For some as of yet unexplained reason, 1980s American movies experienced a baby boom. Movies about family are always popular, but from about 1983 to 1995, the box office went gaga for babies. Mr. Mom, 3 Men and a Baby, Raising Arizona, and even Junior showed that for a brief period of time, there was nothing funnier or more heartwarming in Hollywood than people who didn't want kids suddenly becoming parents. Amy Heckerling jumped onto this baby buggy bandwagon with her freshman screenwriting effort, Look Who's Talking.
Talking babies are now almost passe as a conceit, thanks to Real Baby Geniuses, Rugrats, and those creepy e*trade Superbowl ads. But in 1989, the idea was new enough for Roger Ebert to point it out in his 3 star review of the film. Still, minus the talking baby (voiced by Bruce Willis and only audible to the audience), the rest of Look Who's Talking is formulaic in the classic romcom way - there's a Meet Cute, then Opposites Attract, an Unlikely Romance starts, which ends in a Romantic Reveal and the requisite Happy Ending, all of which is predictable from the minute Kirstie Alley's water breaks in the back of John Travolta's taxi.
None of this is necessarily a bad thing. Amy Heckerling's talents as a director are of the kind that we don't usually reward with golden statues or the word "auteur." [More after the jump]