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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd


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"I loved Clarke's scenes with Edgerton in The Great Gatsby. I thought, oh now I'm watching men not boys, and now I'm watching actors not movie stars.-Adri

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Entries in Robert Redford (21)


I'm not aware of too many things, i link what I link, if you know what I mean

Hello Cinema has a really fascinating conversation about the reception of foreign films, Iranian and elsewhere, in North America referencing interesting movies like A Separation, Leila, Mother of George, Children of Heaven, City of God, and many more
Man, I Love Films on the beloved 40s noir horror Cat People (such a good flick, huh?) 
My New Plaid Pants falls in love with (nsfw) 1966's Georgy Girl with Lynn Redgrave & Alan Bates 
Guardian George Clooney, perpetual bachelor, is engaged! 

ABC Musicians Paul Simon and his wife Edie Brickell arrested for disorderly conduct. The New Bohemians were not brought in for questioning
Theater Mania Grease Live! will be the next TV musical event after The Sound of Music's success. No cast yet (and good luck strying ot out Stockard/Olivia/John) but it's aiming for 2015 
Serious Film my friend Michael liked Match, the Tribeca film starring Patrick Stewart I reviewed yesterday, a helluva lot more than me so it's worth sharing an opposing opinion
First Showing footage from Russell Crowe's directorial debut, The Water Diviner
Empire the WB triples down on director Zach Snyder giving in both the Man of Steel sequel and the Justice League movie  (but why? People have already turned on Man of Steel as a 'meh' which doesn't bode well for enthusiasm next time)
Cinema Blend on rumor control: Matt Damon as Aquaman? 
Towleroad so that's what Teen Wolf's departed cast member Colton Haynes has been up to. (side note: Towleroad has been killing it with the post titles of late)
The Wire revisiting Mean Girls with the woman who wrote the non-fiction / non-comedy book it's adapted from 

Time Magazine's "100 Most Influential People" List
The full list has been revealed with these 27 people in the "arts" section: Marina Abramovic, Amy Adams, Diane Paulus, Matthew McConaughey, John Green, Beyoncé, Sheika al-Mayassa bint Hamad bin Khalifa al-Thani, Donna Tartt, Jordan Peele, Seth Meyers, Benedict Cumberbatch, Robin Wright, Binyavanga Wainaina, Miley Cyrus, Robert Redford, Jenji Kohan, Yao Chen, Arundhati Roy, Megan Ellison, Carrie Underwood,  Kerry Washington, and Keegan Michael Key. Weird eclectic lineup. (This last season renewed my love for Amy Adams but I've never thought of her as "influential" per se.) Interestingly enough -- at least for The Film Experience's purposes -- five of the slots are taken up by recent hotly-contested Oscar contests. Best Directors Steve McQueen & Alfonso Cuarón are both accounted for as are the leading "Original Song" nominees Robert and Kristen Anderson-Lopez (from Frozen) and "Happy" Pharrell Williams.  All of the celebrities get tributary write-ups by other starry folk: Oscar whisperer Harvey Weinstein honors film legend Redford; James Franco writes about Abramovic (OF COURSE HE DOES); Naomi Watts talks up Robin Wright who had her best year; and Jessica Chastain has the good sense to worship Megan Ellison...

The Italian Renaissance flourished because patrons like the Medici family sponsored artists and valued their craft. Today the film industry has been blessed with a modern version of the Medicis — a single benefactor who has the utmost respect for cinema: Megan Ellison.
         -Jessica Chastain 

The magazine has multiple covers as most event issues do these days. Who would you have placed on the list that didn't make it?


I'm Mad As Hell And I'm Not Going to Link It Anymore

CHUD James Franco to direct a film based on the making of bad movie everyone obsesses over which I haven't seen The Room. You guys, I can't even with Franco's lack of focus. I mean I don't dislike him. I think he's interesting but he is way too scattered. 
In Contention on Santa Barbara's Robert Redford tribute
Guardian Valentino makes a gauche error, pimping the fact that Amy Adams carried a Valentino bag to PSH's funeral stating they didn't know it was a funeral photo. Um, everyone is in black and they look abso-depressed
MNPP who knew that Fran Kranz from Dollhouse had that chest under his clothes and why on earth didn't Joss Whedon exploit it on that oft-horny show?

