Advertisement
Advertisement
Advertisement
Oscar History
Welcome

The Film Experience™ was created by Nathaniel R. Gemini, Cinephile, Actressexual. All material herein is written and copyrighted by Nathaniel or a member of our team as noted.

Powered by Squarespace
What'cha Looking For?
Comment Fun

Comment Du Jour
The biggest Oscar winners that weren't Best Picture nominees

"That Dracula costume win is one of the most deserved Oscars of all time. Ishioka = genius. Her costumes were their own characters." - Sawyer

Keep TFE Strong

We're looking for 500 Patron Saints!

IF YOU READ THE SITE DAILY, PLEASE BE ONE BY DONATING. 
Your suscription dimes make an enormous difference to The Film Experience in terms of stability and budget to dream bigger. Consider...

I ♥ The Film Experience

THANKS IN ADVANCE

INTERVIEWS

Oscar Nominee Interviews
Asghar Farhadi (The Salesman)
Martin Butler & Bentley Dean (Tanna)
Nicole Kidman (Lion)
Denis Villeneuve (Arrival
Krystof Deak (Sing)
Robert Legato (The Jungle Book)
Rich Moore (Zootopia) 

 

Subscribe

Entries in Kissing (25)

Tuesday
Feb142017

Valentine's - An Elephant Love Medley to Moulin Rouge!

We've been celebrating Valentine's with lovers from Eternal Sunshine, Gone Girl, and Weekend. Here's Jorge Molina on a film that's practically our mascot at TFE.

There are many angles I could take on Baz Luhrmann’s Moulin Rouge! for Valentine’s Day. Its unapologetic pastiche of classic tragedy and romance. Its embrace of melodrama and sentimentality. Its larger-than-life lens on life and characters. The way Nicole Kidman fake orgasms.

I decided I could take on all of them in 300 words the same way the movie did in 3 minutes and 50 seconds.

Click to read more ...

Wednesday
Jan252017

Kiss the hand

Friday
Jan132017

The Oscar Week: Who was the MVP of Phase 1?

In this weekly feature from Murtada we follow Oscar contender appearances and interviews. With Oscar balloting closing today, who did we enjoy on the campaign trail.

This was the last week of campaigning and contenders did not disappoint. Some got a boost from the Golden Globes, while everybody continued to cram in appearances. Amy Adams got her star on the Hollywood Walk of Fame. Natalie Portman made headlines about gender wage disparity, for No Strings Attached of all her films. Many sang I Will Survive.

Today ends what is termed as Phase 1 in Oscar campaigning, the nomination portion. This phase started on Labor Day Weekend as films were unspooled at the Venice and Telluride festivals. So who made it through almost 5 months of interviews, appearances and came out on the other side surprising, charming and endearing to those of us who follow these things closely? Here are our favorites...

Click to read more ...

Monday
Jan092017

Would kissing Andrew Garfield make you feel better about losing a "Best Actor" prize?

🔲  Yes.
🔲  No.
🔲  Depends on who I lost it to.

(From the photographic evidence, nobody enjoyed this best actor losing kiss more than Mrs Ryan Reynolds herself Blake Lively.) 

more Globes

Golden Globe Winners | Jimmy Fallon La La Land Opening | Golden tweeting
 Emma vs. Isabelle | "Pink with stars on it" |  Best Dressed Men 

Wednesday
Aug102016

Best Shot/Best Costume: "Les Girls"

For this week's episode of our cinematography series Hit Me With Your Best Shot we wanted a slight curveball as a way to celebrate the release of the Costume Design documentary Women He's Undressed. It's now available to rent on iTunes or purchase on other digital platforms. (Jose's interview with the director here). The film is about the legendary Orry-Kelly, who designed a truckload of classic Hollywood features and stars, and won three Oscars in the 1950s for An American in Paris, Les Girls  and Some Like It Hot.  So those playing "Best Shot" this week could choose any of those three. I watched Les Girls since it gets the least attention and they even use its image for the documentary's poster (left).

