And you thought Oscar voters didn't watch enough films --check out the AACTA nominations!

by Travis C

THE KING

The nominations for the Australian Academy Cinema Television Arts (or AACTA) awards were released this week. Since they changed from being the Australian Film Institute awards (or AFI) several years ago, the Cinema nominations are drawing from a smaller and smaller subset of the large amount of entrants. This year was no exception with only nine feature films being nominated in all the categories (not counting the Indie category, but more on that later). It hasn't been the best 12 months for Aussie film but nevertheless…

Best Film

HOTEL MUMBAI

JUDY & PUNCH

THE KING

THE NIGHTINGALE

RIDE LIKE A GIRL

TOP END WEDDING...

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Yes No Maybe So: "Boy Erased"

by Nathaniel R

Another Oscar hopeful trailer coming at you. Focus Features will begin the platform release of  Boy Erased this November 2nd which is of course a prime Oscar date. December is sometimes too late but November is a sweet spot, rarely too early nor too late exactly if the film is high profile enough with Oscar pedigree. Not that November is easy. There will be a ton of competition for media attention. 

We now have the poster with Lucas Hedges praying for a second Oscar nomination to release him of this gay burden? And the trailer has arrived too. The buzz is already strong for the acting which is no surprise with the trio of Lucas Hedges, Nicole Kidman, and Russell Crowe jerking the tears... but can the film itself also impress? The trailer and a Yes No Maybe So breakdown are after the jump... 

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New Images: "Widows" and "Boy Erased"

by Nathaniel R

Liam Neeson and Viola Davis in "Widows"

Given the samey-sameness of summer movie season when 75% of everything is BIG FRANCHISE, little morsels about fall movie season taste especially delicious. The gay conversion camp drama Boy Erased starring Lucas Hedges released images that we forgot to share last week and now Steve McQueen's crime drama Widows with Viola Davis as the widow of a gangster (we assume Liam Neeson given the photo) has released a few of its own. They're all after the jump...

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Review: Red Sparrow

by Eric Blume

The Russian Tourism Board won’t likely be sponsoring the film Red Sparrow, the new spy movie from Hunger Games director Francis Lawrence.  Other than featuring some very chic ushankas on a very attractive cast, this film makes Russians look very nasty, just like we’ve always imagined them to be for the movies.  Lawrence’s conception of the country illustrates his wonderfully corny, often thrilling, mysterious, and silly/serious approach into old-fashioned espionage that we don’t see much of nowadays.

Lawrence starts his film where he should:  firmly on the face of his leading lady, Jennifer Lawrence, sporting a bangs-heavy brown wig.  She’s a famous ballet dancer in Moscow, and the director steals a bit of the feverish tone of Black Swan in her early scenes.  The plot unravels in a series of crosses, double-crosses, and reverses that include her involvement with a US spy played by Joel Edgerton...

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Review: "Bright" on Netflix

by Ben Miller

Will Smith misses the good ole days.  He has been trying to reclaim his blockbuster status since 2008’s Hancock.  In between, Smith has been featured in a string of weird melodramatic dramas (Seven Pounds, Collateral Beauty), traditional action genre vehicles (Men in Black 3, After Earth, Suicide Squad) and films that sink or swim on the charisma of the stars (Focus, Concussion).  None of these have worked.

Reuniting with Suicide Squad director David Ayer, Smith tries to make it work again in action/sci-fi with Netflix’s Bright.  This also doesn’t really work...

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