Oscar History

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Entries in Daniel Kaluuya (10)


Red Carpet Lineup: Glorious "Royal Attire" at Black Panther's Premiere

by Nathaniel R

Daniel Kaluuya, Lupita Nyong'o, Angela Bassett, Chadwick Boseman

It's only January and 2018 has already seen the finest movie premiere red carpet of the year. We're getting started early with the superlatives, apparently. The Black Panther guests were asked to come with "royal attire" in mind and even the carpet had royalty in mind with its purple hue...

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Does 2017 = 2005 in Best Actor?

by Ben Miller

Film blogger Jordan Ruimy posited an observation a month ago on Twitter: 

In 2002 Gary Oldman would have been a cinch to win Best Actor, in 2017 he's a major question mark. The Oscars have changed.

While the awards season definitely shifted thereafter, his tweet remains at least partially true. Look at the history of the Best Actor Oscar.  From 1990 to 1997, every winner had a specific ailment (criminal insanity, alcoholism, AIDS), while 1998 to 2001 had a run of death scenes.  Of the past 16 years, starting with Adrien Brody in 2002, 10 winners have been for portrayals of real people (Casey Affleck's win last year broke a four-year run of biopic winners). There are always patterns to Oscar behavior.

This year’s slate of Best Actor nominees has an interesting parallel with the Best Actor race of 2005.  Let’s take a look back at the lineup...

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BAFTA's 2017 Rising Star Nominees

Chris here. This year has had so many breakthrough performances that you'd be hard pressed to whittle it down to five performers, but such is the pain of awards season. And yet one of the season's biggest prizes for new talents, BAFTA's Rising Star award, has just announced its five contenders for 2017 honors: Daniel Kaluuya (Get Out), Florence Pugh (Lady Macbeth), Josh O'Connor (God's Own Country), Tessa Thompson (Thor Ragnarok), and Timothée Chalamet (Call Me By Your Name and Lady Bird).

This makes for a stellar lineup of headliners of Best Picture contenders in Chalamet and Kaluuya, indie darlings with Pugh and O'Connor, and the big budget superhero badassery of Thompson. The latter actress is a bit of a headscratcher here considering she's been a ferocious talent for years (and in lead roles!) in the likes of Dear White People and Creed, but we love her so much that we'll accept her placement if only to see her getting the love she deserves. This prize has been a boys club of late so my money is rooting for Pugh, such an emergent and invigorating new talent in the taxing Lady Macbeth.

Now you'd have to go back to Kristen Stewart's 2010 win to find a non-Brit winner of this prize, so consider this a statistical leg up for Pugh, O'Connor, and Kaluuya. But the past two winners (Tom Holland and John Boyega) also had the visibility of franchise weight behind them - could that spell some strong chances for Thor's Thompson? Or is this just another in a string of breakthrough prizes for Chalamet?

The full BAFTA nominees will be announced on Jan. 9!


What's the Sexiest Golden Globe Category this weekend?

by Nathaniel R

The 75th annual Golden Globe Awards hit this Sunday night on NBC (5 PM PT/8 PM ET) so I asked Team Film Experience and friends of TFE which category is making them the thirstiest? They answered like so but please do vote yourself in the commments won't you?

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Beauty vs Beast: A Black Christmas Story

Jason from MNPP here wishing you a Happy Season with this week's ho ho holiday edition of our "Beauty vs Beast" series. If you ask me there is but one undisputed Movie King of Christmas - no it's not Frank Capra with his wingless angels and suicide bridges, nor is it Tim Burton with his antihero cat-people and scissor-handed freaks. No the Lord of Cinematic Hollies Jollies is Mr. Bob Clark, who gave us the ever-festive duo of 1983's A Christmas Story in 1974's Black Christmas. Nostalgia & Homicide - spells Xmas to me.

So this week to celebrate we'll be facing down two representational totems, one from each film - from A Christmas Story we have the infamous Sexy Leg Lamp that Ralphie's Dad buys (and that Ralphie's Mom destroys). And from Black Christmas comes the Crystal Unicorn that is used to murder the film's greatest character, drunken and acid-tongued Barb (a never funnier Margot Kidder).

