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Spirit Nominations
Call Me By Your Name leads with 6

"I think Good Time is going to do better this award season then people realize. It's slowly developing a cult following similar to Drive. " - Mike

"Really happy to see Harris Dickinson in male lead. That's a great category." - Joseph

Ugh Armie Hammer in Call Me By Your Name reeks of Rooney Mara in Carol all over again. LGBTQ film with two obvious co-leads where one is relegated to supporting and pushes out a fantastic, legit supporting player (Sarah Paulson/Michael Stuhlbarg)." - Aaron

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Entries in Atomic Blonde (8)

Monday
Nov202017

The Furniture: Atomic Blonde's Neon Nihilism

"The Furniture," by Daniel Walber, is our weekly series on Production Design. You can click on the images to see them in magnified detail. 

The design of Atomic Blonde is, well, cool. The colors are cool and the vibe is cool, in a very straightforward way. It’s nothing like the characters, who constantly double-cross each other. The twists and turns of this last-minute Cold War spy movie keep coming until its final moments. Everyone is suspicious, even if it’s not obvious.

Yet the landscape upon which Lorraine (Charlize Theron) and Percival (James McAvoy), the Brits, Americans, French, Russians, West Germans and East Germans play is remarkably uniform. Perhaps this is because the film, directed by David Leitch (John Wick) and written by Kurt Johnstad (300) sees them all as working the same game. It’s a bit like the moral landscape of Sicario, the nihilism of film noir without any of its grand mysteries. The question is no longer “What is evil?” but rather “Why are all these people who signed up for a violent and amoral profession behaving so violently and without morals?”

Click to read more ...

Thursday
Oct052017

C O N S I D E R - Favorites of 2017, 3rd Qtr

by Nathaniel R

Blade Runner 2049 is our current prediction for "Most Nominations Without Best Picture" though maybe it'll snag that, too.Here at The Film Experience I like to keep track of favorites all year long for two reasons. The first is to not to be unduly influenced by the studio shenanigans of backloading the film year with their intended Oscar hopefuls. The second is to prevent forgetfullness when it comes time to give out the Film Bitch Awards, my own virtual awards fest to close out each film year.  When I don't keep careful track it's much harder to wrap things up at year's end.

Being a bit late this quarter, here are Best ofs per Oscar category from films released from July through October 6th (an extra week added on because we're running late). This list does not include films with known release dates from now until the end of the year. We'll save those films till we get there. Unreleased films without a future date are marked with an asterisk. Got it?

Key movies I missed this quarter  (that I'll try and catch up with on screeners hopefully): It, Valerian, Logan Lucky, Patti Cake$, Tulip Fever, Good Time, Lady MacBeth, and A Ghost Story

PICTURE and/or DIRECTOR and/or SCREENPLAY
(i couldn't decide which to cut so this first grouped selection is 8 wide)

     released
ATOMIC BLONDE (David Leitch) The lack of audience turn out for this uber-stylish, inventive actioner, with Charlize Theron showing all the other movie stars how to do action hero performances  (again!) was one of the bummers of summer '17.
BATTLE OF THE SEXES (Jonathan Drayton & Valerie Faris) Such a surprisingly strong history lesson and funny resonant drama, too
BLADE RUNNER 2049 (Denis Villeneuve) Hypnotic if already overrated (calm down! If you're claiming that it's better than the original if it's not your #1 of 2017 with ease you'll have to explain why you've dissed one of the greatest and most influential movies ever made)
DUNKIRK (Christopher Nolan)
THE FLORIDA PROJECT (Sean Baker) The new criticism that I keep seeing online that this film romanticizes poverty is a head-scratcher as it's an exceedingly dark movie that merely looks like candy (due to all that color). The imagined future of virtually all the characters is outstandingly bleak and politically aware for those who are willing to see it. Sean Baker's recent (also terrific) movies Starlet and Tangerine are similarly focused / staged / and tonally nimble with gallows humor, character specificity, and socioeconomic concerns. If having this much empathy for marginalized people is romanticizing poverty, I say bring it on!
mother! (Darren Aronofsky) Sorry not sorry.

more after the jump including best unreleased pics, highlights in cinematography, costumes, and the like...

Click to read more ...

Sunday
Aug132017

Podcast: Detroit, Girls Trip, Atomic Blonde, Landline

Nathaniel and Nick discuss six new films. No spoilers.