Les Girls  (George Cukor, 1957) is not well remembered today but curiously it reminds us yet again that mainstream Hollywood in the 50s and 60s paid a lot of attention to foreign auteurs and absorbed (or ripped off - you be the judge) their styles and conceits. The semi-musical (a few dance numbers mainly) concerns a libel lawsuit involving a former showbiz act "Barry Nichols and Les Girls" and in the courtroom we hear three different versions of the group's break up in Paris. In each of the stories Barry Nichols (Gene Kelly) gets mixed up romantically with a different girl (America's Mitzi Gaynor, Britain's Kay Kendall, and Finland's Taina Elg) and their musical act eventually implodes. It's clearly modelled on Akira Kurosawa's Rashômon (1950) which had taken an Honorary Oscar from the Academy earlier that decade.

Taina Elg quits dancing in Les Girls (1957)

So let's choose a best shot and a best costume after the jump. Happily my three favorite shots come from each of the film's three acts...

Click to read more ...

Saturday
Feb272016

Film Bitch Awards - Best Scenes of Multiple Kinds

We're nearly finished* with 2015 Film Bitch Awards, our own annual year in review yearbook/party and of imaginary Oscar ballot (well, half of it is that). Today the remainder of our Best Scene categories with six final scene categories. This group hands more nominations to films from the top ten list of course but for highlights to point out here on the blog before you click over, we're using films outside the top ten list. 

Obviously this page (and post) of awards contains mild spoilers so if you haven't seen the films and wish to stay pure, these are not the awards categories you're looking for. Here is one nominee I felt the need to gab about (maybe you will too?) from each category...

BEST KISS
While Creed was mostly ignored by the Academy, chances are its big box office (which significantly outgrossed Stallone's last two attempts are reigniting the franchise) will insure a big career for Michael B Jordan. Can Tessa Thompson hope for the same (it's always trickier for actresses of color)? They're wonderful together. Especially endearing is the scene in her apartment where Adonis makes up a godawful wrap and they end up collapsed on the floor, caught up in the moment. It's an upside down shot from above and they're something beautifully innocent and pure but also sexy about this kiss. (Later they'll bring the heat in a proper sex scene at Rocky's house. "but what about your Uncle?" / "He old!" Ha!)

SEX SCENE
Angelina Jolie's third directorial effort By the Sea was mercilessly trashed upon arrival but this was always going to be its fate. The Jolie-Pitts are extremely mainstream-famous. And household name blockbuster stars that the public has longed to see paired again onscreen aren't supposed to reunite for an indulgent overly serious tribute to Euro art cinema of the 1970s. That's for the other kind of movie star, like the Julianne Moores and the Ryan Goslings of the world, whose filmographies are built on eclectic sensibilities and crisscrossing between the ittybitty and the giant. But By the Sea isn't without its moments. The best scene, repeated in different forms like a musical riff, is when the couple sits on the floor in their hotel room and shyly watches another younger couple (Melanie Laurent & Melvil Poupaud) make love in the next room through a peephole. It's beautifully sympathetic and tragicomic, an estranged couple tiptoeing back to intimacy through surrogates.


OPENING SCENE
David O. Russell's Joy is an easy movie to quibble with. It often feels like five different movies that haven't reconciled themselves. This problem (?) is embedded right in its prologue which jumps from inside a stylized soap opera, to Diane Ladd's wonderfully expressive fable-like narration, and back to the soap opera but this time "outside" of it through a TV set, and into little Joy's bedroom where she makes a castle and theorizes about her possible superpower (maybe she doesn't need a Prince?). Ladd's Grandma guides us through this collision of styles and ideas with an expertly dropped line about Joy's creativity that doubles as a guide to how to watch and make ambitious movies.

The patience to figure it out."

Will Joy grow on us with time? Perhaps it might. Perhaps we quibbled too much. Perhaps Russell didn't have the patience to truly figure this one out but there's a lot to figure therein.

