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Entries in Nanni Moretti (2)


NYFF: Mia Madre & No Home Movie

Manuel on an unlikely double feature he’d like to dub “How I Mourned Your Mother.”

In his TIFF coverage, Nathaniel mentioned that film festivals sometimes offer you random thematic threads born out of unlikely juxtapositions. This was the case when I caught Nanni Moretti’s Mia Madre and Chantal Akerman’s No Home Movie almost back to back. Both films are concerned and inspired by the death of the respective filmmakers’ mothers. The results are as widely different as you’d imagine and fascinating for wildly different reasons.

Moretti’s Mia Madre opens with a scene of laborers rioting against their factory’s owners. Workers chant and fight against armored policemen in riot gear. And then Margherita (an effectively understated Margherita Buy) yells “Stop!” She’s shooting a film, as it turns out and she’s not too happy with the framing she was getting. We slowly learn her personal life is taking a toll; she’s broken up with her boyfriend and her mother is slowly dying at the hospital. You can almost imagine the press about that shoot (“Director’s Personal Issues All But Ruined the Production”). [More...]

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Cannes Jury Members Give Their Love to Haneke.

Jose here. In a truly unprecedented turn of events, Austrian auteur Michael Haneke has won his second Palme D'or at the Cannes Film Festival. Haneke now joins the ranks of the Dardenne brothers, Bille August and Francis Ford Coppola, among others, as some of the few filmmakers who have been able to achieve this feat. What's more surprising is that Haneke achieved it with two consecutive films and within the span of three years, his previous film The White Ribbon, won the Palme in 2009.

His winning movie Amour moved audiences and critics alike when it was shown in competition last week. People were surprised about the way in which his typical iciness shaded new light on the complex subject of mortality in a movie that deals with how a stroke shatters the stability of an older married couple. Some were pleased to realize Haneke had finally found his "heart" and the only thing that seemed to stand between him and his second Palme was none other than jury president Nanni Moretti...

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