Review: "Jurassic World Dominion" Proves Franchise Charms Are Near Extinct

By: Christopher James

The wonderful teaser moment of a dinosaur walking through a drive-in... not in the final film.All that’s old is new again at movie theaters this summer. However, not all nostalgia plays are created equal. Top Gun: Maverick has successfully delighted audiences old and young, marrying nostalgia with strong storytelling and jaw-dropping stunts. The final chapter of the new Jurassic World trilogy tries to do the same hat trick. Bringing back the original trio - Sam Neill, Laura Dern, Jeff Goldblum - checks off the 90s nostalgia box. A doomsday plot around terrifying dino-locusts eating crops acts as the great thread bringing all our characters together. Finally, is there any spectacle quite as jaw-dropping as dinosaurs?

Unfortunately, all these elements sloppily come together in this letdown of a final chapter. Though it comes alive in fits and starts, the result is far less than the sum of its parts...

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All That Link

• A24 virtual two week engagment of Minari starts 2/12. Tickets now on sale!
• Vanity Fair's awesome annual Oscar special -- you'll remember I wrote a piece on Parasite last year for it! -- is arriving for subscribers. The cover story on Chadwick Boseman is available now even if you don't subscribe
• HuffPost on Michelle Pfeiffer's underrated skill as a comic actress
• AV Club a review of Mark Harris' new film biography book Mike Nichols A Life

More after the jump including Britney Spears, Pleasure, Olivia Newton-John, Borderlands, and still more showbiz obituaries (what is happening lately?)

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First time directors dominate AACTA nominations

by Travis Cragg

Rising stars Eliza Scanlen (Sharp Objects) and George Mackay (1917) headline the AACTA frontrunners "Babyteeth" and "True History of the Kelly Gang"

COVID hasn’t delayed ALL the awards… The Australian Academy of Cinema and Television Arts will have two ceremonies  one remote, the other with reduced capacity, on the 27th and 30th of this month. Not that AACTA gets much press. The nominations were announced a week ago to little fanfare but we'll share them here because we value Australian cinema.  The family cancer dramedy Babyteeth (which is current streaming on Hulu)leads the nominations for 2020, receiving nods in 12 out of a possible 13 categories (only missing out on Costume Design). Often in AACTA when a film is this dominant, it proceeds with a sweep (e.g. Somersault) or near-sweep (The Great Gatsby) of the awards on the night. Despite the possibility of a Babyteeth sweep, it certainly does have competition. Full nominations and a few comments after the jump...

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Review: Sarandon and company in "Blackbird"

by Juan Carlos Ojano

After premiering last year in the Roger Michell’s Blackbird starring Oscar winners Susan Sarandon and Kate Winslet alongside Sam Neill, Mia Wasikowska, and Lindsay Duncan, has arrived on VOD. The film tells the story of a family coming together to celebrate its dying matriarch Lily (Sarandon) before she ends her life. That is not a spoiler; the entire film unfolds from that premise...

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Horror Actressing: Isabelle Adjani in "Possession" (1981)

by Jason Adams

The dissolution of a marriage rendered palpable, ectoplasmic -- Andrzej Zulawski’s 1981 cult freak-out slash Cannes winner Possession was birthed mid-divorce from the director, and the labor pains are writ like arterial sprays across its every frame. It's Bergman via Jodorowsky; Scenes From a Marriage on a severe acid trip. The screen's awash in Evil Dead amounts of gunk, puss, a sparkling rainbow of ejaculatory fluids -- several squishy mattresses and one murder scene contingent on barfing later his star Isabelle Adjani takes to the hallway of a West Berlin subway station and acts so much that her insides literally come spilling out of her ears. 

Possession is, it must be said, a lot...

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