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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | letterboxd

 

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Entries in James McAvoy (15)

Thursday
Jul102014

Halfway Pt. 5 Best Performances

Are you getting restless about all these halfway posts? We're almost done. The Power of List compels me. There's one more halfway post to go that's basically 'The Oscar Charts are Updated!' as the coding problem I mentioned is fixed and the updates are happening behind the scenes as you read this. We must get all this halfway business behind us by Saturday morning so that we can ape out all weekend with Andy Serkis & Co and start this second half of the year off right.

Herewith...

THE GREATEST PERFORMANCES OF 2014's FIRST HALF


BEST LEADING ACTRESS: Keira Knightley does her most relaxed and fluid work ever in Begin Again as a musician at a crossroads, never letting any one aspect of the character's situation pigeonhole her emotional responses; Agata Kulesza is an abrasive and evasive presence in her first scenes in Ida as a cynical woman who is too guarded to let her affection for the niece she's just met show but the performance keeps revealing more in each scene, like a window opening up; Luminita Gheorghiu sure can hold the camera and doesn't care what you think of her complicated often unpleasant character in Child's Pose; Marion Cotillard often silent and soulful performance in The Immigrant as a Polish woman who is lured into servitude (sexual and otherwise) is a beauty; and Scarlett Johansson proves herself quite the auteur vessel in her enigmatic, curious, unpredictable, sexual and unsettlingly "off" star turn in Under the Skin.

(This was so difficult to narrow down from ten so my apologies to: Emily Blunt who gives one of the great bad-ass performances even if there's not a lot to her Edge of Tomorrow role beyond that; Angelina Jolie who gifts her wicked witch Maleficent with subtle and unfamiliar affections as well as her usual screen presence for days; Gugu Mbatha-Raw who is so beautiful when righteously aggrieved as Belle; Jenny Slate plays abrasive stand-up well and is even better at believable impulsive decision making on the fly in Obvious Child; and Agata Trzebuchowska as the silent and watchful Ida - and yes both actresses from Ida are named Agata which is funny considering the polar oppositeness.)

BEST LEADING ACTOR: Russell Crowe reminds us he's a movie star with his commanding title performance in Noah, a strange collision of righteous pacifism and violent obsessivenessRalph Fiennes is brilliant as the perfect concierge in Grand Budapest Hotel not quite playing against type but subverting his usual sophisticated cad with new comic energy and a remarkably innocent carnality; It's Jake Gyllenhaal versus Jake Gyllenhaal in Enemy and it's easy to tell the characters apart (and argue about preferences) which is a real coup for this perpetually underrated if well employed actor; And finally James McAvoy seriously owns X-Men: Days of Future Past in his second go-round as Professor Xavier, never phoning it in (always a danger with reprisals... his co-stars are much flatter than before) and absolutely committing to the genre, the emotional logic of the highly convoluted plotline and Xavier's combustible feelings for his co-stars and his desire not to feel at all.

 (...and I'm going to stop there at four since I cheated on the next category with six though please note that I also appreciated the work of Aaron Paul who is believably limited in the parental skills department as a grieving widower in Hellion, Pierre Deladonchamps who serves Stranger by the Lake's vision with unobtrusive being on camera as opposite to "Acting!", Chris Evans minimalist but effective leading man skills twice over in Captain America: The Winter Snowpiercer and Colin Firth's Firthishness as filtered through PTSD and bookishness in The Railway Man.)

BEST SUPPORTING ACTRESS: I cheated with six women (Shut up! I don't do such things once we get official. You know that by now.) but at the moment I'm going with Jillian Bell who is so much the comic MVP of 22 Jump Street that it positively hurts... like a punch to the face; Rose Byrne who is sharp, sexy, funny and alive to all the ways she refuses to play a stock wife character in Neighbors; Laura Dern, The Face, who gives The Fault in Our Stars its most genuine tears; Gaby Hoffman who is a complicating but also soothing and sobering presence (neat trick) in the funny Obvious Child; Scarlett Johansson in Captain America 2 who is getting better and better all the time (and she was no slouch at the start) and proves it by upping her Black Widow game every damn time infusing character, layers and specificity into the mandatory surface sexiness and showmanship; and I'm holding a spot open for Uma Thurman in Nymphomaniac because.... well... let's talk about that one next week since both Volumes just came out on DVD.

