Tuesday, February 2, 2016 at 6:00PM Dear Readers, Last week I asked for more reader questions but since three of them at least were about Leonardo DiCaprio let's get them all out of the way as an appetizer to the main Q&A post. Ready... here we go.
LADY EDITH: Now that you have experienced the "Jonas blizzard" so recently how do you feel about giving "The Revenant" Oscars? [More]
Monday, February 1, 2016 at 9:00AM David here to wish a happy 20th anniversary to the Art Directors Guild’s annual Excellence in Production Design Awards! The group handed out their 2015 awards last night, and their three film categories saw all three winners taken from this year’s pool of Oscar nominees. The Revenant, in the Period category, beat out the remaining two Oscar match-ups, Bridge of Spies and The Danish Girl, while The Martian triumphed in the Contemporary category and Mad Max: Fury Road took the Fantasy gong.
Friday, January 29, 2016 at 3:00PM 
We're about to wrap up the "traditional" portion of the Film Bitch Awards which are essentially Nathaniel's Oscar ballot were he to have one in every category. (There will be more awards each day until we're finished -- before the Oscars, mind you! -- but they're the fun "extras")
Oscar's costume branch and I were fairly sympatico on our shortlists this year differing by only two pictures. Yet citing only 7 pictures (all featured after the jump) feels stingy. Costume heavy period pictures like Macbeth, Crimson Peak, The Assassin and Brooklyn definitely had their moments. Two contemporary pictures worth noting for their clever work were Youth and Chi-Raq. And then there are the pictures that have one costume so special it's what you always think of later on when you're picturing the movie: that lime green slit-to-there dress in M:I - Rogue Nation, the perfect action hero simplicity of Chris Pratt's functional but very tight outfits in Jurassic World, the barely visible sight of Jennifer Jason Leigh under huge furry everything in The Hateful Eight, that stylish pilot jacket in Star Wars: The Force Awakens that traded hands and so on...
In short, if you don't love costumes -- get outta here! Let's celebrate the five Oscar nominees plus two Nathaniel nominated in his own awards after the jump. Crazy gorgeous photos ahead...
OSCAR'S COSTUME DESIGN NOMINEES
Wednesday, January 20, 2016 at 7:17PM Kieran, here. The three films nominated for Best Makeup and Hairstyling at the Oscars this are an interesting bunch. The Academy had a lot of options to choose from and it almost feels miraculous that they didn’t default nominate things like The Danish Girl or Black Mass, which (questions of merit aside) are practically begging the viewer to notice the makeup work in both cases. Even if they’re not yours, it’s a respectable crop of nominees. An aside: if we’re going to get five original song nominees every year no matter what, why only three nominees in this category? Curious…
Mad Max: Fury Road – Lesley Vanderwalt, Elka Wardega, Damian Martin
Previous Work: A lot of features with both George Miller and Baz Luhrmann, but as supervisors (makeup supervisors don’t get nominated, so they weren’t cited when Moulin Rouge! was nominated in 2001)
How They Got Nominated: It almost feels like a silly thing to ponder when looking at the rich tapestry of character designs populating Mad Max: Fury Road. In a way, it could have all felt very random and directionless, but manages to feel cohesive in an “organized chaos” kind of way. It all feels of a piece, even if the makeup work varies greatly from character-to-character. Lesley Vanderwalt has stated that Miss Giddy was the character who took the longest to create, with her intricate, other-worldly body etchings.
The 100-Year-Old-Man Who Climbed Out the Window and Disappeared – Love Larson, Eva Von Bahr
Previous Work: Many Swedish films, though they did work on David Fincher’s The Girl With the Dragon Tattoo (not the original Swedish language version, oddly enough).
How They Got Nominated: Our Alone, Yet Not Alone nominee of 2015 in that “Who? For what?” kind of way. Few were predicting this to get in, though we probably should have been. Old age makeup is to the makeup branch what gunfire is to the sound branch—its mere presence in a film automatically makes it a contender. Not to say that there’s undeserving makeup work at play in The 100 Year-Old-Man Who Climbed Out the Window and Disappeared (it’s on Amazon for anyone who wants to check it out). The old age makeup here is…about as good as old age makeup should look in a major motion picture. It’s not wholly convincing in terms of believability, nor is it Benjamin Button-level absurd in how over-the-top it is. And (just in case you were wondering) this film has not replaced Who is Harry Kellerman and Why is He Saying Those Terrible Things About Me? as the longest title of an Academy Award-nominated film.
The Revenant – Siân Grigg, Duncan Jarman, Robert A. Pandini
Previous Work: Siân Grigg is basically Leonardo DiCaprio’s J. Roy Helland. He’s been his makeup artist on every film since Titanic. If the campaign is not playing up this angle already, they really should be. And here's hoping Leo thanks him in his speech.
How They Got Nominated: The Academy clearly liked The Revenant a whole lot. But, even setting aside the films massive nomination tally, there is good makeup work going on here. In fact, of all The Revenant’s 37 nominations, this is the one it arguably deserves the most (sorry, Leo). The team is in it to win it, too. They’re already making the rounds about how Leo sat in hair and makeup for an exhausting five hours each day to apply the wounds and gashes, which do look pretty impressive.
What’s your pick to win among these nominees? What missed out on a nomination that was deserving?
Monday, January 18, 2016 at 6:00PM Jason from MNPP here with this week's round of piping hot "Beauty vs Beast" action -- I find myself in a strange position this awards season. Alejandro González Iñárritu, a director whose films have time and time again made my skin crawl thanks to their blowsy self-regard, has gone and made a movie that I don't entirely loathe? I don't know that I can be much more open-hearted towards The Revenant than that, but there are big, short, spot-lit movies gunning for Best Picture that I find oodles more offensive than this silly thing. Heck if the bad taste of Birdman hadn't poisoned the well last year I might, dare I say, be even slightly less ambivilent. (But it did, it did, it did poison the well. Damn you, Birdman.) But which uglied up tough guy carved out a horse carcass in your heart?
PREVIOUSLY Well I guess it's for the best that we did Todd Haynes' Carol last week before the Oscar nominations, because now that it's been snubbed for Best Picture and Director it will never be heard from again. (Kidding, people, put down the pitchforks.) While some of you admitted to slightly less-than-lesbian longings for those sturdy Harge (Kyle Chandler) shoulders, it was Sarah Paulson's performance as Carol's salty best friend Abby that you ultimately locked arms with. Said Paul Outlaw:
"Sorry, Harge. I can't help you with this."
