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Entries in Marion Cotillard (38)

Sunday
Dec072014

BSFC, LAFCA, and NYFCO: Their 2014 Winners

My apologies to Boston, Los Angeles and the online contingency of New York City for their shared billing but what can you do? When they all announce on the same weekend they share column space. The DC Film Critics also announced nominations today but in the interest of sanity, TFE only covers actual awards from critics groups, not their nomination rounds (which give performers and films no real juice publicity wise anyway); we have 30+ critics organizations in the US alone so any requested  coverage other than wins for the non-institutions feels ego-driven.

It was another good day for Birdman and Boyhood or "Boyman" as Sasha likes to call it. Particularly Boyhood which no films seem to be able to squirm around for top billing. Grand Budapest Hotel probably came close in L.A., Birdman looked like a distant second in Boston, but NYFCO seemed very committed. Is it now the Oscar frontrunner for Best Picture? It probably always was so yes. 

BOSTON SOCIETY OF FILM CRITICS (BSFC)
The BSFC was formed in 1981 and were once known for scrappy idiosyncratic choices. They were among the first awards group to rubber stamp Steven Soderbergh and David O. Russell (before their prime Oscar years). In the past ten years they've become far more conservative usually awarding their top prize to the Oscar frontrunner or its presumed challenger. Like NYC, Boston now has a second younger "online" group which already announced this year.

Film: Boyhood (runner up: Birdman)
Director: Richard Linklater, Boyhood (runner up: Clint Eastwood, American Sniper)
Actor: Michael Keaton, Birdman (runner up: Timothy Spall, Mr Turner)
Actress: Marion Cotillard, Two Days One Night AND The Immigrant (runner up: Hilary Swank, The Homesman)
Supporting Actor: J.K. Simmons, Whiplash (runner up: Edward Norton, Birdman)
Supporting Actress: Emma Stone, Birdman (runner up: Laura Dern, Wild)
Screenplay [TIE]: Birdman & Boyhood (runner up: Mr Turner)
Cinematography: Emmanuel Lubezki, Birdman (runner up: Dick Pope, Mr Turner)
Editing: Sandra Adair, Boyhood (runner up: Joel Cox & Gary Roach, American Sniper)
Foreign Film: Two Days One Night (runner up: Ida)
Animated Film: The Tale of Princess Kaguya (runner up: The Lego Movie)
New Filmmaker: Dan Gilroy, Nightcrawler (runner up: Gillian Robespierre, Obvious Child)
Documentary: Citizen Four (runner up: Jodorowsky's Dune)
Use of Music: Inherent Vice (runner up: Whiplash)

 

LOS ANGELES FILM CRITICS ASSOCIATION (LAFCA)
Founded in 1975, the LAFCA is one of the twin (coastal) towers of film critics associations alongside NYFCC which announced their prizes on December 1st. Last year the LAFCA had a very hard tie figuring out their prizes and the day ended with ties in three headline categories: Best Picture, Best Actress and Best Supporting Actor. These days they are perhaps best known for daring choices in Best Actress and Best Picture. 

Film Boyhood (runner up: The Grand Budapest Hotel)
Director Richard Linklater, Boyhood (runner up: Wes Anderson, Grand Budapest Hotel)
Actress Patricia Arquette, Boyhood (runner up: Julianne Moore, Still Alice)
Actor Tom Hardy, Locke (runner up: Michael Keaton, Birdman)
Supporting Actress: Agata Kulesza, Ida (runner up: Rene Russo, Nightcrawler)
Supporting Actor: J.K. Simmons, Whiplash (runner up: Edward Norton, Birdman)