ENDING
Spotlight may have the most mellow finale we've ever nominated in this category but there's something about its sober work ethic and the core ensemble wide shot, with Walter "Robby" Robinson centered, that really lands emotionally and elevates the film. His phone rings and they all just return to work. Where they've always been.

Spotlight..."

CREDIT SEQUENCE
I've been disappointed these last few years that it's more and more common for films to have virtually no credits at the beginning and double up at the ending. So shout out to Mission: Impossible - Rogue Nation which has great opening and closing credits. The opening credits would be spoiler-alert central if they didn't come at you so aggressively with machine-gun montage speed. The ending credits are even more stylish --both an homage to the TV show and film appropriate -- with action frames from the film outlined by the wicks of time bombs; this movie is a blast.

[Read more about these two sequences at The Art of the Title.] 

MISCELLANIA - A DOZEN FAVORITE SCENES
When writing about the Film Bitch Awards I often revisit a whole bunch of movies in clip forms, particularly the earlier releases that are blurry int he memory. Here we are at the end of the prize-giving and here comes Diary of a Teenage Girl and it suddenly looks just as good as everyone claimed it to be (I was previously in the admired but only admired camp). It was easy to turn certain movies off after checking the scene in question but I kept getting sucked into this film, as if it were the first time. One of the best moments is an animated interlude "The Making of Harlot" where a 'Beautiful Junior,' getting it on with Minnie, remarks upon her aggressive sexuality with something like judgment in his voice (though he's benefitting). Giant Minnie, holding him in her King Kong paw, turns away, with a single teardrop and casts him aside. True movie magic.

THE COMPLETE "BEST SCENES" CHART

* Only three categories left to announce (Limited Roles x2 & Line Readings). Can you believe we're actually going to finish this year before the Oscars**?! Wheeee. We'll announce those three categories plus all the Gold Silver and Bronze medals at some point in the next 24, ya dig?

** Okay technically I won't have finished, damnit. I never named the Animated Feature nominees (we only go 3-wide here) because I was trying to see Boy and The World before voting. So we'll be finished with everything but that category.

Saturday
Feb132016

Valentine's - A Room With a View

Team Experience is celebrating Valentines Day with favorite love scenes. Here's Lynn Lee on an 80s classic

Everyone who loves this film remembers The Kiss.  It’s the moment proper Edwardian girl Lucy Honeychurch (a very young Helena Bonham-Carter), vacationing in Italy, discovers romantic passion for the first time.  She doesn’t know it yet, but the odd free-thinking young man she’s only recently met (Julian Sands) is her soulmate.  He knows it, though.

Besides being (literally) storybook-romantic—a sun-drenched poppy field in Italy! lush soprano aria in the background!—the kiss is also wreathed in comedy, as the film cuts back and forth between Lucy, wending her way uncertainly towards George, and her fussy chaperone Charlotte (Maggie Smith) bonding with another fellow tourist, a hacky romance novelist (Judi Dench), over scandalous love stories before she starts to worry about Lucy.  Meanwhile, the Italian driver who led Lucy to George looks on in amusement at what he has wrought.  He knows what’s up, his own public display of affection having been previously smacked down by these uptight Brits.  But the Kiss will not be denied.

 

It’s also the kiss that keeps on giving for the rest of the movie.  Its memory haunts Lucy during her utter failure of a first kiss with her fiancé, Cecil (Daniel Day-Lewis, vying for comic MVP with Maggie Smith), in England.  It reappears again at a critical and exquisitely awkward moment as a passage in a terrible romance novel, penned by none other than Charlotte’s novelist friend, that the clueless Cecil just happens to read out loud to none other than Lucy and George.  The tension that was simmering since George’s reentry into Lucy’s life then comes to full boil, precipitating a chain of events that eventually forces out in the open what Lucy’s been denying for too long: she and George belong together. 

All thanks to one glorious kiss.

Our Valentine's Series
Shakespeare in Love (1998)
Before Sunset (2004)
The Painted Veil (2006)
Love Songs (2007)
(500) Days of Summer (2009)
Beyond the Lights (2014)