Look back: "God's Own Country"
by Matt St Clair
The beauty in God’s Own Country, the marvelous directorial debut from Francis Lee whose newest film Ammonite has hit VOD, is not just in the luscious landscapes. It's also in the silence. The two lead actors use their facial glances and body language to confess their infatuation. Minus the ending, there’s no cathartic monologue spoken by either John (Josh O’Connor) or Gheorghe (Alec Secareanu). No 'I love you's because the words aren’t needed. Nor is this a typical “coming out” narrative present within the realm of queer cinema where the characters come to a gradual realization about their sexualities.
It’s clear when God’s Own Country begins that John is already aware of his sexuality. He engages in hedonistic hook ups for minor fulfillment. He acts out sexually but without intimacy and definitely without kissing. When Gheorghe arrives to help John and his family on their Yorkshire farm, their bond initially starts with wrestling in the mountains...