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Entries in April Showers (38)

Wednesday
Apr302014

April Showers: Silkwood

The waterworks conclude with the month's last entry from abstew. And it's a doozy...

Although the most famous shower scene in the history of film may belong to Hitchcock's Psycho, no other cinematic shower has entered into pop culture, taking on a life of its own outside the film, in quite the same way as Silkwood. To take a Silkwood shower is even an entry in the urban dictionary (so you know it's legit.) But for something that has morphed into such an iconic cultural moment, it may be surprising to note that Meryl Streep only spends a little less than a minute in the film's entire two hour running time actually in the (invasive) cleansing waters. Despite its brevity, its emotional impact is palpable.

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Tuesday
Apr292014

April Showers: The Paperboy

waterworks at eleven, here’s Andrew with a brief one

Would anyone be willing to stand with me when I declare The Paperboy to be the best thing Lee Daniels has done? The movie is undeniably crazy, out-of-control, off-centre, you name it. But, it’s this very tendency for excessiveness and divergent tones that makes it such a fine representation of Daniels’ skills as a filmmaker. The Paperboy, from its most hilarious moments to its most obscene, is completely a Lee Daniels in the best way possible. It has as many important things to say about race and social constructs in its era as much as Precious or The Butler but uses pulp, the ridiculous and even the improbable to tell its story. Sometimes with pit-stops at randomness for the hell of it.

Case in point, this evening’s shower about midway through the film. Important moment of character development, or just a chance for a fun, rainy dance with Zac Efron in underpants? You decide.

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Sunday
Apr272014

April Showers: Midnight Express (1978)

Waterworks some nights at 11. This one is from the vaults from the first season. But it's worth a revisit as the film is currently available on Netflix Instant Watch.


I've always been a little bit a lot perplexed by the famous shower scene in Alan Parker's Midnight Express (1978). I'm not exactly sure why it's in the movie. Midnight Express strongest asset is arguably its expressive physicality and gritty tactile quality; you feel like you're right there in the grotty hellish Turkish prison, sweating and suffering along with Billy Hayes (Brad Davis). But the sexual vibes coming off of the movie are at times unfathomable. Is it gay? Is it bi? Is it straight? Is it just horny? Or is its ambiguous eroticism simply a by-product of casting a star as carnally charismatic as Brad Davis in the lead role?

As warm up to the famous shower scene we get a montage detailing the friendship of Billy and Erich (Norbert Weisser) a fellow prisoner. They've been in this hellhole for years. We see them do yoga togethe and bathe each other. They even duet on a private meditation mantra...

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Wednesday
Apr232014

April Showers: Éponine in Les Misérables

waterworks at 11. here's abstew on Les Miz...

Ever since the musical version of Victor Hugo's sprawling novel hit the boards, Éponine, the tragic waif whose love for her friend Marius goes unreciprocated, has always been a fan favorite. Her storyline in the musical is definitely the most relatable. I don't know about you, but I've never had to turn to prostitution to support my young child or served a 20 year prison sentence for stealing a loaf of bread. But being in love with someone that doesn't have the same feelings for you? Yeah, we've all been there. And this patron saint of unrequited love's anthem "On My Own" has become the rallying cry of broken-hearted teenage girls (and gay boys) for decades now.

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Monday
Apr212014

April Showers: The Piano

The evening waterworks continue. Here's Andrew on a particularly gloomy shower.

The Piano is a moody movie. Moody as in unpredictable and volatile, and moody as in suggesting melancholy and mystery. Even before the story really gets underway the film's atmosphere is one of unease. And it's because it's not just the story that's moody but visually, too. As Stuart Dryburgh's camera observes the rough, muddy ranches of New Zealand the harsh exteremities of the terrain seem to be not just incidental but direct representations of the similarly implacable characters.

This is but one of the numerous ways in which the Gothic influence on The Piano shines through, where landscape informs elements of plot and characters. The Piano checks off a number of the prerequisites for Gothic drama: impulsive, sometimes tyrannical men, women in distress, heightened emotion, a mysterious atmosphere, a somewhat isolated locale, stormy weather and muddy terrains. 

Of the influence of the Gothic in the film, Jane confesses...

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