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Entries in Marion Cotillard (58)

Monday
Aug152016

Beauty Break: Cotillard & Pitt in 'Allied'

Manuel here. Have you guys seen the sweeping, swoon-worthy teaser trailer for Robert Zemeckis' Allied? If nothing else, it shows us that Zemeckis understands that Marion Cotillard and Brad Pitt are timeless movie stars whose faces deserve all the beautiful costumes and close-ups they get. The entire trailer is giving me Casablanca vibes even if I'm still unsure what the hell is going on other than these two look like they walked out of a 1940s war film.

Rather than do a regular YNMS for the trailer, I wanted to leave you with 8 moments from the teaser that made me gay gasp...

Cotillard in period garb will never get old. And that red lipstick? Divine...

Click to read more ...

Thursday
Aug042016

Marion Cotillard and Brad Pitt Got Us Thinking

Released exclusively through People Magazine

by Murtada 

There are a couple of ways to look at this first released picture from the Marion Cotillard - Brad Pitt November release, Allied. Your mileage might depend on your feelings about the actors. So if you like them, you might be saying glamourous movie stars! Pretty period costumes! Why isn’t it November yet?. If not, your reaction might be that the picture is a bit posed. Maybe a bit too studied. Even cheesy...

Click to read more ...

Monday
Jun132016

It’s only 'It’s Only the End of the World'

Josh here, reflecting on the backlash against Xavier Dolan now he’s seen It’s Only the End of the World at the Sydney Film Festival

In what must be a true sign of success, Xavier Dolan was booed and savaged by critics at the Cannes Film Festival earlier this year when his latest film It’s Only the End of the World premiered. The reaction was swift not just against his film, but against the filmmaker himself. Dolan address this, and reacted strongly to The Playlist which remarked “It's simply impossible to believe that a story this stridently self-pitying could not refer, more or less explicitly, to writer/director Dolan himself… It suggests a level of martyred self-involvement on Dolan's part that is tantamount to a persecution complex”. This was just one of many vicious reactions online and especially on twitter, against the film but then, in turn, against Dolan for defending himself against criticism.

The apparent taboo of a filmmaker reading, and responding to a critic was a major sore point. As though a critic should get the final word. It’s hard here not to recall the brilliant monologue from Ratatouille...

Click to read more ...

Thursday
Mar312016

Where My Girls At? The Maybe Cannes Bound Edition

Here's Murtada speculating about which lovely ladies might appear at the Cannes Film Festival.

There is one thing that is certain to happen at Cannes every May. Marion Cotillard appears on the famous steps, resplendent in Dior couture, to represent a film in competition. She knocks everyone's socks off with her performance, then invariably fails to win best actress from the jury. It happened with Rust and Bone (2012), The Immigrant (2013), Two Days One Night (2014) and Macbeth (2015). Is there a Cotillard/Cannes awards curse?

This year she will have two more chances to lose, and cement the legend of the curse...

Click to read more ...

Sunday
Dec062015

Cotillard + Fassbender = Scorching Hot

Murtada here. Are you ready for some sexy stuff at the movies? Now playing in limited release is the latest big screen version of Macbeth from director Justin Kurzel. Reviews have been mixed but there’s no denying the heat created by the performances of Michael Fassbender and Marion Cotillard in the titular parts. The screen almost combusts whenever they are together; they make Shakespeare sexy. And not just because of their considerable beauty, but rather because of what they bring out in each other. Fassbender raises Cotillard’s intensity and she is so tenderly natural that he can’t help but match her.

Sometimes one wonders how actors arrive at on-screen chemistry? Maybe it’s about surprising each other. That’s what Fassbender told the National Board of review about one of their scenes together:

 I don’t like to talk too much, with either director or actor, before doing the scene. [ ] She just picks up the ball and she runs with it, like that scene—the scorpion scene. I put my hand underneath her dress; I didn’t tell her I was going to do that, and she took it and she went with it and then she kisses me and then pulls away. She’s got this sort of repulsion, and then she reengages, and she’s like, “I love this man, I feel him, he’s sick.” All these things are happening on her face. That’s when you realize you’re in the presence of somebody great.

Here’s part of that scene, however for the exact part Fassbender is talking about you'll have to go to the movies.

It looks like Cotillard, Fassbender and Kurzel had a good time creatively; they are reuniting for Assassin’s Creed which is currently shooting.

Sunday
Oct252015

Review: Macbeth

Andrew here to talk about a Shakespeare adaptation

There’s a moment in the recent adaptation of Macbeth that’s legitimately surprising for audience, even those who have read the play. Towards the end of the film Marion Cotillard appears on screen for Lady Macbeth’s moment of reckoning – that iconic “Out damned spot!” speech. The scene unfolds, naturally, in a different fashion than it does in the play. The monologue, though, becomes especially striking when the camera draws back to reveal “who” she is speaking to. I won’t spoil it for those who haven’t seen it, but a few of the persons in the row behind me gasped at the cutaway. It’s meant to be a jolting moment in the film, and it is, although it’s also a baffling one. The moment has stuck with me since I’ve seen the film as I’ve tried to make sense of it within the film’s framework. And, the more I think on it, the more it emerges as emblematic of this adaptation.

Let it not be said that Justin Kurzel’s adaptation of Shakespeare’s Macbeth is not without ambition and energy. This Macbeth is transposed to the cinema in language that’s distinctly visual. This is a Macbeth about movement and space and contact, and then the ensuing loss of that same contact. The language of the film is restlessness and mournful agitation from its first shot and the entire fair is slick and confident, but I go back and forth on how effective it is.

Click to read more ...

Friday
Aug282015

Michael Fassbender X 2

Here's Murtada on two Michael Fassbender Fall movies that have released posters.

First we have Steve Jobs. The poster’s in the same vein as Apple’s minimalist ads. We approve, it does the job, recalls the subject matter and let us know who is involved. The movie is the centerpiece at the New York Film Festival and everyone suspects it will hit Telluride as well. And October 9 isn’t that far away.

When you have huge photogenic movie stars all you need is their faces. Even from behind the veil Marion Cotillard's face is telling a story. Intensity thy name is Fassbender. Sold.

But what is happening with this movie? The posters as well as all the marketing materials are coming from UK distributor StudioCanal. They took the movie to Cannes and released clips, posters and a teaser trailer. The movie is scheduled for release in UK on October 2 and in France on November 18. By the end of December everyone who lives in Europe will probably have had a chance to see it.

So far there is no US release date. The Weinstein Company has announced a deal with Amazon that vaguely states the movie will be available online “relatively quickly” after theatrical release. That release will be through their VOD arm, TWC-Radius. What is happening?

Is this movie the latest victim of TWC’s erratic release plans? And so soon after The Immigrant. Remember that? What does Cotillard have to do to get her performances in theaters in the US? There’s turmoil at TWC so who knows what will happen. But come on, you have 2 major movie stars, a well known story that doesn’t need much explaining and a director, Justin Kurzel, on the rise. Reviews at Cannes have been mostly positive. Release it.

Are you worried for Macbeth? Do we need to start an online petition for its release?

Update : Looks like TWC heard us! A couple of hours after publication they announced a December 4 limited release for Macbeth.