No Woody For Bruce

So...21 hours or so ago pics from the set of Woody Allen's latest Untitled  2016) dropped featuring Bruce Willis and Jesse Eisenberg and an unnamed actor (maybe Paul Schackman?) filming a scene. About 10 hours after that word broke that Bruce Willis is no longer with the film . The parties involved are citing schedule conflicts with his upcoming Broadway run in Misery (in the James Caan role of course). 

I'm sorry but I don't believe this for one hot second. Woody Allen's films run on very predetermined schedules since he does the same thing every year like clockwork (whether or not the script is in good shape as we see from his highly uneven work). And Bruce Willis's Broadway commitment was a thing known long ago. What actually happened? Makes you wonder. 

Link Long and Prosper

In the blog explosion that is Oscar night (both build up to and come down from) we end up missing LOTS of stories. Like saying goodbye to Leonard Nimoy (1931-2015) better known as Mr Spock. So let's kick off today's collection of news, casting notices, and randomness with the Vulcan 

RIP
NY Times on Leonard Nimoy's career which extended well beyond Spock. 
Space astronauts say goodbye from space 
R Michelson Galleries several collections of Nimoy's photography, he favored black and white nudes, are featured here 

News & Miscellania
Guardian thinks the blockbuster genre is in trouble in 3...2...1...
Blackbook Oscar Isaac breaks out some dance moves in Ex Machina -- which makes me so sad that he has no interest whatsoever in musicals
TFE ...which he told me in our interview here. 
Vanity Fair Bobby Finger synopsis future installments of the Best Exotic Marigold Hotel. This franchise will live forever!
Playbill Bruce Willis and Elizabeth Marvel taking the James Caan and Kathy Bates roles for Misery on the Broadway stage. Good luck with that
In Contention Joseph Gordon-Levitt as Snowden
EW Diablo Cody to pen a live action Barbie movie. I could see that working as a comedy. But did Toy Story 3 say all there was to say?
Coming Soon Ridley Scott's company developing a franchise for Flashman based on a novel about a Victorian soldier. Scott is 77 and his list of upcoming projects is insane - how long is he planning to live exactly?
Deadline shares a list of the top "actors" on social media. This is why we can't have nice things
i09 will Battle Cat in the He-Man movie look like this?  I forgot there was a He-Man movie coming. Can "Dom" from Looking star in it? He was modelling those looks already.

More Miscellania
Film Otaku now that two of the self-proclaimed 'Three Amigos!' have won Best Director will the third, Guillermo del Toro, be next?
Awards Daily will we see Sir Ian McKellen get a best actor shot with Mr. Holmes? 
Queerty oops. Russell Tovey (Being Human, Looking) is putting his foot in his mouth about "masculinity" 
HuffPost Gay Voices Noah Michelson writes a passionate personal response. A Must Read.
The Buckley Bulletin goes deep on A Place in the Sun. This is an old essay but if you love that movie it's a must-read. I had a really fun conversation about that George Stevens classic yesterday on Twitter 

Ahhhh ♥
Hugh Jackman from Instagram this morning. Which begs the question of how often he gets one. 

Like that's going to happen!

A photo posted by Hugh Jackman (@thehughjackman) on Mar 5, 2015 at 3:46am PST

April Showers: Pulp Fiction

the waterworks continue

Will you give me oral pleasure?

I was casually skimming through Pulp Fiction the other day and watched scenes from the Bruce Willis portion. It's the storyline that's easiest to forget since it feels less energized by Tarantino's then shockingly fresh auteurial voice and rapid pop-culture infused dialogue and more like a general riff on cliché movie tropes (the boxer who won't take a fall, an antihero on the run, etcetera)... well at least until The Gimp shows up. But watching it again, I was reminded that Quentin Tarantino's movies used to be more firmly rooted in accessible humanity. We didn't know it at the time of course because his work was then so "new" and stylized that it didn't feel intimate in the way the movies have taught us to expect. But post-Jackie Brown his work became increasingly cartoonish (this is not always a bad thing: I sometimes think Kill Bill Vol 1 is his best film) and though his characters are still deeply memorable they're more like "characters" than people...

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Posterized: Bruce Willis, Perennial

I raced excitedly to a A Good Day To Die Hard screening earlier this week though I couldn't quite put my finger on why. As a rule of thumb, I love Bruce Willis but I don't exactly seek his movies out and haven't seen a Die Hard since the second one. (I've been the furthest thing from a loyal fan mostly because he churns out so many disposable actioners.) I was just in the right mood I guess though I am sad to report that it felt like a phone-in.

But for this week's edition of Posterized, I thought we'd look back on his whole career. I've previously applauded him for his unheralded range. Which is to say that even though he is always "Bruce Willis" he can easily slip into auteur pieces, comedies, dramas, and action flicks without ever disrupting the site-specific tonal demands. That's as true of a definition of Movie Star who also happens to be a Fine Actor as I know of. But the posters disagree with me since every other one cribs some element from the original Die Hard (1988) poster, Bruce with a tense side stare, Bruce pursing those thin lips, Bruce holding a gun (or signifying that a gun is just outside the frame with battle gear on). Every movie wants to be Die Hard... especially all the subsequent Die Hards. Die Hard 2 may be the most hilarious example of the unspoken sequel motto ("be the same movie over again... only bigger")

The "Moonlighting" Years (85-89)
aka Cybil (TV) and Demi (The Movies) share him
Blind Date (1987), Sunrise (1987), Die Hard (1988)

Seemingly hundreds of movies after the jump! How many have you seen?

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Review: "Looper"

An abridged version of this review was originally posted in my column at Towleroad 

"Time travel hasn't been invented yet," Joseph Gordon-Levitt warns us from 2042 in LOOPER's voiceover. "But in the future it will be." In 2072 crime lords send their victims back in time to be killed by "loopers"  like Joe since it's the only way to get away with murder. (Apparently infallible forensic science has also been invented in the future!). 

Loopers dispatch their prey unceremoniously with a crude descendant of the shotgun called a  "Blunderbuss" which is useless at long distances but impossible to miss with up close. When each Looper's contract expires, his older self is sent back to his younger self for execution which is called "Closing the Loop". In this case that's Bruce Willis sent back in time to meet his death at the hands of Joseph Gordon-Levitt in Bruce Willis drag. (Joe's makeup effects, though extraordinarily non fake-looking are initially distracting -- JGL doesn't look like that!) 

Nothing kills genre films quicker than exposition. When you have to pass out glossaries to the uninitiated or explain the rules over and over again, a story can sputter and die or, at the very least, bore you stupid the second time through. Looper, however, is a wonderfully nimble exception given the size of the learning curve. More...

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