Cláudio's Best Shot Pick: 'True Blood' & 'Paparazzi'

The next episode of our series, 'Hit Me With Your Best Shot,' arrives tomorrow. It's focused on Alexander Skarsgård's Hollywood breakthrough. Specifically, we're looking at his first True Blood episode in 2008 and the following year's Lady Gaga music video Paparazzi. Here's Cláudio's entry.

Prince Amleth of Hrafnsey is far from the first Northman in Alexander Skarsgård's resume. From 2008 to 2014, the Swedish actor played another heir to a 10th-century Viking King in the HBO hit series True Blood. But of course, Eric Northman has long left his motherland when we meet him in the show's fourth episode, "Escape from Dragon House." Deep in the Louisiana backwoods, the former prince turned vampire has found himself playing the part of Sheriff in the region's undead community. Instead of an ancient castle, his domain's a seedy nightclub that goes by the name Fangtasia. Oh, how the mighty have fallen, from noble northern warrior to lowly vice peddler…

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I'll Link to That: Dune, Teen Wolf, and The Gilded Age

• Interview Kirsten Dunst interviews her Melancholia costar Alexander Skarsgárd about the demands of making his Viking period epic The Northman. Fun banter!
• Gr8ter Days takes a 40th anniversary look back at the first mainstream gay movie, Making Love
• Cartoon Brew struggles over abusively low salaries for artists in Japanese anime

Dune Part Two, The Gilded Age, Teen Wolf, Anders Danielsen Lie, Teen Wolf, and a new Luca Guadagnino project after the jump...

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Yes No Maybe So: "The Northman"

The 2021 film year will stretch well into 2022 -- that happens with late Oscar ceremonies -- but we finally have a title we're really excited about to look forward to the month after the Oscars. Robert Eggers' viking drama The Northman starring Alexander Skarsgård hits theaters on April 22nd. Let's discuss the trailer with our Yes No Maybe So™ system...

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Sundance: "Passing" review

by Jason Adams

I hope that after fifteen years of me writing on the internet you all will have an inkling of what a big deal it is for me to start a film review off with talk of Awards, a subject I normally pay very little attention to. Perhaps it's that this is my first Sundance -- I've heard people get exclamatory brains in these places, although it being virtual this year I don't have the excuse of the mountain's thin oxygen supply. But here's the deal -- if every single person involved with Rebecca Hall's directorial debut Passing isn't nominated for awards next season I'll eat my shoe. Hell I'll eat one of Ruth Negga's shoes, and they look complicated. Buckles and snaps. But seriously. Everybody gets an Oscar. Do they have Oscars for Craft Services? Give them an Oscar. They kept these geniuses fed well enough to make this beautiful, blessed film...

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Review: The Aftermath

Please welcome guest contributor J.B.

When I saw The Aftermath, the latest from Testament of Youth director James Kent, starring Kiera Knightley, Jason Clarke and Alexander Skarsgård, last weekend, I was seated next to an older man with a notepad who I assumed was a journalist. I chatted briefly with him before the film started, and when the lights went up and the credits began to roll, I asked him what he thought. His response: “I interviewed her [Knightley] when she did Atonement with James McAvoy. She was so good in that.”

That's a pretty fair takeaway from The Aftermath, which casts Knightley as Rachel, a bereaved military wife recently arrived in Hamburg in 1946 to join her estranged husband, Lewis (Jason Clarke), an officer in the British Army tasked with overseeing the rebuilding of the war-torn city and ferreting out any remaining Nazi-sympathizers...

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