(I'd tip my hat to several other ladies too -- how much time do you have? -- but none were quite on this level so let's not list them all. But please know that this does not mean that I am any less obsessed with Tilda (who was possibly genius but also possibly bad... I'm still deciding... in Snowpiercer) or Nicole (whose role was a dud even if her performance wasn't in The Railway Man, sorry about it.)

BEST SUPPORTING ACTOR: May I abstain? No. Fine... I guess I'd go with Patrick D'Assumçao for fish-out-of-water directness and unfussy depression in Stranger by the Lake; Song Kang-Ho for embracing the selfish agenda of his character while giving generously to the spark of Snowpiercer; Adam Levine for surprisingly natural ease with acting in Begin Again - no false notes; and Jeff Goldblum and Tony Revolori from Grand Budapest Hotel though I should see the film again before justifying those names with any explicit commentary on their performances; And I'd make those five choices while glancing over at Scoot McNairy (The Rover), Jeremy Renner (The Immigrant), Wyatt Russell (22 Jump Street), Christopher Walken (Jersey Boys), Jake Lacy (Obvious Child), and everyone else in Snowpiercer and wishing all dozen or so men either had more complicated characters to play, more screen time to prove themselves, or were just a bit more transcendent of the limitations of their roles. I like all of these performances but it's been an uneventful year in this particular category. 

LIMITED OR CAMEO ACTRESS: Emma Levie is somehow malevolent and frightening without doing much at all in Snowpiercer; Alison Pill is an atypical joy in one of Snowpiercer's oddest scenes; Susan Prior does a lot with a very little in her extended scene in The Rover as a dog loving doctor - the movie doesn't care about her but she sure cares about the movie; Charlotte Rampling wows and completely elevates Young & Beautiful in one of its last scenes; and Tilda Swinton is sublime and memorable as the horny ancient heiress in Grand Budapest Hotel who sets the plot in motion.

LIMITED OR CAMEO ACTOR: Matthew Goode is believably progressive and stalwart in a very short bit in Belle; Harvey Keitel and Edward Norton are great fun in their small roles in Grand Budapest Hotel; Luke Pasqualino is magnetic in a nearly silent role in Snowpiercer; and Craig Roberts is hilariously deadpan as "Ass Juice" in the raunchy comedy Neighbors

And I'll end with a tweet about Luke Pasqualino because it's uncool that more people aren't talking about him...

 

 

Oh wait one more...
BEST ENSEMBLE: Grand Budapest Hotel; Neighbors; Obvious Child; Snowpiercer; Young and Beautiful

YOUR TURN. Which performances and characters were you just wild for in these past six months?

 

Sunday
May252014

X-Men Movie: Shades of Future Franchise Past

[Editor's Navel-Gazing Note: I remind all readers upfront and as apology for this extraordinarily longwinded review that the X-Men are part of Nathaniel's actual soul, having clung to them like actual friends and role models for his entire childhood and adolescence. Other comics were mere 'entertainment'. The X-Men were the loves of his young life. -  Nathaniel]

Daniel Cudmore as Colossus and Fan Bingbing as Blink

The most visually intoxicating character in the latest "When Mutants Collide!" movie is Blink (Fan Bingbing). She has very little dialogue, if any, but linguistic skill is not a mutation ("Hey now...," protests Cypher, who the movies will surely continue to shun). Blink's highly effective signature move involves tossed off pink teleportation portals which she, her teammates, and their enemies jump, run, stumble, fly or are thrown through. Think of it as Nightcrawler's disorientingly rapid teleportation, if it involved all characters in a scene and could be used malevolently against some of them.

