Cannes Diary 08: Queer Cinema Highs & Lows

by Elisa Guidici

Straight couples and monogamous relationships seem to be an endangered species at this year's Cannes Film Festival, especially in the sidebar sections. We've seen a wealth of films centered on queer love stories, set in a more open and aware contemporary world. Yet, this world often still struggles with a perspective that doesn't immediately stiffen when behavior is framed as "deviant." Unfortunately, mere representation doesn't equate to consistent quality. To summarize the spectrum seen here at Cannes, let's dive into the most exciting film and the most disappointing currently tackling these themes...

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Randomness... 1984

by Nathaniel R

Continuing our 80s Theme November Party with 1984 now. Is this party overstaying its welcome? Maybe but what can you do when you've invited everyone over, picked a theme, and told everyone to dress for the occasion! If you missed the beginning we started the retro top tens with 1980-1982 and 1983. Cláudio has been talking actressing in those same years and Juan Carlos chimed in with some Best International Feature memories.

Without further ado my personal favourites from 1984 (in alphabetical order) and of course I hope you'll share yours in the comments...

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TIFF '23: Kate Winslet elevates "Lee"

by Matt St Clair

Kate Winslet as "Lee"

After winning an Emmy for Mare of Easttown, I wondered how Kate Winslet would follow up her career-best work on the acclaimed HBO miniseries. Her latest starring vehicle, Lee, looked like a worthy follow-up project on paper. Winslet collaborates with cinematographer-turned-director Ellen Kuras, who lensed Eternal Sunshine of the Spotless Mind, which featured Winslet’s other greatest performance. Sadly, only Winslet’s performance lives up to the promise of the reunion...

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2022 Emmy Category Analysis: Drama Guest Acting Categories

by Christopher James

"Succession" added an Emmy winner and an Oscar winner to its cast this year. Will it pay off with a Guest Actor Emmy win?

It’s no secret that the Guest Acting categories often reward big names and buzzy actors, rather than actual performances. The awards can often go to beloved actors, even if they only appear in one or two moments of their submission. Take for example wins for Margo Martindale (The Americans) and Ron Cephas Jones (This Is Us) for seasons and episodes that are far from their best work. While past years have trended towards the biggest names possible, this year’s crop doesn’t necessarily skew towards major celebrities. Instead, it’s more consolidated around a small number of shows. Only five shows make up all twelve slots (the same number as in the Comedy Guest Acting races).

Succession fever has swept the guest acting drama categories. The HBO drama makes up seven of the twelve possible guest acting slots, or nearly 60% of the honors. Does this mean the show is unbeatable or could this pave the way for an underdog prevailing?

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On Alexander Skarsgard, devilishly handsome character actor

by Matt St Clair

One factor as to what kind of roles an actor receives, or whether they’re cast as lead or supporting players, is their looks. Consequently, that’s why you often see the likes of Tom Cruise headlining an action movie rather than someone like, say, John Malkovich. The practice of traditional glamour leading to positioning for movie stardom has essentially been around since the birth of cinema.

Then again, sex appeal can also trap actors into a narrow box. This happens to beautiful stars ike Alexander Skarsgård. He said in a recent Sunday Times interview while promoting The Northman, that his sex symbol label has led to him not getting the kind of serious acting opportunities he’s craved...

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