New Generation: Ava DuVernay, Selma
Screenplay: Grand Budapest Hotel (runner up: Birdman)
Animated Film: The Tale of Princess Kaguya (runner up: The LEGO Movie)
Foreign Film: Ida (runner up: Winter Sleep)
Documentary: Citizen Four (runner up: Life Itself)
Cinematography: Emmanuel Lubeszki, Birdman (runner up: Dick Pope, Mr Turner)
Editing: Sandra Adair, Boyhood (runner up: Barney Piling, Grand Budapest Hotel)
Score: TIE Jonny Green, Inherent Vice and Mica Levi, Under the Skin
Production Design: Adam Stockhausen, Grand Budapest Hotel (runner up: Ondrej Nekvasil Snowpiercer)
Experimental Film: Walter Reuben, The David Whiting Story
Career Achievement: Gena Rowlands

The LAFCA seem to have bought into their own myth about their iconoclastic Best Actress behavior. They weirdly switched categories for Patricia Arquette from supporting to lead despite backing J.K. Simmons as supporting from his far leadier work as half of a two-hander relationship drama between two men in a film with basically only two major characters.

Agata Kulesza is a worthy fascinating choice but she's really very obviously more of a lead than Patricia Arquette. But what can you do? I suppose you could make a better case for her in supporting than you could for Arquette as a lead but it's all rather baffling. 

 

NEW YORK FILM CRITICS ONLINE
Said to have been formed in 2000 the internet only has records dating back to 2003 for their prizes. They are not to be confused with the ancient and highly important NYFCC which already announced on December 1st and were Boyhood & Immigrant focused this year.

Picture: Boyhood
Director: Richard Linklater, Boyhood
Actress: Marion Cotillard, Two Days One Night
Actor: Eddie Redmayne, The Theory of Everything
Supporting Actor: J.K. Simmons, Whiplash
Supporting Actress: Patricia Arquette, Boyhood
Ensemble Cast: Birdman
Screenplay: Birdman
Cinematography: Birdman
Use of Music: Get On Up
Debut Director: Dan Gilroy, Nightcrawler
Breakthrough: Jack O'Connel for Unbroken AND Starred Up
Documentary: Life Itself
Animated Feature: The LEGO Movie 

Marion Cotillard is perhaps the other big story of the day having won NYFCC, BSFC, and NYFCO already. Her Oscar chances still seem debatable though for a number of reasons including two separate films and the lack of any real campaigning beyond a screener for Two Days One Night.

J.K. Simmons, Richard Linklater, and Citizen Four continues to be steamrollers in Supporting Actor, Director, and Documentary respectively. Meanwhile Birdman marches along as a strong contender for basically everything if not, yet, a dependable film to bank any actual golden statues on. More unfortunately (especially given my change of heart about the film) critics have optioned not to really back Grand Budapest Hotel beyond the category that Oscar would have awarded it any way, Best Screenplay, which is the only category in which Wes Anderson films ever find any traction, sadly, despite often being sheer wonders in terms of Production Design, Costuming and weirdly expressive stylized performances. 

Saturday
Dec062014

Screener Adventures From Big Hero to Budapest (Pt. 1)

Herewith a collection of fractured thoughts to along with my fractured toe (a piece of advice: never stub your toe so violently that your toe is swollen and purple by the end of the night and you have trouble walking for a week afterwards). I'd never have time for full articles on any of these so let's race through.

The Homesman 
Contrary to popular belief I am more than willing to praise the Swankster when she deserves it. While it's true that I was very hostile ten years ago during the Million Dollar Baby year (I struggle with hostility in any category in any year wherein the least of the five seems to have a free ride to gold... even if they've already won!) I supported her first Oscar win and you can't ever take Boys Don't Cry away from her. What we have here in  Tommy Lee Jones peculiar feminist western is her second best performance. I found her unflinching stillness whenever menfolk dismissed her as "plain" to be quite moving and she plays the saddest piano of all time, a cloth fascimile she drapes in front of her. That said, though I loved several elements of the film and found the concept and even the difficult structure intriguing, I don't think the film manages to come together well. Its parts are greater than their sum. No spoilers here but I'm a wee bit surprised that Swank has garnered as much Oscar buzz as she has - despite still being a longshot - given that her role is not as large or as fulfilling as you assume it will be in the first act.

