Emmy FYC: Best Actress in a Drama Series

Team Experience is sharing FYCs as the Television Academy votes on Emmy nominations (voting closes on June 24th). Here's J.B...

Last year's winner Claire Foy can't repeat (as Emmy likes to do) because she didn't have a TV show this year.I have a bit of a love/hate relationship with the Emmy category of Outstanding Lead Actress in a Drama Series.  As someone who worships at the altar of dramatic actresses, it’s my favorite category, and therefore necessarily the one that causes me the greatest anguish. Sometimes, this category shocks and delights (as it did in 2014, when Lizzy Caplan was nominated for her wonderful work on Masters of Sex, or 2016, when Tatianna Maslany took home the trophy for her dynamic performance in Orphan Black). But more often, as of late, anyway, I’ve been left wounded by egregious snubs and unwelcome surprises on nomination morning and Emmy night.

For example, I like Claire Danes, but did she really need a SECOND Emmy for her performance on Homeland, at the expense of Elisabeth Moss, who somehow never won for her iconic role on Mad Men? If Moss had won for Mad Men perhaps voters could have skipped her in turn for Claire Foy in The Crown, thus clearing the way for Keri Russell in 2018, whose turn as Elizabeth Jennings in The Americans is maybe the greatest dramatic performance of the decade. Keri’s loss, in particular, I still haven’t fully recovered from.

So, to any Emmy voters out there who have realized the error of their ways and are looking to make amend: You CAN’T! You’ve made bad choices, the consequences of which we all will have to live with! Know that. BUT, if you are looking to get on the right side of history this year, start by considering the following four names on your ballot for Outstanding Lead Actress in a Drama Series...

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A deep dive into the Tony race for "Best Actress in a Play"

by new contributor J.B. 

Tatiana Maslany, Glenda Jackson, and Annette Bening are just a few of the many acclaimed actresses in the running for Best Actress nominations on Broadway this season

In recent years, the Tony category of Best Actress in a Play has featured some of the most impressive line-ups of nominees of any major award show. Don’t believe me? Since 2015, 18 women have been nominated for the award. Of those 18, six are Oscar winners (four of whom are two-time winners), five are Oscar nominees, two are Emmy winners, one is a Golden Globe winner, one is a BAFTA winner, and one is a four-time Tony nominee who has only appeared in one Broadway production for which she was not nominated for a Tony. The five most recent recipients of the “Triple Crown of Acting” distinction have all won a Tony in this category within the past ten years. That trend continues this year, with a well-decorated and very star-studded group of women, including bonafide legends of both stage and screen, vying for spots in the race. But who will be nominated? Who should be nominated? And who will win?

Here’s a closer look at who’s in contention for nominations this coming Tuesday, and which factors will weigh in their favor and against it...

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Stage Door: Hillary and Clinton

We're seeing a lot of theater in the run up to the Tonys. Here's new contributor J.B.

For the last twenty years or so, and probably longer, well-crafted stories about women in politics told on stage or screen have frequently been described with words like “timely” or “vital.”  These stories, in many cases, are ones we haven’t heard before, and to the extent we as a society want our art to imitate life (and indeed, vice versa), they are, now more than ever, ones we need to hear.

It is for this reason that Hillary and Clinton, a well-crafted story about the quintessential woman in American politics now playing at the John Golden Theater in New York, feels like such an anomaly. The play, written by Lucas Hnath and directed by Joe Mantello (his SEVENTH production on Broadway in just the last three years), takes place in a hotel room during the thick of the 2008 New Hampshire Democratic Primary and offers an imagined glimpse into what exactly the titular characters (played by Tony-winners Laurie Metcalf and John Lithgow, respectively) may have been thinking, feeling, and communicating to each other at that precise place and time in history...

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Review: The Aftermath

Please welcome guest contributor J.B.

When I saw The Aftermath, the latest from Testament of Youth director James Kent, starring Kiera Knightley, Jason Clarke and Alexander Skarsgård, last weekend, I was seated next to an older man with a notepad who I assumed was a journalist. I chatted briefly with him before the film started, and when the lights went up and the credits began to roll, I asked him what he thought. His response: “I interviewed her [Knightley] when she did Atonement with James McAvoy. She was so good in that.”

That's a pretty fair takeaway from The Aftermath, which casts Knightley as Rachel, a bereaved military wife recently arrived in Hamburg in 1946 to join her estranged husband, Lewis (Jason Clarke), an officer in the British Army tasked with overseeing the rebuilding of the war-torn city and ferreting out any remaining Nazi-sympathizers...

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