Linkers Dozen

• MovieMaker Bruce Willis retires from acting after Aphasia diagnosis. Our heart goes out to him and his loved ones.
• World of Reel polled 150 critics (including me) on the best films of the 1970s. No surprise to see The Godfather top it even though it wasn't on my list (we could only choose 10-15 films each). Four of my selections made the top ten (Nashville, Apocalypse Now, The Conversation, and Network)
• Pajiba great piece on Ryan Reynolds turning himself into a brand while becoming blander as an actor

More after the jump including Essie Davis, Chang Chen, Taron Egerton, Hugh Jackman, and the aftermath of The Slap at the Oscars... 

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"Drive My Car" and "A Hero" lead Asia Pacific Screen Awards nominations

by Nathaniel R

This season's Japanese and Iranian Oscar submissions, Drive My Car and A Hero respectively, now lead the nominations for the 14th annual Asia Pacific Screen Awards (APSA). These awards consider 70 countries and areas that together represent billions of people and half of the world's film production. Their nominations are heavy with titles that debut at Cannes this year and many of the titles are also Oscar submissions this season from their respective countries.  

The complete list of nominees is after the jump...

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Tribeca 2021: "The Justice of Bunny King" review

by Jason Adams

I know from untold years of movie-watching experience that it's nowhere near as simple as "just turn the camera on and point it at an incredibly gifted actor (or two)" to end up with a great film worth watching. There have been too many painful yet well-cast examples to the contrary to count. But it's hard to feel that argument in all of my heart in the wake of watching Essie Davis and Thomasin McKenzie in The Justice of Bunny King, first-time filmmaker Gaysorn Thavat's powerhouse drama that's just premiered at Tribeca. These two actors, especially Davis, really seem at this point unstoppable. They just have faces you want to stare at, surroundings be damned.

That's not to say that Bunny King lets them down... Thavat's proves to be an instinctively gifted storyteller, foremost knowing the value in those faces and performances...

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Tribeca 2021 Can't Get Here Quick Enough

by Jason Adams

When the Tribeca Film Festival (2021 edition) kicks off in June -- it runs from June 9th through the 20th -- it will have been 25 months since my last rendezvous with the festival, way back in the spring of 2019. Some stuff has happened in the in-between, ya know? But we're still plugging along, thank the Movie Gods, and pretty excited to have this little slice of our routine slipping back into its slot. I've been here in NYC long enough that I was around for the first edition of the fest, founded in 2002 in the wake of the September 11th attacks, and already I can feel in the air a similar sense of celebratory survival. It's been a tough 25 months, but spring feels finally in the air. 

The entire line-up for the festival was announced last week -- including the Opening Night premiere of this year's big musical sensation-to-be In the Heights -- and you'll find all of the titles down below. But first I just want to highlight a small selection of five titles (because five's a good solid respectable number) that immediately leapt off the page and poked me in my eyeballs. And you can no doubt expect to hear my thoughts on these ones (and plenty more) once the coverage kicks up in June...

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2020: Essie Davis in "Babyteeth" and "True History of the Kelly Gang"

by Nick Taylor

Been a lot of chatter about this year’s supporting actress race. You can check out the comments section of any given post on this site over the past year and probably find this category poking its head into an entirely unrelated conversation. Can’t imagine why! To give a quick word on the race, I think this is a remarkably strong lineup, boasting five incredibly talented women who tangibly elevate their films. The sheer number of contenders popping up at other ceremonies makes these nominations feel truly earned - no one coasted to their slot, and the variations of genre, roles, career trajectory, and screen time are delightfully eclectic. A film or two may be sketchy, but the work isn’t, and every one of those actresses would make a fine winner. 

As per the tradition of my companion pieces to the Supporting Actress Smackdown (coming in a week!), I’ve decided to bypass anyone with visible buzz in favor of an actress whose work I loved and wish had gotten more attention than it did. This category‘s already had plenty of airtime lately, so I’m sticking to just one write-up. Luckily, my favorite supporting actress of the year gave two performances worth talking about...

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