Yes, No, Maybe So: The Great Gatsby

Jose here. The summer not only brings us cheesy special effects movies and superhero blockbusters, it also announces the start of something else in movie theaters: the arrival of Oscar season trailers! Yesterday we got our first glimpse at Baz Luhrmann's take on F. Scott Fitzgerald's The Great Gatsby which, no surprise, showed us Baz at his Baziest.

Those of you who were expecting him to show some restraint will be highly disappointed (although didn't you learn your lesson with Australia?) while the rest will rejoice in the way he flahses his unique visual style. Anyway, before you pick a team, let's do our usual Yes, No, Maybe So...

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Review: "Warrior"

WARRIOR, a sure to be crowd-pleaser features two down-and-out bruiser brothers (Joel Edgerton and Tom Hardy) and their alcoholic father (Nick Nolte) all preparing for an Ultimate Fighting challenge with a $5 miilion purse. It's exactly the kind of movie you're expecting it to be. As the film begins there's Springsteen-like (Springsteen-lite?) warbling on the soundtrack and the palette's chief color, blueish gray, is smeared all over the screen. This is all handy shorthand for weary/bruised manly-man working class drama. Warrior wants you to feel as comfortable in your theater seat as you might on your couch as it works, sweats and trains towards its predictable but appropriately rousing conclusion. Which is not to say that Warrior isn't any good… just that it's both confident and content with its big meaty grip on the super familiar genre it belongs to and adores. 

The first rule of Fight Club is: do not talk about Fight Club. Tommy (Hardy) is the only Conlon family member who obeys...

Read the rest at Towleroad 

(pssst. I do mention Oscar once in connection with Nick Nolte, but I think people are getting carried away on that front.)

Links: Arthur Laurents, Joel Edgerton, Parker Posey, Will Smith

TV Guide A brilliant suggestion: put Parker Posey in the boss's chair in The Office. Did you see her on Parks & Recreation last night? She's dependable with hilarity, that one.
The Art of Manliness how to jump from rooftop to rooftop, like a frenzied movie hero.
Boobs Radley Imagined conversations between Scarlett Johansson and Sean Penn. Teehee.
My New Plaid Pants a big week for Joel Edgerton. A leading role in the new Kathryn Bigelow flick? Yes please.
Variety Quentin Tarantino wants Will Smith for his Django Unchained movie. In our opinion any actor would be crazy to turn Tarantino down. He nearly always finds something new or untapped in their talent. He's pure magic that way.
The Beats Within new blog on Madonna as a musician (still underappreciated). This is a really interesting interview with Guy Sigsworth who cowrote "What It Feels Like For a Girl"
Movie Morlocksk spends an evening with Terence Stamp. We love him.

Hey U Guys shows the delightful first image from a pirate movie from Aardman Animations. Hugh Grant will be voicing it matey.
THR It might be Keanu Reeves for Akira. Hollywood is just determined not to cast Japanese actors even though the property is the selling point.
Movie|Line is every Kate Hudson movie the same? Chart!
Salon looks at the best devil portrayals on film.

Finally...I meant to write about Arthur Laurents passing yesterday but this one made me sick with loss. The theater great had a hand in so many properties that are just magic (Rope, West Side Story, The Way We Were, Gypsy ... the list goes on) and he lived to be 92 years old; a long and accomplished life it was. He won Tony Awards and was twice Oscar nominated (both nominations were for the ballet drama The Turning Point) but somehow they snubbed his brilliant screenplay for The Way We Were which is only among the pinnacle achievements of its entire genre. Seriously name ten romantic weepies that are better; you can't!

His life was inspiring, too. Imagine having the guts to live as an out gay man as early as the 1950s. I didn't know where to begin -- I'd need a whole blog week. MUBI is terrific with the obituaries, always rounding up good articles to read, like this recent lengthy dishy profile from New York Magazine when the revival of West Side Story opened on Broadway.