The Skeleton Twins 
Not quite sure how I missed this one earlier in the year but it was a huge success with my friends when we finally screend it. And that "Nothing's Gonna Stop Us Now" musical number slays - just perfection. The comedy, though, is surprisingly dark and the tone a mite unstable so it's easy to see why the movie never quite broke out despite gathering some devout fans and a lone Gotham Award nomination. It hesitates at the edge of its drama sequences as if to say 'for your consideration: serious acting from funny people' and teeters near its comic sequences like 'do we really want to do this?' before caving; you can't not let Wiig and Hader be funny. Still that "Nothing's Gonna Stop Us Now" musical number just slays. Is anything funnier than slow burn Kristen Wiig silliness? 

Big Hero 6
While the adults talked in the other room on Thanksgiving I played this one for my friends's kids to keep them occupied. I was pushing for The Boxtrolls but, I don't know if you know this, kids turn out to be kind of stubborn; they like what they like. They were already obsessed with Baymax and rather than watching something new, they wanted the inflatable super-nurse again. I watched a few scenes again but remain only a mild fan of it. It wouldn't be on my final ballot in this competitive Animated Feature year. Nevertheless turns out it's hilarious and endearing to say goodbye to little kids after they've watched this movie. They all want to do a fist bump and will giggle like little maniacs if you play along and do Baymax's robotic jazz finger trill as their parents button them up for the cold outside. 

The Babadook
At the risk of turning this blog into The Babadook Experience (What? We like it). I'll be brief. This movie is really good. It's one of the very few movies this year that my best friend, who it might surprise you to hear does not much like movies, was willing to see and he loved it. He's been whispering at me randomly in a croaky voice "ba-ba-doooooook" without warning. The movie was just as creepy the second time but way more fun since I wasn't watching it alone. But Thanksgiving was a really really weird and, let's face it, unfortunate time to release it since a) it's probably not Oscar eligible given the Direct TV premiere and b) it could have used October's creepy crawly box office friendly trends. It makes no sense to me at all. It's not like it would have been forgotten for top ten season with a debut that was simply one month earlier? 

Grand Budapest Hotel
My friends all wanted to see this one so we rented it from Netflix before I even got the FYC screener. I can't quite figure why I was so stand-offish about it back in March when I named it Wes Anderson's second worst (just slightly better than The Life Aquatic). While I still wouldn't call it his best as so many critics did during the initial Budapest love-in (The Royal Tenenbaums remains untouchable IMO) it's so much better than I had understood. So I stand corrected, which is not something I'll admit to every day when it comes to the movies -- for example I'm totally right about Inherent Vice. I don't care how many top ten lists it makes: Blech!. On second viewing of Budapest the manic energy no longer grates or feels oppressive but intermittently flavorful and in service to its idiosyncratic comedy. And the pieces which always struck me as glorious: Ralph Fiennes out-of-time elegance and superbly pitched performance (it's a real pity he's not locked up in that Best Actor race; he should be) and the exquisitely scrumptuous production design and costumes are even better on repeat viewings.

Normally eye candy movies are better on the big screen but this one played much better for me at home. Go figure. 

Have you changed your mind about a movie recently or been surprised by one you thought you'd be cooler to? 

Monday
Dec012014

NYFCC Loves Legos, Nuns, and Boyhood

The NYFCC (New York Film Critics Circle), one half of the two crucial critics prizes for each film year (the other half being the LAFCA who announce soon) gathered this morning for prize time. Their annual game of combative rounds winnowing their choice down to one (usually) in their categories resulted in big wins for Boyhood and really important gets for two key actors.


PICTURE Boyhood
It could well be a steamroller with critics groups. Unless Selma and Birdman get scrappy
DIRECTOR Richard Linklater, Boyhood
We can safely call him locked up for his first Oscar nomination in this category after two nominations for writing
SCREENPLAY The Grand Budapest Hotel
This is the only category that Wes Anderson has ever had real luck in with awards bodies. Can Budapest find a way to slip into the Best Picture Oscar field and change that?

