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Entries in Marion Cotillard (54)

Sunday
Dec062015

Cotillard + Fassbender = Scorching Hot

Murtada here. Are you ready for some sexy stuff at the movies? Now playing in limited release is the latest big screen version of Macbeth from director Justin Kurzel. Reviews have been mixed but there’s no denying the heat created by the performances of Michael Fassbender and Marion Cotillard in the titular parts. The screen almost combusts whenever they are together; they make Shakespeare sexy. And not just because of their considerable beauty, but rather because of what they bring out in each other. Fassbender raises Cotillard’s intensity and she is so tenderly natural that he can’t help but match her.

Sometimes one wonders how actors arrive at on-screen chemistry? Maybe it’s about surprising each other. That’s what Fassbender told the National Board of review about one of their scenes together:

 I don’t like to talk too much, with either director or actor, before doing the scene. [ ] She just picks up the ball and she runs with it, like that scene—the scorpion scene. I put my hand underneath her dress; I didn’t tell her I was going to do that, and she took it and she went with it and then she kisses me and then pulls away. She’s got this sort of repulsion, and then she reengages, and she’s like, “I love this man, I feel him, he’s sick.” All these things are happening on her face. That’s when you realize you’re in the presence of somebody great.

Here’s part of that scene, however for the exact part Fassbender is talking about you'll have to go to the movies.

It looks like Cotillard, Fassbender and Kurzel had a good time creatively; they are reuniting for Assassin’s Creed which is currently shooting.

Sunday
Oct252015

Review: Macbeth

Andrew here to talk about a Shakespeare adaptation

There’s a moment in the recent adaptation of Macbeth that’s legitimately surprising for audience, even those who have read the play. Towards the end of the film Marion Cotillard appears on screen for Lady Macbeth’s moment of reckoning – that iconic “Out damned spot!” speech. The scene unfolds, naturally, in a different fashion than it does in the play. The monologue, though, becomes especially striking when the camera draws back to reveal “who” she is speaking to. I won’t spoil it for those who haven’t seen it, but a few of the persons in the row behind me gasped at the cutaway. It’s meant to be a jolting moment in the film, and it is, although it’s also a baffling one. The moment has stuck with me since I’ve seen the film as I’ve tried to make sense of it within the film’s framework. And, the more I think on it, the more it emerges as emblematic of this adaptation.

Let it not be said that Justin Kurzel’s adaptation of Shakespeare’s Macbeth is not without ambition and energy. This Macbeth is transposed to the cinema in language that’s distinctly visual. This is a Macbeth about movement and space and contact, and then the ensuing loss of that same contact. The language of the film is restlessness and mournful agitation from its first shot and the entire fair is slick and confident, but I go back and forth on how effective it is.

Click to read more ...

Friday
Aug282015

Michael Fassbender X 2

Here's Murtada on two Michael Fassbender Fall movies that have released posters.

First we have Steve Jobs. The poster’s in the same vein as Apple’s minimalist ads. We approve, it does the job, recalls the subject matter and let us know who is involved. The movie is the centerpiece at the New York Film Festival and everyone suspects it will hit Telluride as well. And October 9 isn’t that far away.

When you have huge photogenic movie stars all you need is their faces. Even from behind the veil Marion Cotillard's face is telling a story. Intensity thy name is Fassbender. Sold.

But what is happening with this movie? The posters as well as all the marketing materials are coming from UK distributor StudioCanal. They took the movie to Cannes and released clips, posters and a teaser trailer. The movie is scheduled for release in UK on October 2 and in France on November 18. By the end of December everyone who lives in Europe will probably have had a chance to see it.

So far there is no US release date. The Weinstein Company has announced a deal with Amazon that vaguely states the movie will be available online “relatively quickly” after theatrical release. That release will be through their VOD arm, TWC-Radius. What is happening?

Is this movie the latest victim of TWC’s erratic release plans? And so soon after The Immigrant. Remember that? What does Cotillard have to do to get her performances in theaters in the US? There’s turmoil at TWC so who knows what will happen. But come on, you have 2 major movie stars, a well known story that doesn’t need much explaining and a director, Justin Kurzel, on the rise. Reviews at Cannes have been mostly positive. Release it.

