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Entries in Geena Davis (21)

Sunday
Jul022017

A League of Their Own, Pt. 4 - The World Series

Here is the conclusion of our 25th anniversary retrospective of A League of Their Own!

Part 1 introduced us to the team and Part 2 showed us their success and struggles on the field. In Part 3, the sibling rivalry between Dottie (Geena Davis) and Kit (Lori Petty) got Kit traded to the Racine Belles and the return of her husband from the war caused an exhausted Dottie to quit the team. Where will that leave the Rockford Peaches as they go on to the first all-women World Series?

Part 4 by Chris Feil

1:30:15 - It’s the first game of the first AAGPBL World Series and it’s our beloved Rockford Peaches against the Racine Belles. And wouldn’t you know Doris has some fawning fans in the stands (including “that guy” actor Joey Slotnick in his film debut)!

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Saturday
Jul012017

A League of Their Own, Pt 3: Winning the War but Losing the Game

25th Anniversary Four-Part Mini Series Event

In Part 1 we met a slew of talented female ball players as they escaped the doldrums of their lives to join the All American Girl's Baseball League during World War II. In Part 2 we got invested in their funny personalities and rivalries and watched as former star and booze hound Jimmy Dugan slowly rose to the challenge of actually managing them. When we left off, the girls were warned that the league might be closing just as its begun unless they could generate more publicity and sell more tickets.

The Peaches are in love wih the game already. They step up when they're asked to give it everything they got...

Part 3 by Jazz Tangcay (on loan from Awards Daily)

1:01:55 ...time to see some ball. Kit pitches and we cut to Dottie displaying her catching skills spilt style. It’s an absolutely amazing shot of Geena Davis and much like Jimmy’s reaction, you’re sitting there, jaw open, thinking wow. “What the hell was that?” Jimmy asks. Don’t we all want to know how she did that? 

Dottie even makes the cover of Life magazine

1.03:00 After a quick church prayer, and another quip from Jimmy, “God knows we have a game,” Hans Zimmer’s score starts up 🎵

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Thursday
Jun292017

A League of Their Own, Pt. 1: Cow Girls & Charm School

25th Anniversary Four-Part Mini Series Event


Welcome sports movie fans. Or, in a pinch, actressexuals who will watch largely female casts do practically anything.

Twenty-five years ago on July 1st, 1992, Penny Marshall's period comedy A League of Their Own (1992) opened in theaters. It wasn't quite an immediate blockbuster but word of mouth was spectacular -- in its second weekend it grossed practically as much as its first, which as you know is exceedingly rare. The female led comedy proved another home run for the director of Big, eventually grossing over $100 million domestically. It ended 1992 as that year's tenth biggest hit, just behind Basic Instinct and shutting Clint Eastwood's Unforgiven out of the moneyed top ten.

For the next few days we'll be revisiting this beloved classic tag-team style like we did with Who's Afraid of Virginia Woolf (1966), Thelma & Louise (1991), Rebecca (1940), and The Silence of the Lambs (1991). Please join in the conversation if you love this movie (and who doesn't?). - Editor

Batter up...

Part 1 by Lynn Lee

01:22 Inside an old-fashioned cape-cod house, a tall, slender, elegant older lady with reddish blonde hair (Lynn Cartwright, but with Geena Davis’ unmistakable throaty voice dubbed) is packing a suitcase.  As we’ll learn, she’s Dottie Hinson, one of the (fictional) first women to play in the (real) All-American Girls’ Professional Baseball League, and is getting ready to attend a special event honoring the AAGPBL at the baseball Hall of Fame.  She seems oddly less than excited about it, even when her daughter turns up with her old baseball mitt...

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Wednesday
May312017

Wonder Women: Geena Davis

We're cheering on Hollywood's super heroic women this week. Here's Lynn Lee!

Geena Davis at Sundance this past JanuaryIf they’d made a Wonder Woman movie back in the ’90s, Geena Davis would have been on the short list for the lead role.  Or if not, she should have been.  Statuesque beauty?  Check.  Commanding physical presence and natural athleticism?  Check and check.  A convincing don’t-fuck-with-me quality, tempered by a divine set of dimples that suggest she’s not taking herself too seriously? Check and mate.

Davis’s premature relegation to the sidelines of Hollywood is one of the great recent WTFs for movie lovers and actressexuals everywhere.  To be fair, maybe we should have seen it coming, given her string of box-office bombs, the fact that she passed up roles she probably shouldn’t have, and her reputation for not being the easiest to work with. Yet it’s pretty shocking, when you look at her filmography, to see how abruptly her movie career sputtered and stalled out round about the turn of the millennium.