NY Times Maureen O'Dowd wonders what Network's Paddy Chayefsky would think of today's click-driven world with its total monetization of every editorial decision
Awards Daily a BAFTA members favorites
Coming Soon Gravity becomes only the third film (after Avatar and The Dark Knight Rises) to earn over $100 million from IMAX screenings alone
Variety the ongoing saga of "Alone Yet Not Alone" continues. It's now selling briskly and nominated for the faithbased MovieGuide Awards 
i09 will The Runaways -- if Marvel ever makes it -- be their Godfather?
Salon talks to the director of The Great Beauty on Italy's Oscar dreams. (For those who are not aware Italy has the most Oscars in the Foreign Film category though France has the most nominations.)
Slate "You Still Have Control" Samantha Geimer ("The Girl in the Shadow of Roman Polanski") once again proves herself the smartest most well adjusted and least hysteric person in the room when it comes to the topic of sexual abuse cases - and she lived it! This is a must read for anyone who has struggled to move on from past traumas. 

And the Most Terrifying News of the Week
We're hearing from Coming Soon that John Travolta will be playing Gummy Bear, or Gummibear if you prefer or are European, in an upcoming animated film version of the yummy treat. The character designs look hateful, really and not much like the actual food stuff.

Frankly, I don't see the point in a Gummy Bear movie when the deliciousness was already twice immortalized via Robot Chicken and Hedwig and the Angry Inch...

Luther: You must like candy.
Hansel: I like Gummi Baerchen 


"All is Lost" For Oscar Noms?

One of the biggest question marks this season is what became of All is Lost's Oscar heat?

Was it the box office (okay but unnoteworthy)? The relatively laidback Robert Redford campaign when hard sells are the norm? Or was it merely that the movie is a quiet contemplative type fellow in a sea of noisy exuberant life-of-the-party types? Or was it that other quiet contemplative loner with which critics are far more enamored (That other guy goes, oddly enough, by Her)?

There is still a chance that All is Lost could pull a few nominations out of its hat this Thursday morning but with none of the recent guilds going its way, and very little in the way of critics awards, all might be truly lost. Which seems strange given the early heat it had for Best Actor and the nominations it probably deserves like the sound categories. I know it's not an original notion to compare it to Gravity in terms of theme and plot but the similarities don't end there. In both cases, the sound is inarguably crucial to the movie's success. Here's a veritable FYC ad for its Sound Mixing and Sound Editing...

Do you think the film will come up empty-handed on Nomination Morning or surprise with Redford and other stray nod? 


Oscar Symposium: The Fifth Spot (Part One)

In which a new Film Experience tradition begins. A pre-nomination mini-symposium about fifth spot battles...

NATHANIEL R: Things that are awesome that come in sets of five: fingers, boy bands, the filmography of John Cazale, golden rings to be used for Olympics or in song, toes, Oscar nominees... It always comes back to the Oscars here at The Film Experience, don't you know?

I never thought of myself as any more averse to change than the average person but when the Academy changed the Best Picture system in 2009 and 2010 to a top ten and then to anything between 5 and 10, the magic number suddenly becoming 9 in both 2011 and 2012, it felt like a direct attack on my sanity. But Oscar categories come in fives!!! I've never stopped internally protesting and whenever anyone suggests that the acting categories should widen as well, a little part of me dies inside or reaches for smelling salts. I've taken solace in recent rule changes that bring Original Song and Visual Effects to a clean five-wide system as well and I pray that Hair and Makeup eventually goes there, too. I need the clarity of that organizing number.

This year we're starting a new mini-symposium tradition at the Film Experience in which we gather to discuss the fifth spot. There's no point in debating the locks but usually at least one spot is up for grabs. Please welcome our panel of five: Kurt Osenlund (The House Next Door), Nathaniel R (The Film Experience, c'est moi), Christopher Rosen (Huffington Post), Sasha Stone (Awards Daily) and You (in the comments). These "what ifs" we're discussing become moot on January 16th when the nominations are announced but they're fun while they last (10 more days!). Eventually each year's acting shortlists take on a feeling of inevitability in retrospect... even the "surprise" nominees that didn't have much support in the precursors.