PREVIOUSLY One of 2017's greatest movies was last week's subject and it was  a blow-out for Get Out's leading man - Daniel Kaluuya took just under 3/4s of the vote. But Allison Williams shouldn't feel bad since she got some lovely notices in the comments... said IanO:

"I expected Team Chris to win so I threw my vote to Rose. Get Out is fantastic, am so happy it’s getting awards attention, but I think Williams is somewhat lost in the critical hosannas for the film. She has to walk a real tight rope and she does so with ease. A second viewing really drove home how nuanced the performance is - it’s why the key scene works so damn well."


Beauty vs Beast: Guess Who's Coming

Jason from MNPP here wishing everybody a Happy Golden Globe Nomination Day - I hope everybody's favorite thing got a nomination (and since everybody's favorite thing is clearly Helen Mirren I know it's true). We're taking our "Beauty vs Beast" series to a film that did well but maybe not as well as expected (no director, no screenplay) - Jordan Peele's masterful horror comedy Get Out, which we just happened to re-watch last night in an effort to reaquaint ourselves with a movie that was fading from memory.

And I'm glad I did because some of the issues I'd had the first time (I'd found its metaphor a little scattered) came more into focus, and I was reminded of its many strengths - Peele juggles all sorts of genre and tonal trickery with ease, and I love every single performance in the film (yes even whatever Caleb Landry Jones is doing). So much so that choosing the right opponent today for Daniel Kaluuya's justly nominated work in the lead gave me pause - arguments could be made to face him against Catherine Keener or Betty Gabriel here. But ultimately I laugh harder at Allison Williams eating Fruit Loops and listening to the Dirty Dancing soundtrack than I do at any other joke, and so...

Whose team are you on?
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PREVIOUSLY Rooster done got himself trampled against Mattie in our True Grit poll last week - Hailee Steinfeld took over 3/4s of your vote. Said cal roth:

"Steinfeld is B R I L L I A N T in this. "The soul already fled the body" or something like that. She reminded me a young Jodie Foster in the way she is fierce above all things, without even realizing she isn't that strong. That category fraud still stings."


The New York Times' Great Performers' Shorts, Ranked

by Ilich Mejia

Every year, The New York Times Magazine picks their greatest performers of the year. This year's top ten each got to star in their own silent, "Horror Show" themed short. Italian-Canadian photographer Floria Sigismondi directed the group as characters that wouldn't be out of place in Beyoncé's haunted house. Hopefully next year, the magazine will branch out and recognize some of television's equally terrific performances. Check out the spooky standouts after the cut...

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Jordan Peele and Daniel Kaluuya of 'Get Out' on Their Fave Moviegoing Experiences

by Jose Solis

My first attempts at watching Get Out were not the best of moviegoing experiences. I'm someone who is not into crowds and the first time I walked into a theater that was so packed there wasn’t even a seat for me. Theater management couldn’t figure out what was up, so they gave me a refund and their apologies. Needless to say so, I was relieved and took it as a sign that I should go see it at “off hours.” I showed up on a Saturday morning to an AMC theater that according to the kiosk was empty and when I showed up that wasn’t the case. Although it was less packed than my first try, the crowd at this screening was rowdier than any other I’ve sat with. Three young men lit up a joint, two white men got into a fight with a young black woman, another patron threw her popcorn at someone sitting a few rows down, and by the fourth time security showed up to try to restore order the movie was over.

Let's just say my first impression of Get Out was fractured. I was so stressed about all the activity going on around me that leaving the theater I could only remember a few scenes.

Watching the film earlier this week at an Academy screening in New York, things were quite different. For starters, I was one of the only people of color in the room. While I roared with laughter at scenes I didn’t remember, the people around me emitted shy giggles. There was only one other person laughing out loud which comforted me. I don’t think many people knew they were allowed to laugh, so perhaps they hadn't heard the news that the film would be considered a Comedy by the HFPA. After the film ended and people gathered in the lobby to chat, I heard the lovely laughter again -- it was Tony nominee Daphne Rubin-Vega of "Rent" fame! Read more after the jump...

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