Alan J. Pakula: The King of Paranoia

by Cláudio Alves

This summer, several of Warner Bros. classics have become available to stream on HBO Max. Among them are a good variety from the 1970s, including some of the best movies of New Hollywood's most underrated master of cinema. We're talking about Alan J. Pakula, a director whose pictures came to embody the mood of that decade, full of misanthropic discontentment and a sense that the world is diseased, people are out to get you and safety is unachievable. Alan J. Pakula was truly the king of cinematic paranoia…

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All hail The Prince of Darkness!

by Cláudio Alves

In the annals of American film history, you'll have difficulty finding a filmmaker as influential as Gordon Willis. He's one of the best cinematographers that's ever lived, a man who almost single-handedly invented the look we most quickly associate with the great cinema of the 70s. Low-lit and underexposed, his pictures were rich in shadow play and gloomy frames, a materialization of the decades' paranoia and moral ambiguities. Because of such a characteristic style, he gained the nickname 'prince of darkness,' though maybe we should have called him the king of cinematographers. Both titles feel correct…

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How had I never seen... "Three Days of the Condor" or "The Parallax View"?

In this new series, members of Team Film Experience watch and share their reactions to classic films they’ve never seen. 

by Lynn Lee

The 1970s may have been a great era for cinema, but they were a pretty lousy time for faith in the great American experiment.  Between the Vietnam War, the Pentagon Papers, the Church Committee reports, and of course Watergate, there were seemingly endless reasons to suspect the U.S. government and other institutions meant to serve and protect the public were instead covering up all manner of malfeasance—and that they might be watching you if they thought you were a threat.  This generalized paranoia found fertile ground in Hollywood, leading to a spate of conspiracy thrillers of varying quality and goofiness.

Until last month, the only one of these films I’d seen was All the President’s Men (unless you count Chinatown and Network, which I’d argue you could).  But something about the social and political tensions of today made these movies seem especially current again.  So it seemed like a good occasion to watch two of the most famous examples of the genre: Three Days of the Condor (1975) and A Parallax View (1974)...

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