Linkers Dozen

• MovieMaker Bruce Willis retires from acting after Aphasia diagnosis. Our heart goes out to him and his loved ones.
• World of Reel polled 150 critics (including me) on the best films of the 1970s. No surprise to see The Godfather top it even though it wasn't on my list (we could only choose 10-15 films each). Four of my selections made the top ten (Nashville, Apocalypse Now, The Conversation, and Network)
• Pajiba great piece on Ryan Reynolds turning himself into a brand while becoming blander as an actor

More after the jump including Essie Davis, Chang Chen, Taron Egerton, Hugh Jackman, and the aftermath of The Slap at the Oscars... 

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One For Them, One For Me: M. Night Shyamalan's "The Sixth Sense" and "Stuart Little"

A New Series by Christopher James

Take bets: Who did M. Night Shyamalan find it was easier to write for - a human child or a mouse child voiced by a 38-year-old man?

Do one for them; do one for you. If you can still do projects for yourself, you can keep your soul.
— Martin Scorsese: A Journey

Even from the get go, M. Night Shyamalan’s career was idiosyncratic. He went from Oscar nominated wunderkind to punchline all within the span of less than ten years. With his most recent movie, Old, Shyamalan seems to have figured out a way to own his poor reviews. At a time where the definition of “camp” is constantly argued, Old feels like pure, grade A camp. He’s also regained a lot of his box office cred with Split and Glass, which connected to one of his earliest films, Unbreakable. 

In 1999, Shyamalan earned tons of accolades, including Best Director and Original Screenplay Oscar nominations, for his smash hit, The Sixth Sense. At that point, Shyamalan had only directed two movies, a personal indie called Praying with Anger that he starred in and a movie called Wide Awake that stars Rosie O’Donnell as a baseball fanatic nun. Few things could’ve prepared people for The Sixth Sense’s level of success. However, it wasn’t the only financial hit of the year for Shyamalan. He had done uncredited rewrites on movies like She’s All That, so he wasn’t above doing “one for them” to earn some money. However, he was credited as the writer of the Visual Effects nominated children’s film Stuart Little.

Is there anything that connects The Sixth Sense and Stuart Little together, other than coming from the mind of the same writer? Let’s take a look (age old spoilers ahead)...

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Showbiz History: The Miracle Worker, Moonlighting, and the original Platinum Blonde

6 random things that happened on this day, March 3rd, in showbiz history...

1887 Anne Sullivan begins teaching the deaf and blind Helen Keller, a success story which becames even more wll known due to the hit play turned hit movie The Miracle Worker...

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Streaming Roulette, Dec: Sleepy Debbie, Angry Ang, and Winning Gandhi

After the jump you'll find a listing of everything that's new to streaming this month (December 2020). But first we pick two handfuls of titles and randomly freeze them with the scroll bar. Whatever comes up is what we share. Do these images make you want to see (or rewatch) the movie? (If you want to keep up with what's specifically available to stream from this film year you can read these earlier posts!)

It's me against the world. You're all I got baby.

The People vs Larry Flynt (1996) on Amazon Prime
True confession: I never understand why people thought Courtney Love was great in this (though I like Courtney Love as a musician). She's certainly raw but at least for me I can hear the lines being recited and the lack of training. But this feels due for a rewatch - perhaps for its 25th anniversary next year? How close do you think it came to a Best Picture nomination, given that it received only two nominations but they were biggies (Actor & Director)?

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Review: "Glass"

by Chris Feil

M. Night Shyamalan’s Glass is a film that has been a long time coming, clamored for in some circles ever since Unbreakable’s mystery box unleashed a superhero origin story unlike any other. Two years ago, Split arrived after hopes had diminished and reignited interest by announcing itself as belonging to the same story in a quintessentially Shyamalanian twist. Here we come full circle with Bruce Willis’ train crash-surviving vigilante David Dunn and the nemesis that birthed him, Samuel L. Jackson’s Elijah Pierce, AKA Mr. Glass.

Trouble is: Shyamalan is now a vastly different filmmaker today than when this saga began. What was once enigmatic and fuss free about the director’s approach to superheroes has given way to tedium and the mundane. Perhaps the spark is gone because these kinds of stories have gone from a fascination to foundational in the near twenty years since David boarded that fateful train. But no - that pop cultural shift is where Shyamalan fully distracts himself here, spinning the story’s tires into a lot of leaden world-building and thesis-making.

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