ACTRESS Marion Cotillard, The Immigrant & Two Days, One Night
An enormously important get for Cotillard who has found it a real struggle to connect with awards bodies since her Oscar win for what ironically is an arguably lesser performance than the ones she's been trotting out regularly lately
SUPPORTING ACTRESS Patricia Arquette, Boyhood
So pleased that this grounded affecting performance has garnered such praise this year. It's a real treat coming from an actress that hasn't been overused overpraised much in her career.

ACTOR Timothy Spall, Mr. Turner
Another enormous "must have" for the preliminary rounds. Spall is up against a super tight Best Actor field and every mention counts towards keeping his name out there. They really should have released this movie earlier. I struggle to understand Sony Pictures Classics preference for late December which often kills "small" films with too little too late push
SUPPORTING ACTOR J.K. Simmons, Whiplash
Looks likely  march to the Oscar with no problem. Which is sad for Mark Ruffalo (Foxcatcher) and Edward Norton (Birdman) who are both still waiting and both so worthy this year

CINEMATOGRAPHY Darius Khondji, The Immigrant
So underappreciated
ANIMATED FILM The LEGO Movie
Unsurprising and I expect all the flyover state critics prizes to go the same way. The real question as precursor season heats up is which littler film gets some mentions.
FOREIGN LANGUAGE FILM Ida
If Ida dominates this field in the precursors might we see it pop up in one or two additional Oscar categories? Wouldn't that be neat?
DOCUMENTARY Citizenfour
A possible steamroller for the non-fiction prizes
FIRST FEATURE Jennifer Kent, The Babadook
Don't miss our interview with this hot new talent. I told her we were wondering about her future and she said "I'm wondering about my future, too!"

Thursday
Nov272014

Podcast Xtra: Best Actress. The Runners Up?

We just delivered a podcast on Interstellar and The Imitation Game yesterday. But because we love you here's a brief "extra" conversation on the Best Actress race for your Thanksgiving weekend.

While most pundits think Reese & Juli & Felicity are locked up, there's more disagreement about the fourth and fifth Best Actress slots. We chat Hilary, Amy, Marion, Gugu, Shailene, Scarlett et al.

You can listen at the bottom of the post or download on iTunes. Continue the conversation in the comments! 

Who gets the fifth slot?

Wednesday
Nov122014

2014 European Film Awards Nominations

Manuel here bringing you some more awards talk from across the Atlantic. 

Ida, the nomination leader with 5 citationsTis the season for awards and so before we could even digest those British Independent Film Awards nominations, here come the European Film Awards to dole out their own. They bring great news to several Best Foreign Language Oscar hopefuls. Poland's Ida, Russia's Leviathan, Sweden's Force Majeure, Italy's Human Capital, Turkey's Winter Sleep, Austria's The Dark Valley, and Belgium's Two Days, One Night are all well represented. Take a look at the below-the-line categories and you'll find a number of welcome inclusions (one must give respect to any awards body which gives Mica Levi an award for his hauntingly discordant score for Under the Skin). Kudos to the TFE team who have reviewed all the films up for 2014 European Film.

27th European Film Awards Nominations

European Film 
Force Majeure
Ida
Leviathan
Nymphomaniac Director’s Cut – Volume I & II
Winter Sleep 

Catch the full list of nominations after the jump.

Click to read more ...

Sunday
Nov092014

Red Carpet: Governors Award Fashions... Let the Campaigns Begin

Jose here. As Nathaniel noted, the Governors Awards were held last night in Hollywood (yay Maureen O’Hara!). As usual they were pretty much a rehearsal dinner for the Oscars next year. While their red carpet is more subdued than Oscar’s - they’re there to pay tribute to legendary honorees, not to steal their thunder - there were a few exceptions to the rule. After all, if you want people to vote for you, you gotta make sure they remember you.

Let's take a look at what 16 of the Oscar hopefuls wore. What might it mean in the larger scheme of things?

