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 Gemini, Cinephile, Actressexual. Also loves cats. All material herein is written and copyrighted by him, unless otherwise noted. twitter | facebook | pinterest | tumblr | instagram | letterboxd | deviantart 

 

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Entries in Roger Deakins (21)

Monday
Jun222015

Yes No Maybe So: Sicario

Manuel here to talk about Sicario, the latest Denis Villeneuve film starring Emily Blunt, Benicio del Toro and Josh Brolin. It already earned strong reviews at Cannes but last week’s trailer was our first extended look at this drug cartel film where Blunt plays an FBI agent enlisted to help in the war against drugs in the US/Mexican border.

I wanted to make a full YES/NO/MAYBE SO for this trailer but realized as soon as we got to this shot...

Click to read more ...

Thursday
May212015

They a-link, damnit! It's a miracle.

The Wrap Maggie Gyllenhaal is "too old" at 37 to play onscreen love of a 55 year old actor? Gross!
Empire Juno's mom and daughter Janney & Page reuniting for the comedy Tallulah
Antagony & Ecstasy shares a killer review of one of my fav Best Picture winners Grand Hotel - loved every sentence of this
Nick's Flick Picks revisits Georgia (1995) as part of its Cannes retrospective. Have you ever seen it?  It's a goodie. Mare Winningham, guys
Nick's Flick Picks and the terribly underseen Angels & Insects - amazing costumes
Awards Daily handicaps Oscar chances of Cannes players with Carol and Youth getting top marks for AMPAS likelihood 
The Film Stage looks at Lucretia Martel's next one, Zama, as it begins filming
Salon compares the first seasons of Daredevil & The Flash. Which show wins?


Towleroad plans are afoot to make a stage musical of the Elton John biopic starring Tom Hardy called Rocket Man. Um... shouldn't they actually make the movie first before worrying about adapting it? 
Variety in case you hadn't heard: Roger Deakins will shoot the Bladerunner sequel (so at least it will look pretty and get one Oscar nomination)
CHUD has an index of photo glimpses of Suicide Squad from Harley getting wet to the Joker at gunpoint 

Mad Mania
Gothamist the last scene of every Mad Men season. Matthew Weiner approached each season with its last visual in mind 
Slate 10 great images from Mad Men over the years - the show that always looked more like a great movie than "television" 
Film School Rejects where to see the Mad Men cast members next - new projects! 
AV Club an illustrated guide to Mad Max warlords from the Toecutter to Immortan Joe 
Jezebel offers up hilarious mocking of vulnerable masculinity in the face of Mad Max Fury Road

Charlize Theron menstruated all over my masculinity! 

....and finally the Imperator Furiosa tribute fans of both Mad Max Fury Road and The Unbreakable Kimmy Schmidt didn't know they wanted but now can't live with out. 

They alive, damnit! 

Saturday
Feb142015

Best Cinematography: Can Chivo Do a Back-to-Back?

If Oscar were a beauty pageant (we know it feels like that sometimes but it's not) the previous winner in each category would have to hand over their tiara Oscar to the next winner. In that case let's hope the world's favorite DP is ambidextrous since he is probably passing the statue to... himself.  After years of worthy nominations without winning, the genius DP Emmanuel "Chivo" Lubezki, who won last year for Gravity, could well win again for another virtuoso turn that's also an aesthetic triumph. But how common are back-to-back wins exactly in the cinematography categories? It used to happen on occasion when there were two cinematography categories (black & white, and color) and thus twice the number of winners but once the category was fused in 1967, it's only ever happened once: John Toll did it in the 1990s with Legends of the Fall and Braveheart.

Still it's hard to imagine Lubezki losing on the 22nd. Budapest surely won't sweep and it's the only other Best Picture nominee in the category. Mr Turner and Ida would make very worthy winners but they seem unlikely for reasons of size, popularity, mood, country of origin. As for Roger Deakins. His nominations each year are becoming Streep-esque. It's not that Unbroken isn't handsome looking but it's hardly one of his tiptop achievements. Deakins still trails the late George J Folsey (Meet Me In St Louis) for most nominations without a win in this category (13/0) but he'll tie him the very next time he's up to bat. If Unbroken had been better loved he could have made a run for it.

