Oscar Volley: Oscar's Choice for "Best Cinematography" (and more)

The team is pairing off to discuss each Oscar race. Here's Glenn Dunks and Eric Blume...

ELVIS Cinematography by Mandy Walker OSCAR NOMINATED

GLENN: Hi Eric, let's talk all things camera and light—it's Best Cinematography. Can I just start by asking one big question regarding this particular category. What happened to Top Gun: Maverick here? Claudio Miranda, previous Oscar winner for Life of Pi, was supposed to be our runaway favorite and yet on nomination morning, Lydia Tár claimed one final scalp amid her reign of terror. And a second question, I suppose. Did that Top Gun miss just hand this trophy to All Quiet on the Western Front? As much as I am craving a win for Mandy Walker (for many reasons including how historic it would be), I just can't see anything but the German war movie coming out on top here.

ERIC:  Glenn, two excellent questions.  Let's tackle the first...

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"Bardo" is a Gorgeously Shot Mixed Bag

by Eurocheese

Alejandro González Iñárritu’s latest film, Bardo: False Chronicle of a Handful of Truths, is a film overflowing with powerful images, half-told stories and vignettes that delve into very personal material. The film is not always coherent, and not everything works, but it is a mixed bag that offers enough rewards to make it worth a recommendation. The viewer’s mileage will vary, and as one might expect based on the early review, it will definitely not be for everyone. 

Bardo sets its tone right off the bat with multiple disorienting sequences out of context, letting the audience know that accessibility will not be a top priority. One consistent throughline  though, is its visual splendor. Netflix has been delivering some of the most beautiful imagery onscreens this year (Glass Onion and Pinocchio jump to mind), and this film bathes us in oceanic blues and city lights. It also highlights the beauty of Mexico while simultaneously focusing on its shortcomings, an internal struggle for the protagonist, whose national identity is among his many crises. If you’re going to have an emotional breakdown, why not do it while you’re surrounded by lush landscapes?

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Oscar Volley: How do you choose only 15 finalists for "Best International Feature"?

Team Experience will be discussing each Oscar category as we head into the precursors. Here’s Elisa Giudici and Abe Friedtanzer…

Argentina, 1985

ELISA: Abe, have been handed one of the toughest Oscar volleys of the year. The Best International Film category is maddening: more than 90 possible contenders, the majority of whom are still unavailable. My first impression this year is that no movie has already locked up a nomination. There is no Parasite, no Another Round, no crystal-clear, 100% sure contender who can sleep tight until the nomination morning. Do you have the same impression? 

There are of course some strong contenders in the category, such as Argentina, 1985. I saw this movie in Venice and underestimated its crowdpleasing power...

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Venice Diary #02 - BARDO and other self-reflecting movies

by Elisa Giudici

Two men focusing on their own identities. Two women speaking to their relationship with their husbands. For day two of the Venice film festival it was a quartet of movies featuring personal intimate stories...

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Movie News x 5: Amsterdam, Avatar 2, Barbie, Bardo, and Fast X

by Nathaniel R

1. Hey look, it's the first image from David O. Russell's next film Amsterdam, which the internet has been calling either Canterbury Glass or Untitled David O. Russell Film for its entire production history. But now we know its true name so we've had to adjust all the Oscar charts accordingly, not that we've predicted it for much at this juncture. Though obviously predictions can and do change throughout the year...

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