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Entries in Carol (9)

Thursday
Apr162015

Details on the Cannes Lineup

The Cannes Competition Lineup (and more) was announced in the wee wee hours of the morning -- not so wee for France mind you -- and here's what we're looking at. A lot of French and Asian films, a few foreign giants doing their first English language films and at least three directors we haven't had a film from in 7 or 8 years.

International beauties we can safely expect to see walking that Cannes red carpet include but are not limited to: Cate Blanchett, Qi Shu, Marion Cotillard, Diane Kruger, Emily Blunt, Natalie Portman, Catherine Deneuve, and Maîwenn. ANNOUCEMENT: Friend of TFE Diana Drumm will be reporting for us a bit from the festival like last year. If we've written about any of these films before, the links will take you there. Included after the jump are descriptive bits of each film that we know anything about.

Click to read more ...

Friday
Mar202015

We Can't Wait #1: Carol

Team Experience is counting down our 15 most anticipated. Here's Matthew Eng with our #1 choice, which incidentally also topped this list last year when we used wishful thinking to pretend it would be done early...

Who & What: Living genius Todd Haynes directs playwright and Mrs. Harris scribe Phyllis Nagy’s adaptation of Patricia Highsmith’s gently subversive lesbian novella (originally published under the much grittier-named The Price of Salt) about a sensitive shopgirl (Rooney Mara) who falls in love with the lonely society dame of the title (Cate Blanchett) in lush 1950s New York. 

Why We’re Excited About it: The cinematic “comeback” of Haynes, returning to the big screen a full eight years after I’m Not There (despite a six-hour pit stop at HBO for Kate Winslet’s Mildred Pierce), is obviously incentive enough. But he’s also compiled a cast so charismatic, it basically makes you salivate: Mara and Blanchett, of course, but how about Ace Team Player and Perpetual Dreamboat Kyle Chandler as Blanchett’s snooping husband?

Lots more and several photos after the jump...

Click to read more ...

Wednesday
Oct222014

Sandy Powell's Glorious Bluntness "I won for the wrong film!"

We've revelled in Sandy Powell's uncensored quotes before - like her dismissive "I already have two of these" speech for Young Victoria.

She's at it again providing us with more choice Oscar quotes and I couldn't resist talking about this tonight since the blog had an unofficial Costume Design day today what with the Exodus video, and the debut of "Threads". 

See, recently at the Museum of Contemporary Arts in Chicago, in a series related to David Bowie's legacy and his influence on the arts, the auteur Todd Haynes and his sometime collaborator Sandy Powell were invited to speak about their glam rock classic Velvet Goldmine (1998). You can listen to the complete talk here though be advised that the introductions take an incredible 14 minutes to get through. Longwinded much? 

One of the best bits a little before an hour in is when Sandy is asked about being an Oscar favorite, a very mainstream establishment thing, despite the fact that she came up into fame working with very anti-establishment artists like Derek Jarman. Because she is Sandy Powell and can't help herself and we love her for it, she doesn't leave it at "I'm happy to have Oscars"...

Sandy: I'm happy to receive the Oscars for the work I did because I work really hard...so for that reason I'm not going to say I'm not grateful. BUT. I would have loved to have gotten it for some of the other films instead. The year I won for "Shakespeare in Love," I was also nominated for "Velvet Goldmine". I had two nominations in one year and I won it for the wrong one. I think I did manage in my speech to thank Todd.

Todd: She managed to get up there and receive the Oscar for "Shakespeare in Love" without mentioning "Shakespeare in Love" and only mentioning "Velvet Goldmine".

They laugh and this leads to fun memories of the director and costumer going to the Oscars together. 

Haynes & Powell's next collaboration is the forthcoming Carol (2015) starring Cate Blanchett and they hint that it will arrive in the Spring though that seems unlikely to me. Given the pedigree we're assuming a Cannes premiere and then a fall bow in theaters, don't you think?

