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The Film Experience™ was created by Nathaniel R


 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 

 

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Entries in Carol (18)

Monday
Aug172015

"Carol" is a tease

Just gorgeous. We'll Yes No Maybe So it with the full trailer but obviously we're all in. It's Todd Haynes. It's actressy. And the cinematography, by Edward Lachman who previously shot Far From Heaven, Mildred Pierce, and I'm Not There for Haynes, is suitably ravishing.

The song, for those who are curious, is Margaret Whiting's rendition of "My Foolish Heart". Add it to your every playlist in anticipation. Whiting was a famous singer in the 40s and 50s and even had her own television series in the 50s with her sister. Margaret provided Susan Hayward's singing voice in Valley of the Dolls (1967) as well.

Friday
Jun192015

182 Days Until "Carol" Opens

This screenshot from Carol lies. The first Todd Haynes movie in 8 years is opening on December 18th, not the 21st. Anyway the screenshot is pulled from new footage which is mixed in with other footage and interviews from Cannes from Film4 which you can see below

And because we're thinking about HOW VERY LONG IT IS UNTIL WE SEE CAROL here's the holiday calendar just to lament, as is our tradition, that early December is empty but late December is crowded (sigh). 

THANKSGIVING

The Good Dinosaur
Victor Frankenstein
Midnight Special 

DECEMBER DATES

04th Krampus (Horror Comedy)

Why is this weekend so empty?

11th In the Heart of the Sea (Ron Howard)
        The Lady in the Van (that lady be Dame Maggie Smith)

Why is this weekend so empty?

18th Carol (Todd Haynes)
        Star Wars: The Force Awakens (aka Episode VII)
        Sisters (Amy Poehler & Tina Fey) 

I mean obviously Carol breaks all opening weekend box office records this weekend

23rd Alvin and the Chipmunks: The Road Chip

CHRISTMAS

Two of the Hateful Eight: Demian Bichir & Kurt Russell

25th Point Break (Remake)
        Concussion (Will Smith in a drama about football brain injuries)
        The Hateful Eight (Tarantino's latest bloody western going the Django route)
        The Revenant (Inaritu's directs Leo DiCaprio & Tom Hardy)
        Snowden (Oliver Stone & Joseph Gordon-Levitt)
        Joy (David O. Russell & Jennifer Lawrence)

31st Nothing scheduled yet but this is traditionally the weekend wherein sometimes great movies are sacrificed to the whims of "Oscar qualifying" contracts and get no real support from their distributor

There are still several films with major stars and/or possible critical darling appeal without US release dates: the new version of MacBeth, Werner Herzog's Queen of the Desert, Jean-Marc Vallée's Demolition, Luca Guadagino's A Bigger Splash, James Vanderbilt's Truth, the Lance Armstrong bio The Program and the Hank Williams bio I Saw the Light. Some of them will surely end up in December but we hope against hope that this year is light on the stupid "Oscar Qualifying" releases. 

Monday
Jun012015

Podcast: Two Transatlantic Conversations

This new unconventional episode of the podcast features two guests and two conversations. First Nathaniel calls Australia to check in with Glenn Dunks to see what he's been up to cinematically since leaving NYC. And then a conversation with Guy Lodge in London about his experience at this year's Cannes Film Festival.

Contents

  • 00:01 - 02:30 Intro: Nathaniel (feat. Annie Lennox)
  • 02:26 - 19:15  Glenn From Australia: Mad Max Fury Road, The English Patient, Nicole Kidman in Strangerland, 54 The Director's Cut, Film Preservation
  • 19:16 - Guy from London: Loving Arabian Nights, The Lobster and Todd Haynes' Carol, Cannes Jury Prizes, The AssassinSon of Saul and the Foreign Film race, Maryland, and hating Paolo Sorrentino's Youth

Please to enjoy and continue the conversation in the comments. You can listen at the bottom of this post or download from iTunes tomorrow.  

 

Cannes, London, and Australia

Tuesday
May262015

A Letter to Todd Haynes

Dearest Todd,

Never ever under any circumstances take another 8 year break from the cinema. The reviews for Carol (2015) read at times like an ecstatic mirage, dehydrated desert critics stumbling upon a Haynes-flavored pool. Its weird ½ an actress prize at Cannes, for the unexpected ½ at that, feels somehow fitting given the prismatic way you like to view identity (Velvet Goldmine, I'm Not There, etc).

I can't tell you the joy I felt this morning waking up to the news that you've added a third project (!!!) to your upcoming slate after so much hibernation. Of the two we already knew about a TV series set in a 1970s commune sounds the most promising; it's an underexplored rich topic in terms of time period and political content -- you're counter culture enough to do it justice. The other project, the Untitled Peggy Lee Biopic is a swell idea, too. You're the one filmmaker who is creatively incapable of making a dully traditional biopic (Superstar: The Karen Carpenter Story / I'm Not There) and Miss Peggy Lee lived through all your favorite eras. We already know that its star Reese Witherspoon can sing thanks to her Oscar winning role as June Carter Cash and though we can't quite picture her as one of your muses a la Moore (Far From Heaven / [safe]) or recently Blanchett, we can picture her as a Barbie doll and we know you like those. At any rate, the part is a good fit for her. Peggy has so many classic songs, she was indominatable enough to serve as one of the original inspirations for Miss Piggy and that six decade career / four failed marriages surely contain plentiful dramatic fodder.

