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Showbiz History: Dreamgirls vs Nine, Damien The Omen, and More.

Today is my birthday! Wish me well. Or better yet, donate to the site (see right hand sidebar) to keep it healthy. That's my only birthday request since I have a roof over my head and food in the fridge and friends to  have weekend activities with and really that's the important stuff in the grand scheme of things so I'm hashtag blessed... without the icky religious connotations! My only church is the cinema.

Anyway,  here's what was happening in showbiz history on June 6th throughout the years!

1933 The first ever drive-in movie theater (location: Camden, New Jersey) opened starting a popular but now essentially lost tradition. 

1944 D-Day a World War II and inspiration for many filmmakers since.

1950 Director Chantal Akerman born in Belgium

1954 Multiple Tony winner and queer icon Harvey Fierstein is born in Brooklyn. I love that one of my heroes shares my special day. Credits include Torch Song Trilogy, La Cage Aux Folles, Hairspray, and more...

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Modern musicals and the supporting actresses we give Oscars to

by Jorge Molina

During the 85th Academy Awards, there was a somewhat arbitrary musical tribute to three modern musicals in between Seth MacFarlane's sexist monologue and Jennifer Lawrence's fall: Chicago, Dreamgirls, and Les Misérables. Besides being the soundtrack of my college experience, I noticed that all three had one thing in common: they had all won Oscars for their Supporting Actresses.

This threw me into a rabbit hole of IMDb pages, Wikipedia charts, and showtune playlists to look into the historic relation between movie musicals, supporting actresses, and the Academy Awards. If I’d put this much effort into my thesis, I might have graduated in time...

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The Furniture: Fame Flattens Your Dreamgirls, Boys

"The Furniture" is our weekly series on Production Design. Here's Daniel Walber...

 This probably goes without saying, but movie musicals tend not to take place in the real world. Gene Kelly doesn’t just serenade French children in An American in Paris, he leads the cast through a dream ballet of wild abstraction. The oddness of public singing is often just the door to an even more fantastical world. Even those about actual musicians, who need no special excuse to croon, often break free from realism.

In this context, Dreamgirls is a bit of an odd duck. Director Bill Condon tries to split the difference. Some of the songs are entirely within the context of a real performance, while others incorporate non-musician characters and non-realistic settings. The back and forth can be a bit confounding...

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"Dreamgirls" at 10

by Chris Feil

With La La Land, isn't it great to have a musical out in front again this Oscar race, especially one that brings such joy (sideyeing you specifically, Les Miz)? And as Nathaniel pointed out, that shouldn't be taken for granted.

Ten years ago, Dreamgirls was a more traditional genre high, and ulitmately taught us not to get too comfortable with a musical's Oscar chances after it landed that year's highest nomination tally but missed Best Picture and Director. But maybe that miss resulted from voters tiring of a campaign that started a full year before release, and not from the quality of the film.

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