P.S. There's a little wonderful bonus for long time TFE fans in this podcast, too. Our friend and podcast mate Nick Davis is given the microphone at about the 34 minute mark and his ode to Todd & Sandy's collaboration is a thing of fan ardor beauty and he asks a great question too than one presumes Sandy has never been asked about Velvet Goldmine.

(Thanks to faithful reader Murtada for the heads up on this wonderful online find)

 

Monday
Jun022014

Delicious Fan Moment w/ Sarah Paulson. Plus: Lupita Update!

Thanks to faithful reader Murtada for pointing this out. The tumblr Heavenly Rush recently shared a personal experience of a trip from Chicago to Sag Harbor where the author met one of TFE's favorite current actresses Sarah Paulson. The American Horror Story star has already wrapped her scenes for Todd Haynes's lesbian drama Carol (headlined by Cate Blanchett and Rooney Mara as new lovers  - Paulson's the ex-girlfriend) and she's currently on stage in the play "Conviction" with Garrett Dillahunt at the Bay Street Theater.

Paulson on the set of "Carol"... and on stage in "Conviction"

I'm sharing a part of it that post here that I know you Oscar obsessives will love. It touches on last year's Oscar race and the next one as well as upcoming Oscar Category Fraud woes. ("M" is the author and "S" is Sarah Paulson though the conversation is obviously paraphrased from super excited fan memory.)  

M: You are gonna win the Oscar for Carol.

S: That’s sweet, but I don’t think so. 

M: I just finished the book, and if you got to do all those scenes, you are totally winning a fucking Oscar … did you get to do all of Abbys scenes from the book?

S: No, they changed the one at the bar to Cate’s house in her kitchen, and moved another one to a dinner and they created a whole new one for the movie. 

M: But did you get to do all the stuff on the phone?

S: Yes, I did do that. 

M: If you got to say “you win”, you are totally getting a nom!

S: Well, if Harvey has it his way they will put up 2. Cate and Rooney and they will forget about me 

M: but you know how when a supporting actress is in a movie for  mins., and it’s incredible and they win? I think that’s going to be you!

S: I don’t know … maybe. 

M: like how you should have won for 12 years

S: yeah, but no one is gonna give an Oscar to a white bitch that hurts Lupita. 

Ha! Love Paulson so much. So admirable that she doesn't self-censor in public or in interviews (as we discovered here at TFE when we talked to her). You can read more about this fan's adventure and meeting with the actress at Heavenly Rush.

As for Lupita Nyong'o. Word came this morning that the Star Wars Episode VII casting happened after all... just as that film starts shooting. Her role is still under wraps. I'm thrilled that someone finally cast her in *something*.  I personally think she's way better than a presumably small part in a very old franchise, but it's a start!  Still and all, Hollywood ought to be ridiculously ashamed of how long it's taken anyone to sign this beautiful talented instant celebrity on to anything that would make use of that beauty and talent. 

To put it frankly: we have a surpluss of celebrities in this workd that are good for little more than being attractive and showing up at glamorous events.  Lupita obviously has a lot more to offer than that, so it's nice that she'll be doing something in front of the camera again besides posing on a red carpet.  

Saturday
May102014

Cast This: Can We Get a Patricia Highsmith Biopic Up in Here?

We're getting three starry Patricia Highsmith adaptations in the next year or so at the cinemas. First up is The Two Faces of January (Viggo, Kiki & Oscar Isaac) and then Carol (Cate, Rooney & Sarah Paulson). 

 The latest to ready itself for the cameras is The Blunderer. The cast will include Patrick Wilson, Jessica Biel, Imogene Poots and Toby Jones. 

Highsmith adaptations are nothing new for the cinema and soon there will be little left to adapt.

Walter Stackhouse (Wilson) is a successful architect married to the beautiful Clara (Biel) and leading a charmed and perfect life. But his fascination with an unsolved murder leads him into a spiral of chaos as he is forced to play cat-and-mouse with a clever killer (Jones) and an over-ambitious detective. Walter's obsession, his lies and his lust for another woman (Poots) will collide in a crush of guilt, innocence and, ultimately, fate.

