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Oscar History
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The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

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JANE is the doc frontrunner

"Can we hav a tie w both Jane and Faces Places?" - Claran

"Jane was wonderful. Goodall's such a compelling presence that the talking heads even give off a freshness that that format has lacked in recent documentaries." - John T

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Interviews

new Claes Bang Actor
(Sweden's Oscar Submission)
Nikolaj Lie Kaas Actor
(Denmark's Oscar Submission)
Hana Jusic Director
(Croatia's Oscar Submission)

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Entries in Joe Mantello (1)

Friday
Mar172017

Stage Door: Sally Field in The Glass Menagerie

by Dancin' Dan

This is not your parents' Glass Menagerie.

It's not uncommon for theatrical "reinventions" to take place nowadays. Ivo van Howe has made it into a cottage industry of sorts, creating an intimate, visceral A View From the Bridge and a raw, elemental The Crucible in recent years. Sam Gold is of the same cloth. He made his name with an audacious revival of Look Back in Anger at the Roudabout in 2012, won the Tony in 2015 for his sensitive in-the-round staging of the musical Fun Home, and most recently directed a searing Othello with David Oyelowo and Daniel Craig off Broadway at the New York Theater Workshop.

But all those pieces benefit from a stripped back, in-some-cases radical rethinking. Tennessee Williams's memory play is a much more delicate thing, announcing as narrator Tom Wingfield does right at the start that this is a subjective work of art, a piece of memory that may or may not represent what actually happened. Productions of it generally take after the play's quietest character, the "crippled" Laura - they are generally fragile, gossamer things, as light and airy as a thought or memory hanging in the air in front of us...

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