1974 Paramount production starring Robert Redford as Jay Gatsby, Mia Farrow as Daisy Buchanan, and Sam Waterston as Nick Carroway, and a general sense of lifeless ennui as the stimulus-crazed Roaring ‘20s. Other than a fixation on production design and costumes (it won the Oscar for the latter), there’s not much that the ’74 film has in common with Luhrmann’s screamingly excessive vision; if anything a bit more of a willingness to push against the book, rather than to so dutifully illustrate it in the driest way possible, might have benefited it. Movies are not books, after all, and this version of Gatsby badly loses sight of that truth.

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Link Be a Lady Tonight

Film.com Excellent piece on the online coverage of Lynne Ramsay's no-show on Jane Got a Gun. There's just so much default anti-woman rhetoric online. Crazy that this rarely ever improves.
Slant Magazine Our friend Kurt recently visited Las Vegas and its glorious gawdy movie memories came with
AV Club Might HBO let people buy HBO Go without a cable subscription? That's such a good idea. A ton of people I know have dropped cable (too expensive) altogether since they use their computers more than their TVs. I would if I could, too.
Film.com strong list of 50 best opening sequences in movies ever. Love the inclusion of Cabaret, La Dolce Vita, and Manhattan. Bonus points: you don't have to click 50 times or even 5 to see the whole list.

MovieLine the opening credits of Oz: The Great and Powerful. I knew these would show up soon. Best part of the movie, easily showcasing charm, creativity, and wit.
CHUD "Hey girl... NO GIRL, PUT DOWN THE GUN!" Ryan Gosling is quitting acting for awhile
Empire Robert Redford could join the Marvel Universe starting with Captain America 2. (He would'a made such a great Captain America back in the 60s)
Timothy Brayton adss another toughtful thumbs up review to No's increasingly large critical pile. Seriously, what are you waiting for? Best movie of 2013 thus far. 
Coming Soon Wentworth Miller conitnues on as a screenwriter post Stoker. He'll adapt the thriller novel Scare Me. 

Art & Toons
Wimp.com a really amazing video about early animation process at Fleischer Studios. It's so crazy how much factory like manpower and technical innovation went in to things that are so computerized now.
i09 a neat very short animated cartoon on Marvel iconography from X-Men to Captain America

And... How webcomix make money, illustrated with 8 bit animation - thanks to Drawn for pointing it out

Curio: 70s Paranoia Posters by Jay Shaw

Alexa here.  Catching Argo this weekend, with its panic, mustachoied men and analog opening credits has given me a taste for some good 70s paranoid thrillers.  (My current addiction to Homeland's depressive spy world set the table a bit, too.) I'm on the verge of staging a marathon of my favorites: Marathon Man, Three Days of the Condor, The Conversation, All The President's Men.  I was reminded that artist Jay Shaw recently created possibly the best alternative posters for this genre, each in stark black and white, utilizing images from these films seamlessly in his bold designs. They've been printed in editions of 100 and most are still available through Gallery 1988 for $30.  If this niche genre is a favorite for you too, snap these up while they are still available.

Click for... Klute, All The President's Men, Invasion of the Body Snatchers, and Marathon Man...

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Curio: Tinker Tailor Condor Spy

Alexa here. Tinker Tailor Soldier Spy was one on my favorite movies this year, so I was a bit disappointed this morning at its lack of notice by the Academy for Best Picture. But I wasn't surprised, what with most of the predictions not mentioning it (including Nathaniel's).  Perhaps it was too professorial, too quiet, too stodgy for most. Thankfully Gary Oldman got his nomination for managing to seep George Smiley from every pore, and its le Carré-adapted screenplay got notice.

Thinking about it while listening to the nominations I was reminded of another one of my favorite spy-intrique films with a 70s setting, Three Days of the Condor, similarly ignored by the Academy in its time (save for an editing nomination), despite its timely post-Watergate release. Sydney Pollock's film is certainly the sexier of the two, with Redford and Dunaway in their heyday, but one glance at Max Von Sydow's glasses and you know you're in a similar landscape to Tinker Tailor.  Here is a cheesy Rona Barrett's Hollywood magazine I bought simply for it's coverage of the film, and its entertaining barely-there tidbits about the filming of this classic, 35+ years ago.  Add it to your queue if you haven't seen it.

[Filming of] Condor took place entirely on location in and around New York City...During one exterior scene that called for a winter rain, the co-eds of the nearby Finch College cut classes to gawk at the publicity shy REDFORD and scramble for his discarded paper cups! But ROBERT's presence was felt [also] by the appreciative crew, which got careful instruction from the superstar-ecologist on how to defoliate the plant life used in the scene without harming them.

Co-star MAX VON SYDOW gingerly commuted between Denmark and Manhattan while finishing up [on a] Scandinavian film. FAYE DUNAWAY seemed not only to enjoy doing the film but loved having the chance to love a few weeks in her beloved New York City. She and her husband, PETER WOLF, maintain a Central Park West apartment where married life definitely agrees with them.

Natty the Link Slayer

24 Frames Why is Harvey Weinstein the ultimate campaigner?
Art Info meet the sexy subway rider from Shame, actress Lucy Walters.
Mother Nature six things you probably didn't know about It's a Wonderful Life 
Super Punch Robot Chicken makes an Alien funny: the dangers of acid blood.  
Whedonesque Huh. Did not know this. Willow on Buffy was only a coincidental redhead. T'wasn't planned at all though it's impossible to think of Willow as anything but.
Alyson Hannigan is pregnant again. Congratulations to Mommy Willow! 

In Contention Kris Tapley's "superlatives" of the year. He's on #TeamMargaret and Team Tilda.
Sum Up Film the Desperate Women of the Best Actress Race
My New Plaid Pants Man crotch, the hot new movie poster trend
Empire Robert Redford back to work eh? He'll team with Margin Call's breakout writer/director J.C. Chandor on All is Lost, a man vs nature drama.
Cinema Blend Leonardo DiCaprio has two villain roles coming up and The Devil in the White City just hired its screenwriter Graham Moore
The Carpetbagger This is a "hearing about your nomination" story that isn't 100% generic. Angelina Jolie was at the dentist office. Hee. 
The Playlist Jessica Chastain to star in The Darling... which is about 4 or 5 movies from now on her schedule. At some point girlfriend's going to have to come up for air! Maybe she'll take a break in 2015?

For what its worth The Academy has disqualified The Smurfs from the Animated Feature race. No one expected it to be nominated but it's still important to note. 18 films were submitted and the category requires 16 qualifying entries for five-wise "Best" category. If more are disqualified before the nomination ballots go out, the shortlist may get, well, shorter. It's a curious and quite competitive category this year given the rarity of a Pixar fumble and a frontrunner (Rango) that is not quite beloved. That said, Pixar's Cars 2 could still well be nominated from force of habit. The Golden Globes went there despite several more acclaimed option and so did the Annies though they select ten nominees so it was practically a gimme. It's kind of a nail biter, isn't it? Do you think Pixar will manage a nod?