Index (42 minutes)
00:01 Why you should see A Ghost Story & Lady Macbeth
04:00 Kathryn Bigelow stumbles with Detroit (what we hope she does next)
16:40 Atomic Blonde is a blast, a true feat of direction and Charlize Theron-ness
29:40 Girls Trip is crazy well-acted fun
37:00 Landline is a let-down
38:30 Recommendations from 1963 for the helluva it

You can listen to the podcast here at the bottom of the post or download from iTunesContinue the conversations in the comments, won't you? 

Atomic Blonde, Detroit, Girls Trip

Sunday
Aug062017

knowing i'm on the tweet where you live... ๐ŸŽถ

But seriously though...

After the jump more amusing tweets including but not limited to Marisa Tomei, Six Feet Under, and Atomic Blonde...

Click to read more ...

Wednesday
Aug022017

Double Feature: "Atomic Blonde" and "Girl's Trip"

This article was originally published in Nathaniel's column at Towleroad. It is reprinted here in a slightly extended edition.

It’s a special ‘Sister’s Are Doin’ It For Themselves’ double review with two female-driven hits.

Have you caught Girls Trip yet? I was one week late to the party after its hit opening weekend. When we looked around the theater this weekend my best friend was all “it’s 80% women of color and 20% gay men!” Truth! And perfect as target audiences go for an urban female comedy called Girls Trip. The crowd was boisterous, laughing their asses off throughout but also visibly feeling the '90s hiphop soundtrack and audibly praising the “message” moments in the movie.

The night before I saw Atomic Blonde and though I didn’t see anyone dancing in their seats, I was dancing on the inside with its killer 1980s new wave soundtrack...

 

Click to read more ...

Sunday
Jul302017

Four Movies Shared the Wealth This Weekend

By Nathaniel R

What did you see this weekend?

Weekend Box Office (July 28th-30th)
W I D E  L I M I T E D
1. DUNKIRK $28.1 (cum. $102.8) PODCAST
1. ๐Ÿ”บ   A GHOST STORY $382k (cum. $941k) 329 screens
2. ๐Ÿ”บ  THE EMOJI MOVIE $25.6  2. ๐Ÿ”บ  DETROIT $365k 20 screens
3. GIRLS TRIP $20 (cum. $65.5)
3. MAUDIE  $350k (cum. $4.6) 228 screens REVIEW 
4. ๐Ÿ”บ ATOMIC BLONDE  $18.5 
4. ๐Ÿ”บ  MUBARAKAN $300k 128 screens
5. SPIDER-MAN: HOMECOMING  $13.4 (cum. $278.3) REVIEW | 2ND OPINION | PODCAST
5. ๐Ÿ”บWOLF WARRIOR 2 $190k 53 screens
6. WAR FOR PLANET OF APES  $10.3 (cum. $118.6) REVIEWISH | PODCAST
6. ๐Ÿ”บ LADY MACBETH  $179k  (cum. $467k) 104 screens
7. DESPICABLE ME 3 $7.7 (cum. $230.4) 7. ๐Ÿ”บ  AN INCONVENIENT SEQUEL $130K 4 screens REVIEW
8. VALERIAN $6.8 (cum. $30.6)
8. THE LITTLE HOURS  $125k (cum. $1.2) 96 screens  REVIEW
9. BABY DRIVER $4 (cum. $92)
REVIEW | 2ND OPINION | POSTERIZED | PODCAST
9.๐Ÿ”บ THE MIDWIFE $78k   (cum. $112k) 27 screens
10. WONDER WOMAN $3.5  (cum. $395.4) REVIEW | TOP TEN | SPECIAL  10. THE HERO  $68K (cum. $3.8) 102 screens BEST ACTORS

๐Ÿ”บ = new or added screens

numbers from box office mojo 

 

Dunkirk and Girls Trip, both enjoyed very strong second weekends (giving their audiences exactly what they promised... which is all too rare!) and managed to mostly fend off the new challengers which were the animated Emoji Movie and Charlize Theron kicking all kinds of spy ass as Atomic Blonde. It was a fairly unique weekend since all four titles were within 10 million of each other - they all have a reason to celebrate. The only people not celebrating? Whoever chose to take their families to Emoji Movie which is the worst reviewed movie of the year

In limited release the doc sequel An Inconvenient Truth (reviewed), Kathryn Bigelow's race riot drama Detroit, the Hasidic drama Menashe (reviewed), and Brigsby Bear all barely dipped their toe into theaters but audiences expressed interest in all four. Expect expansions soon with Detroit going wide next weekend.