Highsmith adaptations are nothing new for the cinema and soon there will be little left to adapt.

But why hasn't anyone made a biopic yet?

She was a complicated character in her looks, her art, and her temperament: famously misanthropic (and racist, too), an alcoholic, complicated lifelong relationship with her mother (who once confessed to trying to abort her) who lived to be 95, bisexual with volatile affairs, and a crazy cat lady to boot.

Who should play her in a biopic?  Two names came immediately to my mind but I want to know your thoughts before I reveal them. A few more pictures after the jump [one NSFW] and a few more notes about Hollywood's interest in her work. 

Click to read more ...

Sunday
May042014

First Round Predix: 5 Questions About Best Supporting Actress

"Actressing on the edges" is one of our favorite things, as the Smackdowns should make clear. Since most TFE readers are similarly affected with this obsession love, we assume you'll have plenty to say on the topic of "Best Supporting Actress" even before you've seen the performances and movies in question here. 

Will The Baker's Wife (Emily Blunt) cheat on her husband with a handsome Prince (Billy Magnussen)? Anything can happen in the woods

Oscar traction for the supporting categories of either gender is always hard to see in advance primarily because the size and substance of the roles in question aren't broadly telegraphed in advance the way lead characters tend to be. (It's not even always clear with adaptations of familiar material since role compositing happens and focus can shift characters from one version of a story to another.) What's more, supporting campaigns are often dependent on love for the lead actors and for the movie itself and the reverse is hardly ever true.

But speculation is fun! 

01. INTO THE WOODS
Who will win MVP reviews? This is always a pertinent question for ensemble properties when it comes to awards traction. In the first Broadway production in the 80s The Witch and The Baker's Wife were where it was at. In the revival in the Aughts people seemed more obsessed with Cinderella and, arguably, Jack. Into the Woods is funny like that, shifting focus and soul with each production. Some people though the recent short revival in Central Park with an all star cast turned the show over to The Baker (Denis O'Hare at the time who is not in the movie). Despite shifting love from viewers, The Witch (Meryl Streep in the movie) is always considered the lead role but that's only because it's the "star" part, not because the role is larger than the others. (Technically speaking Jack is probably the biggest role). If Streep goes lead that'll leave Anna Kendrick's Cinderella and Emily Blunt's Baker's Wife as our possibilities. I'm currently predicting Oscar favor to lean in Blunt's direction. Maybe that's wishful thinking and the desire to see her strangely quiet career get noisier but there's no arguing that The Baker's Wife isn't a great part (Amy Adams played it in the park recently). This adaptation could go any which way from Oscar behemoth to total flop and any actor could well be the one that gets people excited. Yes, even Little Red Riding Hood (played by the recent "Annie" on Broadway, Lilla Crawford).

After the jump four more pertinent year-in-advance questions about this year's Best Supporting Actress race...

Click to read more ...

Friday
Mar142014

"Carol" Now Filming

First pics of Cate Blanchett filming Carol based on Patricia Highsmith's "The Price of Salt" (which is sometimes called "Carol" or vice versa). I know everyone thinks I'm this huge Cate Blanchett nerd now that I fell so hard for her in Blue Jasmine but truth: I'm in this for director Todd Haynes. Thank the gods he's returning to the cinema. It's been a long time.

more here

His last feature film was 7 long years ago, the experimental Bob Dylan picture I'm Not There... which was something of a comedown from his successful mainstream (though not really) breakthrough with Far From Heaven (by far his biggest hit). I'm Not There netted Cate Blanchett an Oscar nomination and her second Golden Globe. Will Carol do the same? The film co-stars Sarah Paulson and Rooney Mara.

This will be Cate Blanchett's second sapphic-lust drama after Notes on a Scandal.

HERE I AM!"

More on Carol