Through Her Lens: 2019 (The 92nd Oscars)

A new series by Juan Carlos Ojano moving backwards through time looking at female-helmed films. Here's the full introduction if you missed it.

The biggest story of the 2019 awards season was Parasite breaking the language barrier and becoming the first non-English language film to win Best Picture at the Academy Awards. Another story also gained prominence during that season: despite the considerable number of films directed by women that had awards buzz, none of them were nominated in the Best Director category yet again.

This was disappointing since the eligible films coming from all continents displayed the diversity of the work that women directors produced that year. Out of the 344 films included in the Reminder List of Eligible Films in 2019 (92nd Academy Awards), 78 of them (or 22.7%) were directed/co-directed by women...

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Jennifer Kent makes history at the AACTAs with "The Nightingale"

by Travis Cragg

Magnolia Maymuru from The Nightingale wins Best Supporting Actress

The Australian Academy of Cinema and Television Arts (AACTA) gave out their awards at two functions this week: one was an industry luncheon where they did the technical and supporting awards, the other was a glitzy evening televised on delay with many of the gongs awarded in the ad breaks (mostly, it seemed, to people who weren’t present and therefore wouldn’t give the viewers the requisite spontaneity that ratings prefer). The two biggest Australian box office hits of the year, Top End Wedding and Ride Like A Girl, went home empty-handed, but the wealth was spread out amongst the other (limited bunch of) nominees with The Nightingale leading the pack...

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And you thought Oscar voters didn't watch enough films --check out the AACTA nominations!

by Travis C

THE KING

The nominations for the Australian Academy Cinema Television Arts (or AACTA) awards were released this week. Since they changed from being the Australian Film Institute awards (or AFI) several years ago, the Cinema nominations are drawing from a smaller and smaller subset of the large amount of entrants. This year was no exception with only nine feature films being nominated in all the categories (not counting the Indie category, but more on that later). It hasn't been the best 12 months for Aussie film but nevertheless…

Best Film

HOTEL MUMBAI

JUDY & PUNCH

THE KING

THE NIGHTINGALE

RIDE LIKE A GIRL

TOP END WEDDING...

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Let's Spend Forever With Kent

by Jason Adams

I don't know how you guys all felt about The Nightingale -- that is if you've gotten the chance to see The Nightingale -- but Jennifer Kent's divisive second film has been, for me, a 2019 favorite. Add it up with The Babadook and I'm ready to follow Kent anywhere now, and it looks like we know where she's taking us next -- to 1890s Tennessee to be precise. 

She'll be adapting Alice + Freda Forever, Alexis Coe's 2014 true-crime retelling of a story that captivated / horrified the unprepared nation, involving two teenage girls who fell in love and whose sapphic obsession quick turned to violence and most unsavory murder...

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Review: Jennifer Kent's "The Nightingale"

by Ben Miller 

In the world of Jennifer Kent’s The Nightingale, no one is safe unless they've won the lottery.  If you lucked into being born as a white English male in 19th century Tasmania, you can rest easy in the knowledge you are powerful.  If you are a woman, of another race, or from another country, that same luxury is not afforded to you.  Death and misery looms around every corner.

The titular Nightingale comes in the form of Clare (Game of Thrones Aisling Franciosi) as she serves as a maid and singer for a group of British officers.  She is held there as penance for her crimes of thievery, being Irish and being a woman. She is overseen by Lieutenant Hawkins (Sam Claflin), who is procrastinating processing her release, due to his infatuation with her.  Clare’s husband Aidan (a wonderfully warm Michael Sheasby) tries to persuade Hawkins to release her, but to no avail.  Things spiral violently out of control.  When Clare survives the unthinkable, she seeks revenge on those who have wronged her.

This might read like a simple rape and revenge film on paper, but it is much more nuanced and realistic than that in execution...

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