Through Her Lens: 2016 (The 89th Oscars)

A series by Juan Carlos Ojano. Previous Episodes: 2017 | 2018 | 2019 | Introduction / Explanation

This year at the Oscars marked a landmark in representation. Barry Jenkins’s Moonlight became the first Best Picture winner to star an all-Black cast and the first that was LGBTQ+-themed. This win was even more remarkable as the film went up against the heavily nominated frontrunner La La Land, a romantic musical. This year also marked an unprecedented amount of racial representation in the acting categories, with seven out of 20 nominees being non-White, two of them winning.

However, this considerable victory in diversity did not extend to gender. In the directing category  all the nominees were male. At the time, not much discourse and coverage was given to gender as the focus on representation was mostly around race, especially after the two-year run of the #OscarsSoWhite campaign...

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Cannes at Home: Day 6

by Cláudio Alves

We hit our halfway mark with was a hectic day at the Cannes Film Festival. Mia Hansen-Løve, Nanni Moretti, and Ryûsuke Hamaguchi all premiered films vying for the Palme d'Or. That last one is an especially curious case since, earlier in 2021, Hamaguchi already won big at the Berlinale, taking home a Silver Berlin Bear for his other 2021 movie, Wheel of Fortune and Fantasy. Beyond those three, attendees were spoiled for choice. In other programs Clio Barnard, Radu Muntean, and Sergei Loznitsa presented their latest. Even in the realm of retrospective screenings, the offer was rich, with JFK, Mulholland Drive, and the Palme d'Or victor Black Orpheus getting another day in the sun.

For simplicity's sake, this home-viewing program shall focus only on past work from the three competition directors…

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The elliptical cinema of Mia Hansen-Løve

by Cláudio Alves

Cinema is many things. An audiovisual art form, a dream, memories crystalized, ghosts of light. It's also a language, an idiom with rules and grammar of its own. Some cineastes film straightforward prose. Others prefer a lyrical approach and write poems with their cameras. There are those who make manifestos, compose diaries, some even do journalistic documentations. Whatever their uses of the language of cinema, the punctuation is usually the same, with norms judiciously followed to keep the clarity of intention, of information and tone. Still, sometimes the most interesting artist is the one that bends those rules to their will, reshaping, transforming, making them into something personal.

Mia Hansen-Løve is such a filmmaker. Instead of employing commas and periods, writing and cutting traditionally, she prefers to film in ellipsis. Constant, evocative, oft-mysterious and emotionally poignant, ellipsis…

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Podcast: Top Ten Lists

Nick and Nathaniel and Joe compare their top ten lists for the year -- only two movies are on all three lists.

Index (42 minutes)
00:01 Nick & Nathaniel talk Fire at Sea, The Lobster, Right Now Wrong Then, La La Land, allergies to directors and "delight" at the movies
14:00 Joe joins in for The Witch, Little Men, Ixcanul, and Francophonia  
23:00 Annette Bening's miracle performance and the bliss of watching 20th Century Women
28:30 More divisive films: The Handmaiden and American Honey
38:00 Things to Come and wrap-up

You can listen to the podcast here at the bottom of the post or download from iTunes. Continue the conversations in the comments, won't you? 

Our Top Ten Lists

NSFC Gives Isabelle Huppert the Critical Triple

The National Society of Film Critics have spoken. The last important critics prizes of each season is sometimes idiocyncratic but not this year. They've gone with the the leaders in every single category (in terms of past critics prizes from all over the nation) except Best Cinematography. That award has varied from groups to groups and here it goes to Moonlight.

Most importantly they've given Isabelle Huppert the rare triple crown of film critic prizes. She'd previously won both New York Film Critics Circle and the Los Angeles Film Critics Association. To show you how infrequently that happens a list of the previous winners of all three after the jump...

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