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Kenneth Branagh may get those sequels he wants

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Comment(s) Du Jour
Spirit Nominations
Call Me By Your Name leads with 6

"I think Good Time is going to do better this award season then people realize. It's slowly developing a cult following similar to Drive. " - Mike

"Really happy to see Harris Dickinson in male lead. That's a great category." - Joseph

Ugh Armie Hammer in Call Me By Your Name reeks of Rooney Mara in Carol all over again. LGBTQ film with two obvious co-leads where one is relegated to supporting and pushes out a fantastic, legit supporting player (Sarah Paulson/Michael Stuhlbarg)." - Aaron

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new Nikolaj Lie Kaas Actor
(Denmark's Oscar Submission)
Hana Jusic Director
(Croatia's Oscar Submission)
Alain Gomis Director
(Senegal Oscar Submission)

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Entries in Thelma (3)

Sunday
Oct292017

Podcast: Wonder Wheel, Wonderstruck, BPM, and Last Flag Flying

Nathaniel welcomes NYFF buddies and regular TFE voices Jose Solis and Murtada Elfadl to talk highlights from the fest, some of which are in theaters now! 

Index (43 minutes)
00:01 Intro, NYFF, and The Mountain Between Us tangent
02:50 Steve Carell and Bryan Cranston in Last Flag Flying
07:00 Mixed feelings on Wonderstruck
14:30 Woody Allen's Wonder Wheel starring Kate Winslet and Justin Timberlake
22:10 The Rider, Western, Lady Bird - a year of great female directors
30:00 France's BPM (Beats Per Minute)
34:21 Thelma, Faces Places
41:00 Wrapping up

You can listen to the podcast here at the bottom of the post or download from iTunesContinue the conversations in the comments, won't you? 

NYFF Highlights

Thursday
Sep282017

NYFF: Norway's Oscar Submission "Thelma"

by Jason Adams

Sometimes a critic can't help but interject him or herself into a review, and Joaquim Trier's Thelma is one of those times for me. Thelma tells the story of a young woman from a cripplingly religious family who goes off to college and starts having epileptic seizures that coincide with an awakening of same-sex longings. Meanwhile I'm the homosexual son of an epileptic and was raised in a speak-in-tongues Pentecostal church. Needless to say I felt Thelma, you guys.

So much that it's hard to divorce myself critically to see the forest for the dead birds dropping down among the trees. Trier gets so many precise details so right that I know from my own specific, particular life experience - the warm waves of excitement and guilt at discovering drink and swear-words when you first leave home; the way an epileptic seizure can be a sudden horrific tearing open of reality itself's seams -  that I'm more than willing to go along with anything he does, even when it is sometimes a hint too austere for its own good.

It's hard to say something that features a woman deep-throating a python - but you know, in a sexy way - remains austere, but Trier manages. He is Norwegian, after all. Thelma is an ice pond of a film floating over fiery little volcanic eruptions - like its protagonist (an exquisitely conflicted Eili Harboe) Thelma is Fire & Ice, Passion & Repression, a Freudian phantasmagoria strapped into a cool silk blouse.

Saturday
Sep162017

TIFF Horror x3

by Chris Feil

Amid screening global cinema and the odd Oscar contender or two, I was able to cram in some horror films to my TIFF lineup. The festival is so large that it doesn’t just limit its horror entries into the genre-centric Midnight Madness program. My sampling was not only a mini European tour, but also a trip through different genre tropes: the French extremity of Revenge, a gothic ghost story with The Lodgers, and a surprising psychological chiller with Thelma.

Click to read more ...