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Entries in Bruce Willis (11)

Tuesday
May032016

Visual Index: Death Becomes Her's Best Shot(s)

This is as good a time as any to tell you that May is "Girls Gone Wild" month at The Film Experience. You know we love a good theme week/month at the site! And with Thelma & Louise and Madonna's Truth or Dare both celebrating 25th anniversaries this very month, it was the only conceivable plus awesome theme to build the blogging around. So we'll be celebrating reckless divas, fierce warriors, psychotic beauties, and blonde venuses all month long. Well that and Cannes hoopla of course.

And we'll start Girls Gone Wild right now with actress Madeline Ashton (Meryl Streep) and her frenemy author Helen Sharp (Goldie Hawn) who drink a seductive potion to appease their vanity with spectacular Oscar-winning results. My choice for Best Shot will be up tomorrow as I'm running behind -- when I love a movie too much it takes me so much longer! -- so I'll keep updating this gallery if you're also running late. 

DEATH BECOMES HER
Director: Robert Zemeckis; Cinematographer: Dean Cundey
Click on any of the 14 shots to read its accompanying article

Click to read more ...

Thursday
Sep102015

Women's Pictures - Amy Heckerling's Look Who's Talking

For some as of yet unexplained reason, 1980s American movies experienced a baby boom. Movies about family are always popular, but from about 1983 to 1995, the box office went gaga for babies. Mr. Mom, 3 Men and a Baby, Raising Arizona, and even Junior showed that for a brief period of time, there was nothing funnier or more heartwarming in Hollywood than people who didn't want kids suddenly becoming parents. Amy Heckerling jumped onto this baby buggy bandwagon with her freshman screenwriting effort, Look Who's Talking.

Talking babies are now almost passe as a conceit, thanks to Real Baby Geniuses, Rugrats, and those creepy e*trade Superbowl ads. But in 1989, the idea was new enough for Roger Ebert to point it out in his 3 star review of the film. Still, minus the talking baby (voiced by Bruce Willis and only audible to the audience), the rest of Look Who's Talking is formulaic in the classic romcom way - there's a Meet Cute, then Opposites Attract, an Unlikely Romance starts, which ends in a Romantic Reveal and the requisite Happy Ending, all of which is predictable from the minute Kirstie Alley's water breaks in the back of John Travolta's taxi.

None of this is necessarily a bad thing. Amy Heckerling's talents as a director are of the kind that we don't usually reward with golden statues or the word "auteur." [More after the jump]

Click to read more ...

Tuesday
Aug252015

No Woody For Bruce

So...21 hours or so ago pics from the set of Woody Allen's latest Untitled  2016) dropped featuring Bruce Willis and Jesse Eisenberg and an unnamed actor (maybe Paul Schackman?) filming a scene. About 10 hours after that word broke that Bruce Willis is no longer with the film . The parties involved are citing schedule conflicts with his upcoming Broadway run in Misery (in the James Caan role of course). 

I'm sorry but I don't believe this for one hot second. Woody Allen's films run on very predetermined schedules since he does the same thing every year like clockwork (whether or not the script is in good shape as we see from his highly uneven work). And Bruce Willis's Broadway commitment was a thing known long ago. What actually happened? Makes you wonder. 

Thursday
Mar052015

Link Long and Prosper

In the blog explosion that is Oscar night (both build up to and come down from) we end up missing LOTS of stories. Like saying goodbye to Leonard Nimoy (1931-2015) better known as Mr Spock. So let's kick off today's collection of news, casting notices, and randomness with the Vulcan 

RIP
NY Times on Leonard Nimoy's career which extended well beyond Spock. 
Space astronauts say goodbye from space 
R Michelson Galleries several collections of Nimoy's photography, he favored black and white nudes, are featured here 

News & Miscellania
Guardian thinks the blockbuster genre is in trouble in 3...2...1...
Blackbook Oscar Isaac breaks out some dance moves in Ex Machina -- which makes me so sad that he has no interest whatsoever in musicals
TFE ...which he told me in our interview here. 
Vanity Fair Bobby Finger synopsis future installments of the Best Exotic Marigold Hotel. This franchise will live forever!
Playbill Bruce Willis and Elizabeth Marvel taking the James Caan and Kathy Bates roles for Misery on the Broadway stage. Good luck with that
In Contention Joseph Gordon-Levitt as Snowden
EW Diablo Cody to pen a live action Barbie movie. I could see that working as a comedy. But did Toy Story 3 say all there was to say?
Coming Soon Ridley Scott's company developing a franchise for Flashman based on a novel about a Victorian soldier. Scott is 77 and his list of upcoming projects is insane - how long is he planning to live exactly?
Deadline shares a list of the top "actors" on social media. This is why we can't have nice things
i09 will Battle Cat in the He-Man movie look like this?  I forgot there was a He-Man movie coming. Can "Dom" from Looking star in it? He was modelling those looks already.

More Miscellania
Film Otaku now that two of the self-proclaimed 'Three Amigos!' have won Best Director will the third, Guillermo del Toro, be next?
Awards Daily will we see Sir Ian McKellen get a best actor shot with Mr. Holmes
Queerty oops. Russell Tovey (Being Human, Looking) is putting his foot in his mouth about "masculinity" 
HuffPost Gay Voices Noah Michelson writes a passionate personal response. A Must Read.
The Buckley Bulletin goes deep on A Place in the Sun. This is an old essay but if you love that movie it's a must-read. I had a really fun conversation about that George Stevens classic yesterday on Twitter 

Ahhhh
Hugh Jackman from Instagram this morning. Which begs the question of how often he gets one. 

 

Like that's going to happen!

A photo posted by Hugh Jackman (@thehughjackman) on Mar 5, 2015 at 3:46am PST

 

 

Wednesday
Apr162014

April Showers: Pulp Fiction

the waterworks continue

Will you give me oral pleasure?

I was casually skimming through Pulp Fiction the other day and watched scenes from the Bruce Willis portion. It's the storyline that's easiest to forget since it feels less energized by Tarantino's then shockingly fresh auteurial voice and rapid pop-culture infused dialogue and more like a general riff on cliché movie tropes (the boxer who won't take a fall, an antihero on the run, etcetera)... well at least until The Gimp shows up. But watching it again, I was reminded that Quentin Tarantino's movies used to be more firmly rooted in accessible humanity. We didn't know it at the time of course because his work was then so "new" and stylized that it didn't feel intimate in the way the movies have taught us to expect. But post-Jackie Brown his work became increasingly cartoonish (this is not always a bad thing: I sometimes think Kill Bill Vol 1 is his best film) and though his characters are still deeply memorable they're more like "characters" than people...

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