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Kenneth Branagh may get those sequels he wants

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Spirit Nominations
Call Me By Your Name leads with 6

"I think Good Time is going to do better this award season then people realize. It's slowly developing a cult following similar to Drive. " - Mike

"Really happy to see Harris Dickinson in male lead. That's a great category." - Joseph

Ugh Armie Hammer in Call Me By Your Name reeks of Rooney Mara in Carol all over again. LGBTQ film with two obvious co-leads where one is relegated to supporting and pushes out a fantastic, legit supporting player (Sarah Paulson/Michael Stuhlbarg)." - Aaron

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Entries in Joel Edgerton (29)

Monday
Sep182017

Beauty vs Beast: Two Princes

Jason from MNPP here, wishing a happy 44th birthday to the perennially underrated James Marsden today! He's not so underrated that he's ever really gone without work at least (and he's currently riding the zeigeist a bit with the success of Westworld, although I don't know if his moon-eyed compoke Teddy is really what's keeping anybody coming back to that show week after week) but underrated he still somehow seems. That's an impressive impression to give for someone as breathtakingly gorgeous as him! No small feat.

I suppose it's the "Nice Guy Loser" role he's been called on to play time and again - we've watched him watch The Girl go off with the right Mr. Right so many times we've built a stockpile of empathy for him. Speaking of, for today's for "Beauty vs Beast" let's hit up just one of those roles, the 2007 hit film Enchanted (which insanely is turning 10 in November, can you believe it)...

PREVIOUSLY Last week's It Comes at Night contest between Joel Edgerton & Christopher Abbott's survivalist characters was a tight race for a bit but the latter pulled out in front eventually taking 62% of your vote - said Nick T:

"Their scenes together were my favorite parts of the film, their beards my favorite characters."

Monday
Sep112017

Beauty vs Beast: Woods, Men

Jason from MNPP here with this week's "Beauty vs Beast" -- I usually try to choose older movies for this series because it's more likely y'all have seen them and have an opinion. That is unless we're talking about great big cultural juggernauts - those are usually safe. It Comes at Night isn't an old movie, and it wasn't so much a cultural juggernaut either, but here we are anyway. The film had a stellar ad campaign (thanks to A24, the king of stellar ad campaigns these days) so it did get some chatter at the time of its release, but it ultimately only made just under 20 million bucks. This is no Avatar.

And yet here on the eve of its release on blu-ray tomorrow I still want to highlight the movie, and I have faith that a good portion of the TFE audience, who already knew Trey Edward Shults' amazing Krisha, was the audience that sought the movie out. For good (I loved it) or for ill (I know a lot of people felt cheated by the ad campaign which baited and switched a supernatural horror film for a tense chamber piece). And you'll maybe have an opinion on who was in the right - Joel Edgerton's homeowner Paul or Christopher Abbott's encroacher Will.

PREVIOUSLY For no reason in particular we hit up Halle Berry's Catwoman for last week's contest but it was her nemesis, the skin-care supervillain played by Sharon Stone, who slinked away with the 65% win - said Eder Arcas:

"... the WINNER here gotta be SHARON STONE, the woman delivers camp like no one else , she`s elegant and graceful cool, because, well, she's Sharon Stone. You always get the feeling she's just about ready to snap a full on crazy - but that kinda IS what is interesting about Sharon Stone. Sort of a female Jack Nicholson, but hotter in heels and a skirt."

Thursday
Aug312017

Boy Erased Adds Xavier Dolan, Cherry Jones

by Ilich Mejía

Ilich here (I'm new! Say hi). Earlier this summer, Joel Edgerton signed on to write and direct Focus Features' Boy Erased, a timely drama based on Garrard Conley's namesake memoir. The story dives into Conley's experience with gay conversion therapy. Nicole Kidman, Russell Crowe, and Lucas Hedges were initially cast as the film's central, fundamentalist family. Now, the film has added the Red Hot Chilli Pepper's Michael Balzary, YouTube star Troye Sivan, Cherry Jones (!), and Xavier Dolan (!!) to the already astral cast...

Click to read more ...

Wednesday
Jul262017

Will "Bright" be a Netflix Blockbuster? And how do you even define that?

By Ben Miller

If you haven’t heard already, Netflix will continue their quest for world domination with a tentpole feature film, Bright, in December.  Directed by David Ayer (End of Watch, Fury), the film stars Will Smith as a Los Angeles police officer who is teamed up with an orc cop (Joel Edgerton) to fight crime and try to make sense of whatever the hell is happening in the trailer.  There are fairies, magic wands, elves, swords, Noomi Rapace, and all sorts of other fantastical elements involved.

Let’s talk money.  Bright cost $90 million for Netflix to pick up.  Half of that cost went in to the film to shoot, while the other half goes to the talent (mostly Smith, Ayer and screenwriter Max Landis).  These days, $90 million seems pretty reasonable for a fantasy film starring an A-List “Movie Star”.  Suicide Squad, the most recent Smith-Ayer fantasy foray, cost $175 million. [More...]

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Wednesday
Jun212017

Director Joel Edgerton's "Boy Erased" Heads to Focus, While the Author of the Memoir Addresses Concerns

By Daniel Crooke

Give or take a big, broad Black Mass or two, Aussie toughie Joel Edgerton has proven himself to be a craftsman of restraint throughout his most recent crop of work, and continues to surprise audiences by subverting their expectations of how a man of his hulking size and stature should emote on the big screen. His performance in last year’s criminally undervalued Loving buries deep currents of sensitivity beneath the protective creases of his brooding face, and he manages to say more and speak louder through the locked intensity of his body language than the volume of his voice in Trey Edward Shults’s apocalyptic downer It Comes At Night

However, his most compelling work as an artist to date has been behind the camera...

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Friday
Jun092017

Review: "It Comes at Night"

by Chris Feil

After last year’s Krisha, Trey Edward Shults returns to the horror of family dynamics with post-apocalyptic nightmare It Comes At Night. This time he’s equipped with higher production value and more familiar faces than that astute micro-budgeted debut, though Night is just as personal. His resulting sophomore feature is part Greek tragedy, part vague social polemic, and one of the most terrifying films in several years.

Set in a remote, wooded mini-mansion, a family has made their home a fortress from some unspecified apocalypse. The elderly father of Sarah (Carmen Ejogo) has fallen “sick”, leaving her husband Paul (Joel Edgerton) and son Travis (Kelvin Harrison Jr.) to dispatch of him for their own safety. The desperate invasion of another family (led by Christopher Abbott and Riley Keough) tests both the reclusive family’s empathy and rigorously protected lifestyle. Meanwhile, Travis is having increasingly vivid visions of the encroaching malignant threat that test his (and our) sense of reality.

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