In the very exciting opening battle sequence of X-Men Days of Future Past we see this power used frequently and awesomely as she helps her teammates (Warpath, Collosus, Storm, Iceman, Sunspot and more) to surprise, fight back, and evade (for a short time at least) their attackers, an army of mutant-killing robots known as The Sentinels.  But these Sentinels learn quickly, and are very good at their job: killing mutants. The tides turn and a mutant massacre begins... or does it? 

Click to read more ...

Monday
Apr282014

Beauty Vs Beast: War of the Plastics

JA from MNPP here, bringing our weekly "Beauty Vs Beast" competition to North Shore High School for Mean Girls Week, The Film Experience's ongoing celebration of the film's 10th anniversary. That's right, it's time to pick a side - will you put on your bathing suit even if you're a lesbian and stand in defiance of Regina George, mean queen of the Plastic machine, or will you side with her, the devil you know, in the face of Cady Heron, that cruel interloper from the carcass-strewn wilds of the home-schooling system? Take a stand (and make sure to get your pink shirt back too)...

 

You've got one week to make your preference known and to scribble down your thoughts in the Burn Book that is the comments, so have at it.

PREVIOUSLY Last week we went mutant-crazy and asked you to choose between Professor Charles Xavier (James McAvoy) and Magneto (Michael Fassbender) and whaddya know, evil has triumphed! It was closer than usual but Fassbender found the metal-core of your affections and yanked it his way, 60%-wise. Kate spoke truth to most everybody's feelings regarding the difficulty of this choice...

"I'd actually call it draw, myself. Xavier and McAvoy are the emotional core/grounding force of the film, while Magneto/Fassbender provides a kind of electric energy that jolts the audience. Their powers mirror their dramatic function in XMFC. Both of them are needed for the film to work."

Monday
Apr212014

Beauty Vs Beast: Happy Mutant Monday

JA from MNPP here wishing you a very happy Mutant Monday, which is the brand new holiday that comes right after Easter Sunday, as of right this second, says me. Why am I making up this brand new holiday here off the cuff (besides more holidays meaning more days off from work, of course)? Well... because it suits my immediate purpose of course, which is to turn James McAvoy's birthday (which yes, is indeed today, he's turning 35) into an epic celebration! And by epic celebration I mean to have this week's edition of "Beauty Vs. Beast" ask one of my favorite questions...

Who do you prefer between the heads of X-Men: First Class? The Dudes of Future Past? Charles Xavier please do meet Erik Lehnsherr...

 

X:Men: Days of Future Past hits in about four weeks, but you've only got one week to answer this question, and please do take to the comments to tell us why you're picking which side. Speaking of...

PREVIOUSLY ON Last week was another birthday, that of the great Robert Carlyle, and we spun ourselves back to the year 1996 to tackle a Trainspotting showdown... who did you choose? You chose good health low cholesterol and dental insurance, you chose life, you chose Renton (Ewan McGregor). With 3/4s of the vote! Maybe it would've been more of a battle if I'd listened to par though...

"With all due respect to Renton, the true beauty in Trainspotting is Sick Boy."

Monday
Mar242014

Yes, No, Maybe So: "X-Men: Days of Future Past"

In my superhero clogged mind, Spider-Man 3 has remained the gold standard of a dubious honor: by the time it had arrived you could justifiably feel like you'd seen the whole movie what with the multiple trailers, numerous clips and stills and two previous features with the exact same cast. X-Men: Days of Future Past has been teasing its teases and characters and counting down to its trailer for what feels like forever but it retains at least some mystery. I hope this is our last taste before the movie opens on May 23rd. It's not likely but I can dream. 

Because I am a glutton for punishment and The X-Men were a huge part of my developmental process as a human being (you don't even want to know how obsessed I was from the ages of, like, 8-18) will do like what we did with Maleficent. A Yes, No, Maybe So™ reaction to (almost) every last piece of the trailer.

Deep breath before the plunge. Okay let's go...

Click to read more ...