Halloween's Big Weekend and More...

by Nathaniel R

The return of Jamie Lee Curtis to the Halloween franchise meant big business in movie theaters over the weekend, continuing a strong October. Meanwhile A Star is Born held on to second place for a third consecutive week. It's already the highest grossing release of 2018 to never hit #1, since its surpassed the Mamma Mia  sequel's gross. A lot of platform releases kicked off this week to in the rev up to awards season. More after the jump...

Weekend Box Office (October 19-21)
W I D E 800+ screens	PLATFORM / LIMITED excluding prev. wide
1. 🔺 Halloween $76.2 *NEW* Review	1. 🔺 Free Solo $1 on 251 screens (cum. $3.6)

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Months of Meryl: Lions for Lambs (2007)

John and Matthew are watching every single live-action film starring Meryl Streep.  

#38 — Janine Roth, a liberal network journalist faced with an ethical quandary.

JOHN: When Meryl Streep accepted her Golden Globe for The Devil Wears Prada in January 2007, she divulged a prophecy: “This has been such a fun year to watch movies because of you gals,” she said, citing fellow nominees like Annette Bening, Toni Collette, and Beyoncé. “[It] makes you want to cry with gratitude… until next year.” How could Streep have known that her 2007 would contain some of the most insipid and unwatchable films of her entire career?

In Robert Redford’s Lions for Lambs, Streep switches sides from Rendition, her previous War on Terror drama, playing Janine Roth, an investigative journalist given an exclusive scoop by a hawkish, right-wing senator named Jasper Irving (Tom Cruise) about a new military tactic being deployed in Afghanistan. Because Lions for Lambs was made under the same misguided inspiration of everything-is-connected political narratives like Babel, Crash, and Rendition, Streep and Cruise’s conversation is just one of three narrative threads...

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TIFF Review: "The Old Man and The Gun"

by Chris Feil

David Lowery has already proven a difficult director to pin down easily, giving us film’s as divergent as Aint The Bodies Saints, Pete’s Dragon, and A Ghost Story. His newest film, The Old Man and the Gun, fills some of the spaces between those, and a clearer directorial voice is beginning to take shape. Lowery’s films want to immerse us in a feeling, to mire over circumstances that have inevitable ends we fight against. And this time, his film also pointedly faces its own metafictional end by showcasing what is to be the final performance of Robert Redford as a con man refusing to give up the habitual ghost of robbing banks.

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Old Man and the Link

• EFA You can now vote on the People's Choice Award at the European Film Awards and maybe win a trip to the ceremony (strange choices this year. I don't like it when it's easy to decide!)
• Variety Buzzy titles at TIFF without a distributor that are hoping to inspire big sales / awards buzz -a la I Tonya last year
• NWI Robert Redford's swan song in Old Man and the Gun
• Playbill Megan Hilty singing "Suddenly Seymour" (!) from Little Shop of Horrors
• Bobby Rivers TCM's "The Black Experience on Film" - set your DVRs
• Deadline Cats, the movie musical, has moved into Wicked's previous release date December 20th, 2019. It's so weird that Cats is going to happen before Wicked when the latter so clearly needs to be a movie and the former so clearly shouldn't.
• The Playlist Dave Bautista not sure if he wants to continue his Marvel Universe contract post James Gunn firing
• The New Yorker great piece on the shaming of character actor Geoffrey Owens for his grocery bagging job on the side
• Vulture let these photos of Lady Gaga be your air conditioning
• Film School Rejects Crazy Rich Asian's had a historically big Labor Day weekend. It's also the first romcom to win that weekend since Bring It On in 2000!
• Next Best Picture a potential controversy for A Star is Born
• Gothamist the Village Voice is officially dead, after publishing since 1955 *sniffle*

Finally, over at Towleroad I shared feelings about the Summer Movie Season as we bid it goodbye. You've heard most of that article's introduction feelings before here at TFE but if you want to see the silly awards I handed out like "sexiest men," "stealth MVPs," and "best quotes", click on over.

All Sissy, All the Time

by Eric Blume

From now until the end of the year, we will very surprisingly (and pleasantly!) get several doses of the great Sissy Spacek.  She's currently part of the cast of Hulu's Castle Rock, which brings her back to Stephen King territory three decades after her virtuoso performance in Carrie.  You can also find her in the trailer for the upcoming fall release The Old Man & The Gun opposite Robert Redford, and she'll play Julia Roberts' mom (!) in the November 2nd debut of the new Amazon series Homecoming.  That's a lot of work for the 68-year-old Oscar-winning actress, and it's marvelous to see her still getting roles in such large-scale projects...

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