The Nominees:

Birdman - Emmanuel Lubezki
Grand Budapest Hotel - Robert Yeoman
Ida - Ryszard Lenczewski & Lukasz Zal
Mr Turner - Dick Pope
Unbroken - Roger Deakins

Will Win: Birdman
Could Win: Grand Budapest Hotel
Should Win: Birdman or Mr Turner

My ballot for this category 

Wednesday
Jan072015

The Cinematography Guild's Nominees 

The American Society of Cinematographers chose the following five films as the best shot of the year. According to Twitter The Imitation Game is the odd man out. It was shot by Oscar Faura who is definitely talented (see The Orphanage and The Impossible) but discussions around this film rarely concern themselves with the quality of its cinematography (which can't really be said for the other nominees here). 

1 of roughly 1,890 amazing shots in Mr Turner

 

 

It does remind slightly of when The King's Speech got that perplexing actual Oscar nomination for Cinematography over at least a dozen (at least it bears repeating) well shot and more inspiring choices from 2010. Of the ASC nominees only Lubezki has previously won an Oscar (for Gravity) and Roger Deakins is of course ever the Bridesmaid, never the Bride (which we used to be able to say about Lubezki). Dick Pope has one previous nomination to his credit (The Illusionsit) 

Assuming the Oscar race is between Lubezki and Deakins, who do you think will win? Do you think this will be the Oscar list and if you don't which film with acclaimed cinematography (no matter what one thinks of each film) sneak in?  Selma? Interstellar? A Most Violent Year? Wild (interview)? Gone Girl? The Homesman? or something else entirely? My write-in vote is Yorick LeSaux's work on Only Lovers Left Alive.

P.S. My final Oscar predictions are coming next week. Obviously I need to rethink my chart - way off there! We're just waiting for Oscar nomination balloting to close up shop (which happens tomorrow evening). 

Saturday
Apr052014

Team Top Ten: The Greatest Working Cinematographers

Amir here, to welcome you back to Team Top Ten, our monthly poll by all of the website’s contributors. For our first episode in 2014, we are looking at The Greatest Working Cinematographers in the (international) film industry. As long time readers of The Film Experience are surely aware, the visual language of cinema is something Nathaniel and the rest of us are very fond of discussing. Films and filmmakers that have a dash of style and understand cinema as a visual medium always get bonus points around these parts. We celebrate great works in cinematography on a weekly basis in Hit Me With Your Best Shot, but it was time to give the people behind the camera their due.
 

More than 50 cinematographers from all across the world received votes. If the final, somewhat American-centric, list doesn’t quite reflect that, chalk it up to the natural process of consensus voting. Cinematographers like Agnes Godard, Oleg Mutu, Mahmoud Kalari, Rodrigo Prieto and Eric Gautier all had their fans, as did Hollywood stalwarts like Dante Spinotti and Robert Richardson. Furthermore, Harris Savides’s name was attached to several ballots, with the unfortunate note that if he were still alive, he’d be on the list. That would have certainly been the case, so here’s Glenn Dunks with an honorable mention for Savides, and then on to the top ten:

Does anybody doubt that Harris Savides would appear on this list if it weren’t for his death in 2012 at the age of 55? I would even hazard a guess that he could have been number one. I distinctly remember wanting to know who this man was and what his career had been after witnessing Birth. The way he mixed golden hues of UWS high society with the chilly silver of a New York winter captivated me. That film alone with its graceful tracking shots and magnetic opera sequence would be enough of a game changer if it weren’t also for his prior film-defining work with Gus Van Sant on Elephant, Gerry and Last Days. He would later work with David Fincher (Zodiac), Noah Baumbach (Greenberg) and his last great collaborator, Sofia Coppola (Somewhere and The Bling Ring). A mighty force taken too soon.”

 

TOP TEN GREATEST WORKING CINEMATOGRAPEHRS

10. Dion Beebe
“Who on Earth is Dion Beebe?” felt like a common question in the early-to-mid-2000s when the Australian cinematographer stormed onto the Hollywood scene. Whatever it was that director Rob Marshall had seen of his prior work that gave him enough faith to turn to him for Chicago I’m not sure – Australian films Praise and Holy Smoke! were hardly indications to hire him for a lavish musical – but beautiful work it was. Still, if his further collaborations with Marshall on Memoirs of a Geisha (for which he won an Oscar) and Nine (for which he should have been nominated) suggests perhaps little more than a handsome craftsman, then it was his sensual and sensorial work on Jane Campion’s In the Cut, visually representing erotic tingles with images, and Michael Mann’s digital masterworks Collateral and Miami Vice that proved he was a bold and innovative one, too. – Glenn Dunks

Click to read more ...