Are any of you feeling bullish about a surprise nominee that you think will seem inevitable once their name is read on Nomination Morning? [Supporting Categories after the jump...]

Chris, Kurt, Nathaniel, Sasha and You

Click to read more ...


SAG Nominations Are In!

Good morning Oscar watchers. This morning brings one of the biggest precursors of the season: the Screen Actor's Guild. These days the eventual Oscar cross-over is usually somewhere between "very hot" (19/20 for 2009) to "very warm" (17/20 in 2011 and 2010) so you can guarantee a large number of the below nominees will show up on Oscar ballots in January.

What are we thinking will cross over? What will fall out? Will tomorrow's Golden Globe nominations (!!!) erase whatever momentum that some of today's nominees have amassed (we're looking at you August: Osage County and Lee Daniels' The Butler)?

Click to read more ...


NYFCC Runners Up?

Redford's nearest rivals, Chiwetel Ejiofor & Oscar Isaac, were tied at a distant second at the NYFCCUnlike some Oscar-obsessed blogs, I don't really see much of value in sharing "runners up" from various critics orgs (running up is not winning and you can't use it as promotion unless the fine print is really really small.)

But, since NYFCC is the first and the oldest critics group, and surprised with 3 prizes for American Hustle we're not yet sick of critics prizes (that happens in about... 12 days? 7 or 8 if everyone goes samey-samey) why not talk their runners up: Lou Lumenick at the New York Post shared how the voting went down and it looks like the "almosts" went like so... Picture (12 Years a Slave lost in a squeaker), Director and Actress (David O. Russell and Amy Adams so the American Hustle voting block was strong in the final rounds. Were they true fans of the film or did they just prefer it to the others when their favorites were eliminated in the rounds of voting?), and Supporting Actress (Lupita Nyong'o). It's interesting that both Actor and Supporting Actor had no strong challenge to the eventual winners (Robert Redford & Jared Leto). Perhaps it means nothing but I find it interesting since, especially in the case of the Oscar race for Best Actor, consensus seems hard to come by as to which actor is most deserving or even which might eventually win.

Why was Redford such a clear favorite here in New York? Is it the sentimental edge from his glorious cinematic history? (That's a pretty damn strong filmography all things considered.)


Updated Oscar Charts - All Categories!

The Oscar Charts are all updated - some new text, ranking shifts, etcetera - so let's discuss!

Who says we have no frontrunner? A million+ articles have clogged the net proclaiming the mysteriousness of this Oscar race but you can tell that something's leading when the knives come out. And the knives do seem to be out for 12 Years a Slave, Steve McQueen's brilliant slavery drama about Solomon Northup (Chiwetel Ejiofor) a freeborn black man who was kidnapped and sold into slavery where he stayed for a tortuous 12 years. A couple of weeks ago David Poland performed a scathing vivisection of a recent Los Angeles times piece on 12 Years a Slave without anesthesia. The purpose of the article seemed to be taking the film down. Mark Harris recently conveyed some of his problems (respectfully) with the film, but noted that it remains the epicenter of conversation.

Meanwhile over at Gurus of Gold, the period drama maintains a solid though not comfortable lead over Gravity. Merely glancing at the Gurus chart shows how crowded and confusing the Best Picture race is at the moment. There is only true(ish) agreement on five pictures (12 Years, Captain Phillips, Gravity, American Hustle, Saving Mr Banks) so perhaps that would be our nominees under the now departed but long running system which gave us only 5 pictures. But beyond that, the rest of the blissfully expansive field looks fairly evenly matched in a heated race for the other 0-5 possible slots. Curiously I am the ONLY pundit not predicting Inside Llewyn Davis which is somehow in sixth place with the Gurus Either I'm very prescient or... (don't finish that sentence, I'm warning you!)