But the happiest news may well be the newest. You're planning to adapt Brian Selznick's children's book Wonderstruck for Killer Films??? How wonderful. That bifurcated tale featuring a boy in the Seventies pining for his father and a girl in the Twenties dreaming of an actress should provide ample spark for your formidable creativity. 

an image from Wonderstruck

You're 54 now, Todd. There are only so many years in a life. I'm not telling you to rush through these next projects but please never ever under any circumstances whatsoever take an eight year break from the cinema again in which we only get a remake of something that was already more than wonderful enough to begin with (Mildred Pierce). It was a painful drought.

Your forever fan, xoxo

Nathaniel R

Sunday
May242015

Cate to the Rescue!

Cate Blanchett may not have won Best Actress at Cannes but she still wins our hearts. And now we're left wondering what Oscar will do with two lesbian dramas with obvious co-leads hitting them at once this year (Freeheld & Carol), will they double down on Category Fraud or finally reject it? Anyway, here's Jose to give Cate the Coveted Post Cannes Ceremony Celebration Post. - Nathaniel R

Our adventure begins around May 15, 2015 when a certain red carpet superstar had to make an emergency call...

Click to read more ...

Thursday
May212015

They a-link, damnit! It's a miracle.

The Wrap Maggie Gyllenhaal is "too old" at 37 to play onscreen love of a 55 year old actor? Gross!
Empire Juno's mom and daughter Janney & Page reuniting for the comedy Tallulah
Antagony & Ecstasy shares a killer review of one of my fav Best Picture winners Grand Hotel - loved every sentence of this
Nick's Flick Picks revisits Georgia (1995) as part of its Cannes retrospective. Have you ever seen it?  It's a goodie. Mare Winningham, guys
Nick's Flick Picks and the terribly underseen Angels & Insects - amazing costumes
Awards Daily handicaps Oscar chances of Cannes players with Carol and Youth getting top marks for AMPAS likelihood 
The Film Stage looks at Lucretia Martel's next one, Zama, as it begins filming
Salon compares the first seasons of Daredevil & The Flash. Which show wins?


Towleroad plans are afoot to make a stage musical of the Elton John biopic starring Tom Hardy called Rocket Man. Um... shouldn't they actually make the movie first before worrying about adapting it? 
Variety in case you hadn't heard: Roger Deakins will shoot the Bladerunner sequel (so at least it will look pretty and get one Oscar nomination)
CHUD has an index of photo glimpses of Suicide Squad from Harley getting wet to the Joker at gunpoint 

Mad Mania
Gothamist the last scene of every Mad Men season. Matthew Weiner approached each season with its last visual in mind 
Slate 10 great images from Mad Men over the years - the show that always looked more like a great movie than "television" 
Film School Rejects where to see the Mad Men cast members next - new projects! 
AV Club an illustrated guide to Mad Max warlords from the Toecutter to Immortan Joe 
Jezebel offers up hilarious mocking of vulnerable masculinity in the face of Mad Max Fury Road

Charlize Theron menstruated all over my masculinity! 

....and finally the Imperator Furiosa tribute fans of both Mad Max Fury Road and The Unbreakable Kimmy Schmidt didn't know they wanted but now can't live with out. 

They alive, damnit! 

Sunday
May172015

Cannes Review: Carol

Our friend Diana Drumm is in Cannes and will be sending a few reviews our way. First up, Todd Haynes hotly anticipated Carol... (note: this review contains a couple of spoilers for those who haven't read the book)

Within a year of publication, Patricia Highsmith’s first novel “Strangers on a Train” became a seminal Hitchcock thriller. After half a century, her second novel “The Price of Salt” (published under the pseudonym of Claire Morgan) is now a Todd Haynes romantic drama (under the succinct title Carol). Whereas the former concerns two male strangers duplicitous in murder, the latter is about two women finding love in constrictive 1952 New York City. Turning the pulp novel into a palpable parable, Carol is a master stroke in Haynes’s 21st century oeuvre (Far from Heaven, Mildred Pierce, et al.), and harkens back to the pressurized strength of Safe and the sexual fluidity of Velvet Goldmine - both capturing and throwing off the starched restrictiveness of postwar America, and deftly upgrading the melodrama with social relevance.

Inspired by Highsmith’s own stint at Macy’s (and her affair with Philadelphia socialite Virginia Kent Catherwood), 20-something shopgirl Therese Belivet (Rooney Mara) waits on and is struck by elegant “blondish woman in a fur coat” Carol Aird (Cate Blanchett). A friendship builds between the two, to the jealousy of Therese’s huffy square boyfriend (Jake Lacy), who dismisses it as schoolgirl crush, and the consternation of Carol’s matinee-handsome, soon-to-be ex-husband (Kyle Chandler), who uses it as ammunition in their ongoing divorce negotiations. [More]

Click to read more ...