Thursday
Jan302014

A Spoonful of Linkage Helps the Blogging Go Down

Todays Must Reads
Matthew Scott, cinematographer, has a great detailed piece on Roger Deakins Oscar nominated work on Prisoners
The Wire Joe Reid ranks all seasons of all Ryan Murphy shows. Hot messes they are!

Linkage
Yahoo Movies Tom Hiddleston originally auditioned to be Thor, not Loki
The Wire Jennifer Lawrence ate Doritos in her American Hustle gown 
The Dissolve talks to Sandra Bernhard about her performance in The King of Comedy (1983). Oscar robbed! 


Fandor on why Sally Hawkins should win Best Supporting Actress for Blue Jasmine 
/Film talks to Chris Evans on the set of Captain America: Winter Soldier 
The Dissolve the SXSW lineup  

Music Break
Kenneth in the (212) Oliva Newton John will be doing a Las Vegas residency! You have to believe she is magic.  
Vanity Fair Madonna and Miley's "We Can't Stop/Don't Tell Me" duet. So cute it is

Tough Topics / Soap Boxes
Gays vs the Grammys an article articulating the most disturbing social media trend of the past few months - gays viciously attacking their allies. It wasn't just the Grammys and it needs to stop. I particularly hate the way Madonna is treated by young gays since she stood by the gay community when it was NOT cool (sorry but Lady Gaga, who I enjoy, was not risking anything by supporting us) and it cost Madonna a lot and then to see everyone turn on her? Sick-making. And also just another boring reminder that ageism is still rampant and hip and also the very dumbest prejudice since it's basically self-loathing in advance. 

The Daily Beast
publishes a must-read, unpleasant as the topic is, about the internet's desire to prosecute Woody Allen for Farrow's allegations. The list of top ten widespread assumptions of fact that are wholly and provably false in the beginning of the article is fascinating.

excellent courtroom drawing from 90s Woody/Mia custody battle. ©Marilyn Church

I love this top ten falsities lede because it basically apply to all divisive topics in this age of (mis)information...

Every time I stumble upon this topic on the internet, it seems the people who are most outraged are also the most ignorant of the facts.

It's also telling of how little facts matter to the internet and pop culture at large. I didn't even know some of this stuff and I was a mega fan of both Mia & Woody when all of this went down (and boy was it depressing and remains so because they're both great artists who made at least a few masterpieces together). The reveal that Mia Farrow approved her clips in Woody's Globes tribute is also an eyebrow raiser. Anyway it's a great read and kinder to Mia and Ronan than you'd think given its conclusions. A sad but mitigating reminder: Woody and Mia had an odd but long relationahip, probably non-monogomamous and definitely non-idyllic, and they both have a history of messy and controversial romantic relationships with collateral damage.  

Wednesday
Jan082014

It's Lucky Number Seven for the ASC

Jose here. As if this year wasn’t already complicated enough in terms of finding "the one" frontrunner (don't get me wrong, I'm not complaining!), now the American Society of Cinematographers has gone and made matters worse (in a totally beautiful way) by having their first three-way tie in history which led to a whopping seven nominees for their Outstanding Achievement in Cinematography in a Theatrical Release Award. Joining usual suspects 12 Years a Slave, Gravity and Inside Llewyn Davis were much less “obvious” choices including The Grandmaster (which our friend Michael has been championing) and Prisoners (which is kinda obvious...) and for those who think this means a snub for American Hustle should remember that none of Russell's movies have ever been nominated for a cinematography award by either ASC or AMPAS. 

The full list of nominees:

• Sean Bobbitt, for 12 Years a Slave
• Barry Ackroyd, for Captain Phillips
• Philippe Le Sourd for The Grandmaster
• Emmanuel Lubezki, for Gravity
• Bruno Delbonnel, for Inside Llewyn Davis
• Phedon Papamichael, for Nebraska
• Roger Deakins, for Prisoners

So far, Gravity and Inside Llewyn Davis have been racking up the critics awards in this category, so it’s interesting to see what an actual guild has to say. We could say that five of these will be our Oscar nominees, especially since the ASC and Oscar rarely agree in their nominees or awards (in 27 years only 10 ASC winners have gone on to win the Oscar).

TRIVIA and more after the jump!

Click to read more ...