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Entries in Get Out (38)

Friday
Mar292019

I've been obsessing over this shot in "Us"

by Nathaniel R

Not sure if there's an audience out there for a return of our Hit Me With Your Best Shot series but Jordan Peele's horror smash Us would certainly be a worthy candidate for the treatment. Lately I've been obsessing over this particular image (above) in which Red (Lupita Nyong'o) has handcuffed Adelaide (Lupita Nyong'o) to her own coffee table. It's not just the slow upsetting crack of the glass, or Lupita's stunning dual performance...

Click to read more ...

Monday
Mar112019

SXSW: Jordan Peele has another winner with "Us"

Guest contributor Tony Ruggio reporting from SXSW

Between the ages of thirteen and twenty-five years-old I witnessed what they would call the 11:11 “phenomenon.” Essentially, I saw a three or four-number combination of 1 in all walks of life. I saw it on television, often the last four of a Crash Bandicoot lawyer’s telephone number. I saw it during lunch time, the split-second moment a microwave hit that magic number. Most of all, I saw it on a clock, at least once a day every day. The paranoid and pretty rad among us consider this phenomenon many things: good luck, a sign from God, a glitch in the Matrix, a pang of the end times, or even a calling to those chosen to effect change and save the world from itself. Jordan Peele must have been a “witness” himself or simply heard about it and did his research, because Us is littered with references to this numeral phenomenon and the conspiracy theories that have sprung of it. More traditional horror than Get Out, and a better film too, Us gets hung up on making a big statement, but ends up making a great horror film regardless.

This might be sacrilegious to those already devoted to Peele: Get Out is a good film, one whose merits lay more in writing than in directing. Silly folks label it a thriller, denying it “horror” status. Even if you grant that Get Out was not a horror film in concept, it's definitely a horror film in execution. Therefore, I knocked it at the time for not being scary enough. With Us, Peele is firing on all scary-movie cylinders, and doing so with a wider array of tools at his disposal, chief of all his confidence...

Click to read more ...

Friday
Mar012019

Blueprints: Standout sequences in Original Screenplay winners

by Jorge Molina

Last Sunday, in a ceremony filled with joyful surprises, heartbreaking disappointments, and Emma Stone’s shocked tearsGreen Book won Best Original Screenplay.  Instead of driving into Peter Farrelly, Brian Currie and Nick Vallelonga’s screenplay, let’s take a look at the last ten years of winners of Best Original Screenplay (2008-2017), and a standout sequence in each. Because somehow Viggo Mortensen folding a pizza in half and Mahershala Ali learning how to eat fried chicken are now among their peers.

The King's Speech, Django Unchained, Her, Birdman and more are after the jump...

Click to read more ...

Thursday
Mar222018

Film Bitch Awards Finale - The Medal Ceremony

by Nathaniel R 

Cue trumpets and confetti!  The 18th annual Film Bitch Awards have finally reached their conclusion with the "best scene" page fully up and complete with nominations and medals for BEST KISS, BEST ACTION SCENE, and BEST MUSICAL SEQUENCE and the like.

64 movies were honored over our 40 regular categories for the 2017 film year. Lady Bird and Get Out led this past year's crop with 13 nominations each and 10 and 9 medal wins respectively. Other top ten entries that scored multiple medals were Call Me By Your Name, Baby Driver, and Atomic Blonde. The films that made the strongest showing without scoring in headline categories or the top ten list were: Phantom Thread, The Greatest Showman, and Blade Runner 2049.

Some curiousitiesThe Florida Project won only gold medals, never a silver or bronze. Oscar's best picture winner The Shape of Water was nominated in six categories but only took home one medal (gold for Production Design). And the film that Oscar completely ignored that performed strongest here was --  no surprise I suppose -- France's Oscar submission BPM with 8 nominations, 1 gold, 1 silver, and 4 bronze medals.

Part 1 - Film, Director, Picture
Part 2 - Acting Categories 
Part 3 - Visuals
Part 4 - Music and Sound 
Part 5 - Non-Traditional Acting Categories
Part 6 - Character Prizes
Part 7 - Best Scene Work
*NEWLY COMPLETED*

...and in case you missed it, the top ten list write-up. We hope you enjoyed all our 2017 coverage. Now on to 2018 as Spring begins!

 

Tuesday
Mar132018

Podcast: Nick's Oscar Adventure!

For the season finale of the podcast Nathaniel R and Katey Rich grill Nick Davis about his FIRST TIME ATTENDING THE OSCARS!

Hear how the room responded to the Coco, Shape of Water, and Get Out wins. Name dropping galore ahead: Justin Paul, Aaron Sorkin, Sandy Martin, LaKeith Stanfield, Roger Deakins, Greta Gerwig, Jordan Peele, etc 

Index (43 minutes)
00:01 Intro: snack boxes, commercial breaks
02:30 Gags, speeches, celebrity sightings
11:00 Wins and spreading the wealth
18:00 Song performances, mistaken identity
21:00 Laura Dern and Timothée Chalamet
24:30 Time's Up and "inclusion riders"
30:00 Los Angeles and Nick's Faye photoshoot
35:30 Moving on from these movies
42:00 Byeeeee 

You can listen to the podcast here at the bottom of the post or download from iTunesContinue the conversations in the comments, won't you? 

Nick at the Oscars!

Monday
Mar052018

Three Cheers for Jordan Peele

Chris here with some quick affection for one of the heroes of the season, Jordan Peele. While some (including yours truly) had predicted a Best Picture win for Get Out and its timely instant classic, it ended up being the other genre mashup to take the top prize. After Saturday's big win at the Indie Spirits and the rapturous standing ovation that greeted Peele's Best Original Screenplay win, it certainly looked like it might go all the way and you'd have to imagine it was a very close miss.

But the prize that Peele did win shouldn't go without its own celebration, triumphing in perhaps the tightest race of the night. As Nathaniel already pointed out, it's the category's first winner for an African American and horror film. Remember this time last year when people questioned if a horror film from a comedy outsider could even stay in the conversation? This win makes those reductive talking points look quite silly and serves as a trailblazer in more ways than one. Whatever Peele has coming next, you'd be a fool to doubt him any more.