The Film Fest Triple Crown: Who's Next?

by Cláudio Alves

Juliette Binoche's jury made history when they gave Jafar Panahi the Palme d'Or.

One month ago, Jafar Panahi took the Palme d'Or at Cannes for It Was Just an Accident and thus became the fourth director to win top honors from the Croisette, the Berlinale, and the Venice Film Festival. The Iranian master joins the ranks of Henri-Georges Clouzot, Michelangelo Antonioni, and Robert Altman. However. If you exclude ties and those cineastes who won two prizes for the same film, then Panahi and Antonioni are in an exclusive club of two. Inspired by Eric Blume's musings on the Triple Crown of Acting – Oscar, Tony, and Emmy – I started to ask myself what other filmmakers are close to achieving the same Palm, Golden Lion, and Bear combo. Who's next? The answers might surprise you…

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Robert Altman @100: "Short Cuts" The Actresses

part 2 of a piece on Short Cuts (1993) to relaunch our Robert Altman tribute. (or start with part 1 if you missed it)

Julianne Moore & Anne Archer in "Short Cuts"

by Eric Blume

Inspired by Juan Carlos’ very fun and smart examination of the actresses in Nashville, I thought it might be fun to do the same for the many actresses in Short Cuts.  Here’s a report of my favorites from least to most…with the caveat that even the “least” are beautifully played by these super talented ladies.

10 Lili Taylor as Honey Bush
Taylor has possibly the least to do of any of the actresses, but it was joyful to see her again and be reminded of that fresh, weird, thrilling energy she brought to cinema in the 1990s.  Hollywood never figured out what to do with her, even though she’s worked continuously.  Here she’s yearning and touching, and she and Robert Downey Jr (before he got so self-conscious) find a quirky comic spark...

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Robert Altman @ 100: "Short Cuts" The Film

a two part piece on Short Cuts (1993) to relaunch our Robert Altman tribute

by Eric Blume 

It’s a joy to rewatch Robert Altman’s 1993 masterpiece Short Cuts over thirty years later.  I hadn’t seen the film since seeing it in theaters, back in the sweet days where Fine Line Features was the “arthouse” division of New Line Features, a mini-studio from which so many fine films sprung.  

Upon revisit, it’s easy to see how this film is a perfect illustration of Lightning in a Bottle.  Among its incredible cast of actors are future Oscar winners (Frances McDormand, Robert Downey Jr., Tim Robbins, Julianne Moore), past and future nominees (Bruce Davison, Anne Archer, Lily Tomlin, Jennifer Jason Leigh), plus some other terrific actors who are always rapturous to watch (Fred Ward, Lili Taylor, Madeleine Stowe, Peter Gallagher, Matthew Modine).  And then pepper in Tom Waits and Huey Lewis!  The talent in this movie is off-the-charts and each actor feels individually inspired.  I’m not sure what Altman did to get them so invested in their small, individual stories but together they truly pack a wallop...

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Robert Altman @ 100: “Nashville”

By Juan Carlos Ojano

To continue celebrating Robert Atman’s centennial anniversary, I have decided to finally take care of a longtime cinematic blind spot: his seminal 1975 opus Nashville. Released during the heyday of New Hollywood, the film tracks the lives of twenty-four main characters — singers, dreamers, and others — as they navigate their lives in the titular city within five days as the presidential campaign of a populist candidate is set to mount a political rally cum concert. 

For my first encounter with this film, I decided to watch this film twice within a three-day period. And how powerful the experience is...

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Robert Altman @ 100: Susannah York was Almost There

by Cláudio Alves

For the second part of the Robert Altman tribute, consider a crossover with the Almost There series. Throughout his career, the director proved to be one of the best at working with actors within the New Hollywood state of play, whether his movies were tightly focused psychodramas or the more sprawling fare that we tend to associate with Altman. It's no surprise, then, that many of his performers received some buzz, often figuring in the awards season, whether or not they got an Oscar nomination at the end of it all. Today, let's look at Susannah York in the second of Altman's portraits of women on the verge of madness. After That Cold Day in the Park, there was 1972's Images…

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