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Entries in Millicent Simmonds (6)

Monday
Mar142022

Red Carpet Lineup: Best of the BAFTAs & the CCAs

by Nathaniel R

Lady Gaga, Juliette Lewis, and Alana Haim all looking very glam over the weekend

Last night the stars had to choose between the BAFTAs and the Critics Choice Awards but the nominations did some of the choosing for them. For the Hollywood stars that were nominated in both locals, the choice was easy: BAFTA across the pond! When it comes to fashion, beauty is truly in the eye of the beholder so I can't begin to pretend that you'll agree with these selections as "best" or the roughly ascending order.  But consider this weekend's ceremonies a warm-up to Oscar fashions. Apologies to Jada Pinkett Smith and Melanie Lynskey -- couldn't find full length images but they looked elevated in their style but also exactly like themselves which is often the perfect choice for a  glamourous night out.

Okay, before the top nine, six looks to consider and share your opinion of, please...

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Friday
Dec032021

FYC Critics Choice Young Performers Awards

by Nathaniel R

Saniyya Sidney as "Venus Williams" in King Richard

Each year the Critics Choice votes on a category that doesn't get a lot of press or campaigning: Best Young Actor/Actress. Without constant discussion (as with other acting categories) I've noticed critics default to whatever movie is popular that happens to have a major role for a child. Which is why, say, Belfast's Jude Hill could easily be in contention. But, generally speaking, there are better performances out there than whichever one happens to be most visible in this particular category in any given year. (Same goes for famous adult movie stars in the regular categories, come to think of it). So each year we try to help by listing eligible performers in this "Young Performer" category which requires a bit of research since the actors often aren't famous (yet) and the attention is usually directed at their adult co-stars...

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Thursday
Apr122018

Contrarian Corner: A Quiet Place 

Contrarian Corner is an irregular series in which TFE team members sound off on a film that they just can't join the consensus with. Chris loved the movie (as audiences seem to). But here's Sean Donovan with quite a different reaction...

A Quiet Place is very very quiet, as all of the characters are keen to remind us, frantically throwing up a finger to their lips in a suppressed SHHHHH. The monsters can hear you, a mysterious species blind but intensely sensitive to sound, and capable of swinging in from far off distances to decimate any disturbance in the soundscape. As a result, one survivalist family of this ruined civilization (dad John Krasinski, mom Emily Blunt, children Millicent Simmonds and Noah Jupe) have calibrated their lives perfectly to function without sound.

I, for one, wanted more of a sense of this family’s regular routine in their soundless environment: how do they communicate, how are their lives different, how do they have fun? You can imagine the Swiss Family Robinson or Rube Goldberg machine fun this movie could have had: what are Noah Jupe’s favorite sound-free toys? How does Emily Blunt make toast so the toaster stays PERFECTLY SILENT? 

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Thursday
Nov092017

Exploring the Humanity of Deafness in "Wonderstruck" 

By Spencer Coile  

At my showing for Wonderstruck this week, there were only six other people in the audience: a young couple and a gaggle of older ladies who felt comfortable talking their way through the whole movie. And while I was initially annoyed at this inconvenience, I was instantly sucked into the world Todd Haynes assembled in his period piece about loss, life, and the family we seek comfort in. Something was especially strange about my experience, though -- the entire film played with subtitles. Was this intentional and I just didn't know it was supposed to be shown this way? Was this a mistake by the theater? Or did one of my fellow moviegovers request this specifically? 

These questions were never answered, but it didn't matter. I personally consume all my media with the subtitles on, so this was a total delight. But how perfect it was to sit back and enjoy a film that celebrates our differences (one of which being the characters' deafness) while also incorporating a feature that is used to help enhance movie watching for those who are visually impaired. And so it began: Wonderstruck, another story suitable for Haynes' illustrious career. 

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Thursday
Jul062017

"Wonderstruck" is NYFF's Centerpiece Selection

Chris here. Todd Haynes's Carol follow-up, the genre mash-up Wonderstruck has been one of our most anticipated here at The Film Experience for some time, naturally. While the film got a mixed reception at Cannes and came up empty handed for prizes, that's not enough to dampen our excitement. Haynes reunited with Julianne Moore? Of course we're there! But the film just landed a prime spot on the fall festival circuit - Wonderstruck will be the Centerpiece for the New York Film Festival.

Festival hounds will remember that this spot went to 20th Century Women's world premiere last year - so let's hope the film is as beloved in these parts as that film. But will it capture Oscar's attentions more than that small film? Haynes hasn't had much luck on the big prizes, so we bet Wonderstuck could at least register below the line as his previous films have. Despite the muted Cannes reactions, one of the most universally praised elements of the film was the performance of young deaf actress Millicent Simmonds - could she be the next youngster to steal Oscar's hearts? 

Wonderstruck play's NYFF afew weeks before opening October 20. Tell us what has you most excited about the film!