One day I will figure out to keep up with the cinematic madness but April contained none of those days. A week ago the Nashville Film Festival wrapped and I have yet to share with you the prizes my jury bestowed! Not that you've been clamoring to read about films you've never heard of but one of the joys of film festivals is in the discoveries. Hence my great thrill to be asked to sit on the "New Directors Jury". Let's survey a handful of the competitors starting with the two winners, both of which made one step closer to theaters this week.
HONORABLE MENTION The Fits (2016)
I'm starting with this one because it's out very soon (June 3rd in NYC / June 10th in Los Angeles) and you absolutely shouldn't miss it. I'm already eager to see it again. We need directors with fresh voices and a unique gaze and we've got one in Anna Rose Helmer. The Fits follows a young girl named Toni (Royalty Hightower, pretty great) who spends her days helping her older brother with his job cleaning a boxing gym. She's fascinated by the boy rituals and the girl rituals which are happening just down the hall where a local dance squad rehearses in another gymnasium. Just when you think you've figured out the film's theme (there's certainly much to ponder in its gender dynamics) one of the dancers has a violent fit and faints and you realize Helmer has a lot more yet on her mind. There's no easy allegories here and maybe it's a little opaque but there's much to ponder in its metaphysical poetry, thoughtful camera work and editing and, above all else, its persistent fly-on-the-wall curiosity, the camera a soulful twin to Toni's ever-searching eyes. B+ (A-?)
Breaking News: The Fits got a poster (left) and a perfect moody trailer this week from Oscilloscope Pictures.
More after the jump including an awards magnet which keeps winning festivals...