"HIT ME WITH YOUR BEST SHOT"

In this group series (open to everyone with the ability to take screen captures and a public web space to post them in), we look at films from all eras and choose what we think of as the film's best shot (or our favorites as the case may be -- some films have so many options.). Participants are free to explain their reasonings in essay or capsule form or merely post the photos. 

SEASON 2 ~ March through July 2011

REBEL WITHOUT A CAUSE (1955) the season finale
ALIENS (1986) 25th anniversary celebration !!!
ROCCO AND HIS BROTHERS (1960)
PEGGY SUE GOT MARRIED (1986)

THE WOMAN IN THE WINDOW (1944)
MOULIN ROUGE! (2001) Tenth Anniversary Celebration
TARZAN THE APE MAN (1932)
LAW OF DESIRE AND/OR MATADOR Pedro Almodóvar (1986-1987)

ERASERHEAD David Lynch (1977)
THE CIRCUS (Charlie Chaplin, 1928)
BEAUTY & THE BEAST (Gary Trousdale and Kirk Wise, 1991)
HEAVENLY CREATURES (Peter Jackson, 1994)
PSYCHO (Alfred Hitchcock, 1960)
A STREETCAR NAMED DESIRE (Elia Kazan, 1951)
MEMENTO (Christopher Nolan, 2001)

SEASON 1 ~ July through October 2010

NIGHT OF THE HUNTER (Charles Laughton, 1955)
MEAN GIRLS (Mark Waters, 2004)
LA DOLCE VITA (Federico Fellini, 1960)
REQUIEM FOR A DREAM (Darren Aronofsky, 2000)
SE7EN (David Fincher, 1995)
PANDORA'S BOX (G.W. Pabst, 1929)
A FACE IN THE CROWD (Elia Kazan, 1957)
BRING IT ON (Peyton Reed, 2000)
BLACK NARCISSUS (Michael Powell and Emeric Pressburger, 1947)
ANGELS IN AMERICA (Mike Nichols, 2003)
SHOWGIRLS (Paul Verhoeven, 1995)
X-MEN (Bryan Singer, 2000)