She still does TV work, though, and continues to be an active force for improving women’s roles in the entertainment industry—including launching her very own Institute on Gender in Media a decade ago to help increase awareness of the issue...

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Monday
May012017

There's a link in my soup

This is Just My Face is on sale nowNPR Gabourey Sidibe has a book out, now "This is Just My Face: Try Not To Stare" (great title). It's about her rise to fame, body image, and being confused with her fame-making character in Precious which she finds both frustrating and powerful
Time Out New York publishes its own TONY* nominations. Get it, their initials are TONY. Not to be confused with the actual Tony Award nominations which are due tomorrow to honor the best of Broadway. Consider this their "should be nominated" article
The Retro Set looks at the new documentary Mifune: The Last Samurai, narrated by Keanu Reeves, and now available to stream on Netflix. Can't wait to watch this. 

Deadline republished an interesting history of the making of Silence of the Lambs. I didn't know that the project started with Gene Hackman who was going to direct and star. 
Variety shared a really good interview with Geena Davis. I love what she says about the gender neutral movement with some awards bodies, combining male and female actors into the same category. It's a terrible idea and Geena eloquently explains why
Playbill Chita Rivera flashes back to her West Side Story audition in the 1950s, the show that put her on the map
Awards Daily looks at the prospects for Limited Series Actor... a far more shallow field than its Actress counterpart this year but at least that means its looking good for Riz Ahmed and Ewan McGregor
Playbill Come From Away, a new Broadway musical that's expected to do very well in tomorrow's Tony nominations, is getting its own documentary feature called Come From Away: From Gander to Broadway. It's the true story of a group of strangers diverted into a small town after the 9/11 terrorist attacks grounded airplanes.

Finally...
Interview has Kate Hudson interview her mom Goldie Hawn. It starts enjoyably silly and familial but gets deep into "mindfulness." Goldie is almost back onscreen (Snatched) after a 15 year retirement (that they're somehow calling a "hiatus"). Love this bit about how therapy (which she started around the time of Laugh-In) helped her keep sane despite becoming a household name in her early 20s:

I realized that the way people see me, as a star, has nothing to do with me. It's like a Rorschach test, like I am something they can identify with, learn to love, learn to hate, learn to resent ... but I gave it back to them. So if somebody said to me, "Oh, I love you!"—that makes me happy to see them happy, but I wouldn't take it in as something that builds my ego. And that's how I stabilized myself. 

Have a lovely Monday, everyone. How do you plan to "stabilize" yourself this week?

Thursday
May262016

Thelma & Louise Pt. 5: Crossing Over

25th Anniversary Five-Part Mini Series Event 

Pt 1 (Anne Marie & Margaret) 
Pt 2 (Nick Davis) 
Pt 3 (Daniel Crooke)
Pt 4 (Nathaniel R) 

Pt 5 (Finale) by Laurence Barber

It feels awfully daunting to write about the ending of this film, and not just because, as Nathaniel pointed out, ditching the cop who pulled them over isn’t Thelma or Louise’s finest hour. As an Australian who has experienced outback heat, that scene always makes me feel a bit nauseous even if the way their doing away with this discipline daddy is pretty amusing. More logically, they could have made use of his handcuffs to disable him instead, but you have to appreciate that Callie Khouri hasn’t constructed these crimes around what feels like pattern behaviour. Aside from Thelma’s charm assault/armed robbery, their transgressions feel genuinely like two women thinking on their feet.

Also, you catch a glimpse of a shotgun behind him as he trades shades with Louise so I’ve always believed he figured his way out somewhere down the line (shoot the lock, dummy!).

Thelma: Officer, I’m real sorry ‘bout this.”

Louise: I apologise also.”

1:40:00 This aspect of the scene has always spackled over my misgivings about it too. Much has been said and written in recent years about the way women over-apologise, exercising a kind of ingrained cultural deference to male authority. In this scene, however, their apologies become a subversion; the way Sarandon half-heartedly apologises tells us that she’s given up caring about the needs of men in any meaningful way.

Replete with her new Aviators – a hot new look Scott drinks in with a zoom that feels as awed by Sarandon as we do by this point – Louise and Thelma jump back in the Thunderbird and put rubber to the road, the final stage of their road trip stretching out before them. In a brief cut back to the police part of the plot, Harvey Keitel gravely intones, “Dreams will only get you so far, and luck always runs out.” Lighten up, toots...

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