Are you worried for Macbeth? Do we need to start an online petition for its release?

Update : Looks like TWC heard us! A couple of hours after publication they announced a December 4 limited release for Macbeth.

Friday
Jun262015

Posterized: Matthias Schoenaerts

With the Kate Winslet romantic drama A Little Chaos in select theaters and on VOD, we're seeing Matthias Schoenaerts as the Romance Novel Ready Cover Boy twice over this year since Far From the Madding Crowd already passed us by. If they ever release Suite Française in which he co-stars with Michelle Williams we'll have three swoony Schoenaerts fantasies in one year in which he falls for beautiful recent Best Actress nominees.

So how familiar you are with Belgium's greatest export? He first came to our attention in the Oscar nominated Belgian drama Bullhead (2011) though in truth we had seen him before in Paul Verhoeven's undervalued Dutch WWII thriller Black Book. (2006). But since that movie was all about Carice Van Houten & Michel Huisman erotic fantasies (at least it was for yours truly -- they were both later coopted by Game of Thrones as Melisandre and Dario Naharis, respectively) I'll admit that I didn't glom on to him right then.

Did I ever tell you I met him? That story and movie posters after the jump...

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Thursday
Jun042015

YNMS: MacBeth

Jason from MNPP here with a look at the first trailer for this our brand new MacBeth movie, which stars Michael Fassbender and Marion Cotillard and yeah you all already knew that. The film already played Cannes and won some auspicious notices there; I do believe some people were upset that Cotillard walked away from the fest once again empty-handed. The film has an October 2nd release date in the UK but still nothing official here in the States. Anyway let's give this thing the ol' "Yes No Maybe So" treatment shall we? (We'll try to pretend for argument's sake that my "YES" can't already be seen from space.)

more...

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Wednesday
Mar182015

We Can't Wait #3: Macbeth

Team Experience is counting down our 15 most anticipated for 2015. Here's David to kick off the top 3...

Who & What: Yes, there have been countless Shakespeare adaptations through cinematic history, although the Scottish play is one of the Bard’s biggest plays that (perhaps) hasn’t landed a definitive English language adaptation as of yet (Kurosawa’s Throne of Blood will admittedly take some beating) – and that’s with auteurs as legendary as Orson Welles and Roman Polanski having taken a crack at it. Justin Kurzel, the Australian newbie who was much admired for the jagged savagery of his debut feature The Snowtown Murders, is in the directing chair, and has the awesome pairing of Michael Fassbender and Marion Cotillard as his royal Scottish schemers. 

People getting in the way of their bloodthirsty lust for power include David Thewlis’ Duncan, Paddy Considine’s Banquo, rising star Jack Reynor as Malcolm and The Great Gatsby’s Elizabeth Debicki as Lady MacDuff. Behind the camera, talent includes cinematographer Adam Arkapaw (Snowtown, Animal Kingdom), production designer Fiona Crombie (Snowtown, Top of the Lake) and our beloved costumer Jacqueline Durran.


Why we're excited about it: Ever since it was announced, Kurzel taking on what might be the Bard’s most gruesome pieces of work has seemed like a delectable proposition, with Snowtown’s eerie form promising a take on the greed, manipulation and psychological demonics of Macbeth that doesn’t skimp on the utter blackness at its heart. Add two of the world’s finest – not to mention most beautiful – performers at the centre, plus all of that additional talent, and this apparently ‘gothic’ take on the material can hardly fail.

What if it all goes wrong?: Well, it’s been a long wait – is that something to be worried about? Hopefully not; a preview at Cannes last year seemed to impress, and Kurzel probably didn’t want to rush it out of the editing room just for awards. Natalie Portman’s exit from the project was never explained, but it doesn’t seem to have augured any rumours of trouble in the production.

When: What with those Oscar rumblings last year, we’d wager it’ll be a long, impatient wait until some time near the end of the year, ready for next Oscar season, especially with The Weinstein Company involved. IMDb lists November and December dates for France and Sweden, but every other country is still awaiting news of when the latest take on the Bard’s most infamous play will arrive.

Previously...