Review: Jordan Peele strikes again with thrilling overstuffed "Nope"

by Nathaniel R

We name them. We train them. We live with them. Some people work with them. But do we ever really know our animal friends? Since we can't speak directly to them, their emotions and thoughts are mostly guesswork on our part. Nope takes place largely at a horse ranch. It's run by the Haywood family, Father Otis (Keith David), son OJ (Daniel Kaluuya), and daughter Emerald (Keke Palmer). The Haywoods have been training horses for movie and television shoots for generations. OJ, perpetually tense, quiet, and observant, notices it quickly; something is off with the horses. But what? The answer, without spoilers, is this: they know it's a horror film before the Haywoods do.

What kind of a horror film it is, though, is another question...

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Horror Actressing: Betty Gabriel in "Get Out"

by Jason Adams

She says "No" fourteen times. It starts off with an "Ohh" that swings into an "Oh, no." Then it gets a little cutesy with a sarcastically sweet "Nooo" that reads as violently as a Southerner saying "Well bless your heart." From there it's a tumble, a cascade of no-no-no's swallowing up each one before it -- a walling-off of panic followed by a hard, thick swallow. A sharp inhale. The computer reboots. "Aren't you something," she asks, blinking off tears she can't seem to even feel running down her face. 

And now Georgina (Betty Gabriel) leans forward, conspiratorially, coming even closer to the camera...

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I've been obsessing over this shot in "Us"

by Nathaniel R

Not sure if there's an audience out there for a return of our Hit Me With Your Best Shot series but Jordan Peele's horror smash Us would certainly be a worthy candidate for the treatment. Lately I've been obsessing over this particular image (above) in which Red (Lupita Nyong'o) has handcuffed Adelaide (Lupita Nyong'o) to her own coffee table. It's not just the slow upsetting crack of the glass, or Lupita's stunning dual performance...

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SXSW: Jordan Peele has another winner with "Us"

Guest contributor Tony Ruggio reporting from SXSW

Between the ages of thirteen and twenty-five years-old I witnessed what they would call the 11:11 “phenomenon.” Essentially, I saw a three or four-number combination of 1 in all walks of life. I saw it on television, often the last four of a Crash Bandicoot lawyer’s telephone number. I saw it during lunch time, the split-second moment a microwave hit that magic number. Most of all, I saw it on a clock, at least once a day every day. The paranoid and pretty rad among us consider this phenomenon many things: good luck, a sign from God, a glitch in the Matrix, a pang of the end times, or even a calling to those chosen to effect change and save the world from itself. Jordan Peele must have been a “witness” himself or simply heard about it and did his research, because Us is littered with references to this numeral phenomenon and the conspiracy theories that have sprung of it. More traditional horror than Get Out, and a better film too, Us gets hung up on making a big statement, but ends up making a great horror film regardless.

This might be sacrilegious to those already devoted to Peele: Get Out is a good film, one whose merits lay more in writing than in directing. Silly folks label it a thriller, denying it “horror” status. Even if you grant that Get Out was not a horror film in concept, it's definitely a horror film in execution. Therefore, I knocked it at the time for not being scary enough. With Us, Peele is firing on all scary-movie cylinders, and doing so with a wider array of tools at his disposal, chief of all his confidence...

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Blueprints: Standout sequences in Original Screenplay winners

by Jorge Molina

Last Sunday, in a ceremony filled with joyful surprises, heartbreaking disappointments, and Emma Stone’s shocked tears, Green Book won Best Original Screenplay.  Instead of driving into Peter Farrelly, Brian Currie and Nick Vallelonga’s screenplay, let’s take a look at the last ten years of winners of Best Original Screenplay (2008-2017), and a standout sequence in each. Because somehow Viggo Mortensen folding a pizza in half and Mahershala Ali learning how to eat fried chicken are now among their peers.

The King's Speech, Django Unchained, Her, Birdman and more are after the jump...

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