Happy 50, Leonardo DiCaprio!

by Cláudio Alves

ONCE UPON A TIME… IN HOLLYWOOD earned DiCaprio his seventh and, to this day, final Oscar nomination. Do you think he’ll be back in the race anytime soon?

Former teenage heartthrob turned Academy Award-winning actor Leonardo DiCaprio just hit the half-century mark. Happy birthday to the superstar who has been entertaining audiences since his youth and has, in recent years, expanded his work to producing movies and fighting the good fight in the name of our crumbling environment. Over time, many of his performances and most iconic movies have been explored at The Film Experience by various team members. It seems logical to revisit some of those posts, like we did to celebrate Jessica Lange's 75th birthday and Maggie Smith's passing. It's time to go down the blogging rabbit hole and share some love for the man immortalized on screen through roles like Shakespeare's Romeo, Jack Dawson, a handful of Scorsese leads, and more – the list goes on and on…

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Cannes: Nanni Moretti's "A Brighter Tomorrow"

Elisa Giudici reporting from Cannes...

It is not easy being coherent with your work when you have as strong moral compass as Nanni Moretti. The Italian director and Palm d’Or winner (The Son's Room, 2001) has built a career around his political beliefs and precise reading of reality. In Moretti’s world, everything is black or white, with some Communist Red. Compromising is surrendering to the enemy.

His new picture Il sol dell’avvenire  (English title: A Brighter Tomorrow) is a tale of how difficult it is to be alive in a world in which everything you love and believe in is either dying or betraying you. It is a movie within a movie with a half dozen other movies tied up in it (for me, a certain Tarantino picture came to mind but more on that later). After the disappointing Tre Piani, Moretti returns to what he does best: playing a fictional version of himself on screen, and letting the mask slip when necessary to reveal his pain...

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Linkpack

• TFE reminder -- LAST DAY TO VOTE ON THE 1987 SMACKDOWN!
• Vanity Fair Dolly Parton might save us all again. She donated to a promising COVID vaccine
• People 80s star Andrew McCarthy is releasing a memoir called Brat. We are so reading this. That 80s run surely has so many stories: Class with Jacqueline Bisset, St Elmo's Fire with uh.... everyone, Pretty in Pink, Less Than Zero, Mannequin. 
• Vulture Stacey Abrams has a theory on Buffy the Vampire Slayer's perfect boyfriend (no, really!)
• Hollywood Life Leo DiCaprio and Emile Hirsch (hadn't heard their names in a bit) hang out at the beach
• Out will reveal their annual Out100 List on Thursday but among the early honorees are Janelle Monae, Joe Mantello, Theo Germaine (The Politician), and the gay couple behind the divisive Antebelllum movie
• Variety the longlists for  a few categories in this year's British Independent Film Awards (nominations will come in December)
• Deadline Quentin Tarantino has a book deal the first part of which is Once Upon a Time ... in Hollywood related
• Vox on the National Book Award finalists

Performing Spectatorship

by Cláudio Alves

As people who love cinema, I think we can all understand the power art can yield over those who experience it. Whether finding refuge in an escapist dream or seeing an ugly truth reflected at us, the act of being an audience has the potential to startle and surprise, to devastate and entertain. I can often recall those moments when a film overwhelmed me in such ways that I ended up making a spectacle of myself. There were my sobbed laughs at a Whitney Houston karaoke in Toni Erdmann, the breathless shock at Hereditary's peanut panic, the miraculous tears when faced with Parasite's perfect montage and so much more. Those memories are like precious jewels, bright reminders of why I love cinema.

Because of this, I have a special fondness for films that try to capture that inchoate ecstasy that happens when an audience is similarly enraptured…

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Actors Playing Actors at the Oscars

by Cláudio Alves

To watch an actor play another performer is a pleasure. There's wonderment to be found in these Matryoshkas of acting within acting, be it the porn inexpressiveness of Julianne Moore in Boogie Nights or the desperate showboating of Judy Garland in A Star Is Born. Not surprisingly, if we peruse the history of the Academy Awards, we'll find numerous instances of thespians nominated for giving life to fictional actors or real-life stars of the past. Perhaps no other profession is so generously dramatized in the annals of acting awards.

This season, Renée Zellweger won the Best Actress trophy for resurrecting the ghost of Garland for one final performance. There were two other actors-as-actors performances nominated. While we don't see much of Scarlett Johansson's Nicole onstage, her profession as an actress is a central part of the characterization in Marriage Story. On the other hand we see Leonardo DiCaprio's Rick Dalton at work, and layers of performance unraveling in glorious Panavision. 

After the jump a quick trip through Oscar history of actors who won gold playing other actors…

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