 

Emily Blunt has worn this exact same thing to at least 10 other award ceremonies, color variations aside. Don't get me wrong, she's stunning etc. etc. etc. but will it help The Baker's Wife's Oscar cause, to look so every-year Blunt? The under-nominated actress should start experimenting and leave her go-to silhouette behind - wear a massive ball gown that tells people...

you've changed! you're daring! You're different in the woods!  ♪ ♫

Reese Witherspoon, too, looks the same, except it works to her favor. She's paying homage to Elle Woods, reminding voters how funny and cute she was in Legally Blonde, and how complex and dark she is in Wild by contrast. I rest my case.


Now two Best Actress dark horses, Gugu Mbatha-Raw has been in our minds all year long with her breakthrough performance in the sleeper box office hit Belle, and as she prepares to do the publicity rounds for Beyond the Lights it was delightful to see her attend. Perennial nominations-bridesmaid Marion Cotillard showed up with the Dardennes to remind people how terrific she is in Two Days, One Night, while I'm not particularly in love with her Dior dress (pretty much an altered version of what J.Law wore at the Oscars this year) I hope she talked to everyone at that party (it was 600 people) to convince them to vote for her.

 In a just world, Jenny Slate would be a slam dunk contender for Best Actress because she's incredible in Obvious Child, but an indie about abortion without a heartwarming message or a twee soundtrack is perhaps way too cool for Oscar. She definitely seems to be playing the "newbie" card, which is why she showed up dressed like Lupita Nyong'o at this year's ceremony. I hope that helps her cause! Jessica Chastain was there too, as she always is nowadays and rightfully so, and of course she was campaigning for her three or four scenes in Interstellar because it's November and she has made absolutely no other movies this year. I don't know what you mean about a three-hour-long melodrama with James McAvoy in which she's giving us Meryl Streep in Kramer vs. Kramer brilliance and a 1980s gangster flick...I seriously don't.

In a just world, Jenny Slate would be a slam dunk contender for Best Actress because she's incredible in Obvious Child, but an indie about abortion without a heartwarming message or a twee soundtrack is perhaps way too cool for Oscar. She definitely seems to be playing the "newbie" card, which is why she showed up dressed like Lupita Nyong'o at the Oscars. Will it help her campaign subliminally? Jessica Chastain was there too - where isn't she nowadays? -- and of course she was campaigning for her three or four scenes in Interstellar because it's November and she [ahem] has made absolutely no other movies this year. I don't know what you mean about a three-hour-long melodrama with James McAvoy in which she's giving us Meryl Streep in Kramer vs. Kramer brilliance and a 1980s gangster flick with Oscar Isaac in which she's giving us Michelle Pfeiffer in Scarface ...I seriously don't.

 Literally, every single person involved in Boyhood was there. All. Of. Them. Look!

Moving on...

If there was such a thing as prom king and queen of awards season red carpet, this year would continue to be a popularity contest by way of The Imitation Game vs. The Theory of Everything. (Cumberbatch may have won round 1 in Toronto but round 2 on the early campaign trail has gone to Redmayne.) Just look at how cute they all are! Will people who vote for Eddie Redmayne feel like they must vote for Felicity Jones too? Can Benedict Cumberbatch win without Keira Knightley? For now, all I can say is that not since Kate & Leo have I wanted two screen couples to get married like I want these Brits to do.

 All of these handsome men below are potential Best Actor spoilers, and all of them seem to have shown up primarily to remind voters "hey, we clean up nice too!" since none of them play particularly glamorous characters. I'm especially bowled over by Oscar Isaac's bold brown tux with Clark Gable mischievous mustache accessory. Which one is making you swoon?

About that not-stealing-honorary-thunder business...

When does Tilda Swinton not steal everyone else's thunder? At first it seems strange she was even there until you remember "Remember that weird lady in Snowpiercer !" She undoubtedly has to remind people many times that that was her, which makes her instantly praise worthy. From frumpy to avant garde, now that's how you get votes. Similarly David Oyelowo showed up in one of the only tuxes worth talking about. 

Which of these dazzling stars will we be seeing in every red carpet from now until Oscar? What were some of your favorite looks?