Forest Whitaker and David Oyelowo in "Lee Daniels' The Butler"


One final note on this category, in the latest update I dropped Lee Daniel's The Butler -- at first accidentally when I moved Nebraska up (a film that I think stands out neatly from the pack both in temperament, goal, and actual look) -- but then the difficulty of gauging The Weinstein '13 Model was staring me back in the face. The previous and always formidable Oscar champs know how to play the game and they have four major hopefuls in Fruitvale StationPhilomena, August: Osage County, and Lee Daniels' The Butler. But here's the catch: don't all four seem evenly matched at this point in terms of probability? I keep shuffling them around and every ranking looks right. Which movie are they really going to get behind and which will the precursors rally 'round making that choice easier for them (and Oscar voters)? 

Curiously, however the Oscar Best Picture cards fall I do think that Alfonso Cuarón is going to walk away with the Best Director trophy. It's less rare than it used to be to see a split. The Academy loves to see you sweat and not just in the acting categories. They like the directors who are obviously working with large scale complicated tasks and the 'long-time-in-the-making-this-was-so-hard-to-achieve' stories will be crack for some voters. That plus Cuaron is a "warmer" filmmaker than his nearest rival Steve McQueen, who doesn't care if he rocks the boat in conversation. In short, the smart, ballsy, art-world born McQueen is not exactly the shaking hands / kissing babies type. Which is not to say that he's not friendly (he is) but still...

I seem to be one of the only pundits who is bullish about J.C. Chandor getting 1/2 the credit for All is Lost's success . I'll admit it's a risky call that might not pay off at all since that movie appears to be "All Redford! All The Time!" and as such it's helping...

"Bob" Redford become the frontrunner for this statue, albeit not an unbeatable one. It's simplistic to suggest that 'Career Honors' votes will be split with Bruce Dern, dooming them both, because that implies that they're fighting for the same votes and honestly, why would they be? The films... and the stars... are very different creatures with probably very different fanbases.  

On a potentially more divisive note, I'm starting to worry for Chiwetel Ejiofor. That might sound crazy, since he stars in the frontrunning film, but hear me out: Best Actor is very full with big stars / storied actors (McConaughey, Redford, Hanks, Dern) doing what many are calling career best work, while three big stars remain outside that presumptive lineup ready to shake things up if enough people love the films (Bale, DiCaprio, Phoenix) and one former winner could surprise if the film is more popular than we're thinking (Whitaker) which leaves two men only as "newbies" to the competition: Chiwetel and Michael B Jordan the latter of whom clearly has one particular advantage in that "breakthrough" style awards will keep him in the conversation for the whole season, even if that coveted shortlist spot might still be out of reach. This is all a long way of saying that the race is way too crowded (the year's most competitive field, I'd wager) to "lock" anyone up. And what's more this is hardly the first Steve McQueen movie with an Oscar worthy leading man (that'd be all of them, all being Fassbender x 2) but in the end his movies are always viewed as auteur pieces first and foremost. What's more, Oscar's acting branch doesn't have a great history of understanding the special skills of actors who can turn themselves into a vessel for a film's thematic concerns. Ejiofor's role is meaty, sure, but it's also kind of purposefully emptied out -- for much of the film he's silent about himself for survival -- and Oscar likes detailed intricacies of character in their leading actors and actresses. They like a particular kind of achievement and this is another kind. I'm probably worrying for nothing but 12 Years a Slave, however great it is, seems like the kind of masterpiece that could spark weird continued weird backlashes and tiny pockets of "no thank you"s which could cost it key nominations here and there despite how accomplished it is across the board. 

... these categories! I think they're still wildly up in the air and pundits are only in semi-agreement because there are so many ways it could go. I hope the awards strategists and publicists behind really great stuff are noticing the window of opportunity (SHORT) here before things start locking up and they might in notoriously lazy unsatisfying ways. My supporting actor list is still making me nervous. For as much as Brühl won great reviews and is a lead masquerading as supporting (which often helps for non-huge stars) is anyone talking about the film? And as much as Leto won great reviews and has a really showy part, will he appeal to the AMPAS acting branch since he's such a "part timer" as actors go... and too familiar for "DISCOVERY!" excitement? With the ladies I'm testing out what it looks like to predict Sarah Paulson (12 Years a Slave) and June Squibb (Nebraska) -- mostly because I could see either happening. What'cha think? 



Other Charts... Updated But We'll Dive In Further Soon